Eva Green and her mother, former actress and author Marlène Jobert (with over 20 million copies sold, she’s only behind J.K. Rowling when it comes to children’s books in France), are featured in Vanity Fair Italy. Ms Jobert was interviewed about her autobiography, her life, her family and her career.
The main photo was published by Paris Match back on November 6, 2014, but the interview is brand new.
– Magazine & Newspaper Scans > 2016 > Vanity Fair (Italy) – January 20, 2016
– Magazine & Newspaper Scans > 2015 > ELLE (Turkey) – July 2015
– Magazine & Newspaper Scans > 2015 > TOUT Magazine (Russia) – February/March 2015
– Magazine & Newspaper Scans > 2014 > NOVUS Magazine (Dominican Republic) – December 2014
– Magazine & Newspaper Scans > 2015 > Planet V&S 60 (France) – 2015
– Magazine & Newspaper Scans > 2014 > iBoo Magazine (Italy) – November 2014
– Magazine & Newspaper Scans > 2014 > Haftasonu Magazine (Turkey) – March 2014
– Magazine & Newspaper Scans > 2015 > Estetica The Hair Magazine (Czech & Slovak) – March 2015
– Magazines & Newspapers > 2015 > Mujer Hoy (Spain) – July 25, 2015
– Magazines & Newspapers > 2015 > Glamour (Spain) – June 2015
Mujer Hoy seems to think that Algeria and Nigeria are the same country… Come on, folks! In this day and age, journalists can do a little research with the help of the Internet before posting n’importe quoi… The fine people from those two diverse and culturally rich countries would appreciate it. And so would be, Eva Green fans.
Eva talks about her shyness, being cast as Isabelle in The Dreamers, how it didn’t work out between her and von Trier and why she didn’t star in The Antichrist, dying her hair as a teen, and L’Oréal.
– Magazines & Newspapers > 2015 > Io Donna (Italy) – May 30, 2015
“Dark? But I dream of doing a comedy.”
She found Ireland, where she is filming the second season of the horror tv show Penny Dreadful, a mystical country. But also in western atmospheres, Eva Green does not stop confronting the dark forces. Even her mother, French actress Marlène Jobert, is surprised by her dark roles…
The sky is grey, the sudden rain that makes the asphalt dark and shiny, the bare trees of a cold February day: the atmosphere of Ardmore Studios in Wicklow County, forty minutes from Dublin, could not be more appropriate. They are shooting the second season of Penny Dreadful, an horror-gotic tv show created by John Logan and produced by Sam Mendes, set during the Victorian London.
The scene is full of deformed monsters, characters from literature – Dorian Gray, Dracula and Frankenstein – opium smokers, adventurers. Here, every morning for months, Eva Green became the fragile, painful and enigmatic Vanessa Ives, the sorcerer with supernatural powers who fights evil spirits and unknown forces. Between takes, the actress leave her long dark dress with rigid corset (the amazing costumes have been created by Gabriella Pescucci) and present herself to this interview with a severe masculine cut shirt color – Is it a coincidence? – of blood, complete with a bow tie, leather pants and boots. All black, like her hair. She’s pale, with those special blue eyes, she seems a little bit tired and wan but still fascinating, the uncertain voice and the usual shyness; Eva Green charms.
HD screencaps of Eva in episode 2.01 of Penny Dreadful entitled ‘Fresh Hell’ have been added to the gallery. Enjoy the new additions!
2.01 Fresh Hell
“My lack of confidence is disastrous. I still don’t know what I’m missing. It’s an inner thing I can’t untie, and being successful doesn’t change anything to it. This job is a constant questioning. I can put on a strong face, but I don’t get used to it… On the other hand, I know that being an actress doesn’t solve everything. We live intensely, but it’s not enough. I don’t want to wake up at age 50 telling myself that I’ve done nothing but films.” – Eva Green
Thanks to our good friend Luciana for the HQs.
By Laura Prudom
The first season of Showtime’s “Penny Dreadful” explored some of horror fiction’s most famous figures, spinning a provocative yarn that weaved vampires, werewolves and demons into the more recognizable stories of Dorian Gray and Victor Frankenstein for a gripping and gruesome monster mash-up. While viewers may have been lured by the chance to see such iconic characters inhabiting the same screen, they stayed for the powerhouse performances from the likes of Eva Green (who played Vanessa Ives, a character original to the series) and the lavish production values, