By Justin Kroll
Kim Dickens has rounded out the cast of 20th Century Fox’s adaptation of the classic novel “Miss Peregrine’s Home for Peculiar Children,” which Tim Burton is directing.
Eva Green, Asa Butterfield, Ella Purnell, Allison Janney and Samuel L. Jackson also star.
The film is based on the Ransom Riggs novel, following a teenager, played by Butterfield, who finds himself transported to an island where he must help protect a group of orphans with special powers from creatures out to destroy them. Green will play the title character, who acts as a guardian for these orphans.
Chernin Entertainment is producing, with Jane Goldman penning the script.
Production is currently under way, and the pic is set to bow March 4, 2016.
While she has stayed busy on the film front, Dickens broke out from her roles on TV that included HBO’s “Deadwood” and “Treme” and Netflix’s “House of Cards.” She recently landed a starring role on the upcoming “The Walking Dead” companion series.
Dickens was last seen in David Fincher’s “Gone Girl,” which was also a Fox production. She is repped by Gersh.
By Justin Kroll
Allison Janney has joined the cast of 20th Century Fox and Tim Burton’s adaptation of the classic novel “Miss Peregrine’s Home for Peculiar Children,” which Tim Burton is directing.
Eva Green, Asa Butterfield, Ella Purnell and Samuel L. Jackson also star.
The film is based on the Ransom Riggs novel, following a teenager, played by Butterfield, who finds himself transported to an island where he must help protect a group of orphans with special powers from creatures out to destroy them. Green would play the title character, who acts as a guardian for these orphans.
Janney will play the the psychiatrist to Butterfield’s character.
Chernin Entertainment is producing, with Jane Goldman penning the script.
Production is currently underway and the pic is set to bow March 4, 2016.
Janney can currently be seen on the CBS sitcom “Mom” opposite Anna Faris and on the film front will next be heard in Illumination’s “Minions” voicing the character of Madge Nelson. She also has “Spy” starring Melissa McCarthy and Jason Statham coming out this summer.
Janney is repped by Thruline, Gersh and Nelson Davis LLP.
By Ben Travers
The cast and creator of “Penny Dreadful” sat down for a 30-minute panel discussion at their Winter TCA presentation in January. The group included John Logan, Josh Hartnett, Timothy Dalton, Helen McCrory and Harry Treadaway. After showcasing a new trailer to kick things off (see below), the group of five did their best to tease Season 2 without spoiling. We shall try to do the same.
SPOILERS ahead for the first season of “Penny Dreadful.”
1) “This season we embrace witchcraft.”
So said series creator John Logan when discussing what’s to come in the second season of “Penny Dreadful,” Showtime’s hit horror series from the Oscar-winning screenwriter. Though he didn’t give away too much new information — a wise move for a series with some enticing twists — he did expound upon the new villain of the series, new characters, and what the rest of the main characters would be going through. “Last year we set the characters on the board, and this year we get to play with them,” Logan said. The game itself? Witchcraft, which Logan said will be a major part of the new season.
2) “Penny Dreadful’s” new villain is uniquely human.
One big reason to “embrace witchcraft” in Season 2 is the new antagonist, Madam Kali (aka Evelyn Poole). Played by Helen McCrory, Kali appeared in a few episodes last year, perhaps most notably as the “impersonator” who set things off for Vanessa during the show-stopping seance scene. Now, she’s the big baddie, and one wielding considerable power. Logan talked about how vampires were the main adversary last year, but that he wanted a human villain in Season 2. He’d had this planned out for a while, too, cutting a scene with McCrory from the first season that better illustrated her upcoming value (but didn’t fit in the edit in the end). You can see some of what’s in store on her end in the trailer below, summed up in one quote: “When Lucifer fell, he did not fall alone.”
3) Josh Hartnett’s Ethan will be hunted as much as he hunts.
One of the biggest reveals in last year’s season finale was Ethan Chandler’s secret identity, so to speak. Ethan is a werewolf — or so we thought. “He’s a wolf man,” Hartnett casually corrected. “That’s what John likes to call him.” More importantly, Logan said Ethan will be hunted more than he hunts in Season 2. A Scotland Yard inspector, a new character played by Doug Hodge, will be hot on Ethan’s metaphorical and literal tail. All the while, Ethan will be discovering who he is — Logan was adamant in pointing out Ethan doesn’t yet know he’s a werewolf, and discovering as much will be an emotional journey unto its own for the already conflicted American gunslinger.
4) “There’s a major dancing component to this season.”
Logan gave out plenty of juicy details, many of which fit the grisly tone of the new trailer, but he was also asked to explain one of the trailer’s only moments of bliss. There’s a scene where Vanessa (Eva Green) dances with the Creature (Rory Kinnear) in what in passing seems like a lovely, touching moment. Turns out there’s much more like it to come.
“There’s a major dancing component to this season,” Logan said. “He’s composed three waltzes for us. They’re all unique to the characters. There’s a Vanessa and Ethan waltz — which is a larger waltz than with the other characters — there’s a Creature waltz. Seeing what we can do with these characters is very exciting.”
5) If you thought Season 1 was light on gore, get ready for a bloody Season 2.
No one said anything about amping up the classic horror aspects — gore, blood, violence — but the climactic moment of the trailer certainly indicates an emphasis on blood, one way or another. Logan also noted how the directors he worked with this season added their own style to the episodes, especially since the pilot’s director (and tone-setter for the series) J.A. Bayona did not return for Season 2. Change is coming, even if Logan argues “it’s still ‘Penny Dreadful.'”
6) This is the “make or break” season for “Penny Dreadful.”
Logan talked about how difficult it was for him to find the right tone for his show in the first season. “I was immensely proud of the first season,” Logan said. “It was a very, very challenging target to hit, which is a horror show that will break your heart. I believe that’s what we accomplished. I think there’s more pressure, more tension this season. Last year, our heroes were hunters, and this season they are the prey.”
Logan went on to mention the characters are brought closer together in Season 2 thanks to higher stakes. “We sort of unleashed hell this season, so it is our make-or-break season, and we’re going for it.”
7) “Penny Dreadful” premieres May 3 at 10pm.
Set your DVRs accordingly!
There are few experiences in modern cinema quite as intoxicating as watching Eva Green behaving badly. Whether she’s an American housewife on the verge of a nervous breakdown in White Bird in a Blizzard, or fixing those deep turquoise eyes on her oppressors in the revenge western The Salvation, or wrestling demons in the TV series Penny Dreadful, it’s impossible to tear your gaze away.
Green is an enigma, hiding in plain sight. She’s a femme fatale with as many female admirers as male ones, a Bond girl who all but ate Bond for breakfast. Her beauty is of the troubling sort that drives prim conformists mad – they’re forever wanting her to fix her teeth, go easy on the eye make-up, tone down the witchiness and look like everyone else.
Read the full article here on telegraph.co.uk.
On the penultimate day of the rewrite, I finally brought up Eva Green. Pitt was sitting on the chair, the sun was setting in one of the windows, and Madison Street, which was three stories below us, was clogged with cars. The Dreamers was Green’s first movie, and the first of the many sex scenes in her career—the most outrageous of which is in 300: Rise of an Empire. In a sense—at least a cinematic sense—Pitt deflowered her. (“You are my first love, my first great love,” Green says to Pitt in The Dreamers, after fucking him on a couch.) “What is she like in person?” I asked him with a tone that I thought perfectly concealed my fascination with the actress. Pitt, who had heard me sing nonstop praises for his performance of the Kurt Cobain–like character in Gus Van Sant’s Last Days, looked at me for a moment and, as if finally realizing that my devotion to him was lower than the one I had for his costar in The Dreamers, said with almost cool cruelty: “You and every other man wants to know that.” I never brought the matter up again.
By Elizabeth Wagmeister
“Penny Dreadful’s” second season has been pushed back one week. The 10-episode season two will now premiere on Sunday, May 3.
Showtime’s thriller was originally set to bow on April 26, previously announced at the Television Critics Assn. press tour.
The new episodes welcome back Helen McCrory, who is back as Evelyn Poole (aka Madame Kali), and Simon Russell Beale, who returns as Ferdinand Lyle. Guest stars include Patti LuPone, Douglas Hodge, Sarah Greene and Jonny Beauchamp.
Series creator John Logan said of the new season: “Last season, our heroes were hunters. This season, they’re hunted.”
Eva Green isn’t sure she can keep juicing up in the long run.
The French actress always looks incredible and even won the role of Bond girl Vesper Lynd in Quantum of Solace. To keep her body in check, she has a routine of exercising and cleansing with liquid meals.
“I run for half an hour a day and do stretches,” she revealed to German magazine Jolie.
“I’ve also discovered fresh vegetable juices. I know this sounds very LA, but I’m totally on the juicing bandwagon. Not sure if this will last. We’ll see!”
But Eva isn’t too tough on herself. Just like most other people, the gorgeous brunette has a few diet weaknesses.
“I don’t want to seem like a total alcoholic, but I do love a glass of something in the evenings,” she smiled. “It really relaxes me. And I can’t resist when it comes to cheese and foie gras. And I love to travel. But that’s a nice weakness.”
The 34-year-old star also let fans in on her beauty tips. Her mother always says not to worry about things, because it causes wrinkles.
Her go-to scent is Melograno from Santa Maria Novella and the little luxury she can’t live without are contact lenses.
“I do wear glasses when I’m home alone in the evenings – I turn into four-eyes. But nobody knows about that…” she giggled.
Source: Belfast Telegraph
Seydoux has vague memories of watching Pierce Brosnan as Bond when growing up, but her strongest identification is with the Daniel Craig stretch of the franchise.
‘With the arrival of Daniel, a new chapter seemed to open up for the Bond movies,’ she says.
‘The movies are better and much more exciting than they used to be.
‘As for the Bond girls, I especially identified with Eva Green as Vesper Lynd in Casino Royale.
‘It impressed me that a French actress was playing a Bond girl. I was taken with the way she could be intense and mysterious, strong and vulnerable, girlish and womanly. I love it when an actress can play with contradictions.
‘But there’s no way I could have imagined myself playing a Bond girl nearly ten years later. For me, that dream was too big.’
By David Crow
A familiar door been reopened. Indeed, if you listen closely, already can be heard the cries of restless spirits (or at least Showtime fans) yearning to embrace the other side of the Deminonde once more; Showtime’s Penny Dreadful is returning for season two. And that first sensation is already apparent in the new trailer for the second year.
As one of the best shows on television, and definitely one of the most underrated, Penny Dreadful had initially introduced itself as a Victorian curiosity from creator and executive producer John Logan (Gladiator, Skyfall); a decadently dressed pastiche of many of the 19th century’s best British horror novels, including the works of Mary Shelley, Bram Stoker, and Oscar Wilde, quickened back to life as a monster mash for the premium cable generation.
But with its startling fidelity to the works of the aforementioned authors—such as the most faithful rendering of the Frankenstein monster to date—as well as its belabored intensity for capturing the gilded hypocrisy of an age, Penny Dreadful rapidly matured into something more than worth your time: it became a layered drama about repression of one’s true self. You may have predicted that season one would reveal Josh Hartnett’s Ethan Chandler had a wolfish secret, or that the bedeviled Vanessa Ives would find Yuletide love from Sir Malcolm Murray, but the execution was seductively ingratiating.
Now Showtime is gearing up the hype for Penny Dreadful season two. Last month, we received our first real trailer for the upcoming second season, and just last week Showtime rolled out its New Year’s Day celebrations by airing all eight hours of the first season back-to-back. With anticipation growing, there is hardly a better time to organize all in one place everything that you need to know and expect from the second season of Penny Dreadful.
By Julie Rebeyrol
Surprisingly, pungent, breathtaking. The lens of Julia Fullerton-Batten for the Campari Calendar 2015, Eva Green plays with imagination and malice, the femme fatale image that fits her too often to the skin. Meeting in London around a Campari Orange. Cheers!
IR: You are often a muse, but this is the first time that you are asked for a calendar. How did you feel?
Eva Green: I loved posing for Campari calendar, it was fun. I was in good hands, pampered by the best makeup artists, stylists and hairdressers. The positive energy that is absorbed around you is very important to feel confident and fulfilled before the lens.There were so many shootings where I did not feel “connected” with the photographer. Julia Fullerton-Batten, it was different.
What has she done more than others?
She made me very serene. She is a talented artist with an incredible imagination and a real sense of almost theatrical staging. She is passionate about what she does and takes great pride in her work. She prepared the set for hours before the shooting, she has carefully placed each glass and each bottle. It was so well done twenty minutes were enough to take a picture.
What surprised you most about this shooting?
The shooting in the ballroom of a castle in Budapest was very surprising and even fun, even. We were able to dance with gorgeous men, which is always nice, and the boys around me were pulling the strings of my dress so it moves! It’s unusual.
Among all these beautiful pictures, which one in the calendar that you prefer?
Sputnik! I like its mystery, magic and especially cosmonaut helmet. I recognize myself also naturally in this picture. Far, far away from the image of “femme fatale” that sticks to my skin. I also like the photo of the Negroni where I had to wear a beautiful Vivienne Westwood dress. The dress has helped me to get into the character I interpreted, a courtesan of the 19th century looking in the mirror. It was beautiful and sensual.
The 2015 calendar revisits and interprets the amazing stories behind iconic Campari cocktails. What is your favorite story about cocktails?
That of Negroni sbagliato ! I loved knowing how this cocktail was invented. It was created by accident and, like many other errors, eventually became an exceptional discovery. Such accidents can give birth to the most beautiful things in the world.
You will soon be back on movie sets, what movie in which you’ve not been seen yet but would like to play?
Maybe a comedy. Yes, a black comedy …! I love black humor. I am completely obsessed with Catherine Tate. This woman fascinates me.
Exactly, which actress has always inspired you?
Isabelle Adjani, forever. And Cate Blanchett, which for me is a true goddess! But I was perhaps the most inspired with is the poster of the film Last Tango in Paris by Bernardo Bertolucci, which remained plastered to my room very long.
You are often seen in Anglo-Saxon distributions, what kind of French film could seduce you?
Films of Jacques Audiard. Without hesitation!
At what time of the day are you going to the movies?
When I’m on a plane. I must admit that I unfortunately go infrequently to the cinema.
Finally, 2015 will be the year of “Eva Green” for Campari and for you? What’s your wish?
… (long pause) … To be happy! Yes, to be happy. Simply.
By Dave McNary
Samuel L. Jackson is in talks with Fox to come on board Tim Burton’s “Miss Peregrine’s Home for Peculiar Children” alongside Eva Green and Asa Butterfield.
Chernin Entertainment is producing “Peculiar Children” and has slotted the fantasy-actioner for release on March 4, 2016.
Burton will direct from a script by Jane Goldman, who adapted the Ransom Rigg novel about a teenager who finds himself on an island where he must help protect a group of orphans with special powers from creatures out to destroy them.
Jackson has been filming Quentin Tarantino’s “The Hateful Eight.” He’s repped by ICM Partners and Anonymous Content.
By Katina Vangopoulos
From getting her acting start in Bertolucci film The Dreamers, Eva Green has spent the last decade on some of Hollywood’s biggest movie sets working with Ridley Scott and Robert Rodriguez to becoming a Bond girl. As her latest turn in White Bird in a Blizzard makes its debut on Blu-Ray, here’s a look at three Eva Green performances that lend to her standing as a modern femme fatale.
1. Vesper Lynd, Casino Royale
In what is arguably the best James Bond outing ever, Green is her most effective as the only woman to ever truly gain 007’s affection. Vesper Lynd is a woman torn between right or wrong as she is forced to play for both sides. But her love for Bond is real, Green able to switch from smouldering to caring with ease before breaking the action hero’s heart. As an unconventional Bond girl this not only made Green a star to be noticed, but made Casino Royale what it is – a Bond film with heart.
2. Ava Lord, Sin City: A Dame To Kill For
Frank Miller’s favourite Sin City creation came to life in a sequel nearly 10 years in the making, and Green revels in the neo-noir world of his imagining. Her turn as the dame of the title is the centrepiece of the film as she controls everyone and everything. Green is her most seductive as Ava, luring hapless men into a false sense of love and security. It’s safe to say she wasn’t too afraid to get her clothes off in the name of art either.
3. Angelique Bouchard, Dark Shadows
While the film as a whole was a bit of a jumbled effort by Tim Burton, Green is given a lot of room to ham up the femme fatale stereotype as Angelique, the witch obsessed with Johnny Depp’s Barnabas. She plays Angelique as a straightshooter with conviction, a businesswoman who knows what she wants. But her pining for Barnabas brings a lighter, near-comical side to the character, a point of difference for Green who is otherwise used to dramatic roles.
Source: Movie Mezzanine
By Natalie Denton
“It is important to feel loved by the photographer or the director, so you are able to give as much as possible. I felt like Julia really appreciated me. I played several characters and it was fun. I didn’t have to do loads of homework or learn lots of lines, and to be surrounded by passionate people without any pressure was a joy. Truly, Julia was my inspiration.” – Eva Green on Julia Fullerton-Batten
“What was so refreshing with Eva was every time she came on set, she totally performed, knew the story behind the cocktail and it just made my job so much easier. Campari approached me to ask if I wanted to photograph the calendar for 2015 and I was like, ‘yes!’ – I didn’t know who the muse would be, but I was over the moon when I found out that it was Eva, because I didn’t want to work with someone typical. I think Eva has something quite amazing about her. She was the perfect choice for the calendar.” – Julia Fullerton-Batten on Eva Green
By Steph Adams
French actress and Model; Eva Green is most notably known for filming along side Daniel Craig in Casino Royale. The one women to have stolen his heart. Here she talks about what it was like being the leading lady for the latest Campari Calendar.
SA: Congratulations on becoming the leading lady for Campari, How do you think the style of the brand has evolved over the last 150 years?
Eva: Thank you. It was a huge honor. The Campari Calendar is renowned all over the world and is a work of art that I myself have admired for many years. Some incredibly talented and beautiful women have starred in previous editions, from Uma Thurman and Penelope Cruz to Jessica Alba, so I’m really honoured to have been part of that history too. It is such a privilege to work with a brand like Campari, which carries with it such a rich and interesting history, yet remains to be timeless with some of the best-loved cocktails remaining on trend even today. I think that says a lot for the styling of the brand too in that it has obviously evolved with the ages but at every point has remained contemporary and on trend – this is probably why it is still such a worldwide icon today.
SA: How did you feel about this year’s theme? Why do you think you were chosen to star in this year’s Calendar?
Eva: This year’s theme ‘Mythology Mixology’ had me hooked on the project from day one. The whole Calendar is very much a visual narrative, revealing the creation stories behind 12 of Campari’s best loved classic cocktails. As an actress, I am very used to bringing scripts and stories to life through characters, so perhaps that’s why they chose me. Unlike with TV or film though, we had to capture the stories in just one shot. There is something very intriguing and complex in that but Julia’s (the photographer) vision and skill is what really brought this project to life.
SA: What does the Campari Calendar mean to you?
Eva: For me, the project was about so much more than simply having my picture taken. I for one learned so much from this shoot and it was so interesting to delve into the history behind the Campari brand and its cocktails. It’s made me think about the art of telling stories very differently. Like I say, I am very used to recreating stories as an actress, but working with Julia on this shoot opened my eyes to the art of photography as a story-telling platform. It really is a work of art and I hope everyone loves it as much as I do.
SA: As an actor, who do you look to most for inspiration when you are playing a role?
Eva: I look to actors and filmmakers who inspire me. I’ve worked with Tim Burton before and am about to work with him again – he inspires me a lot.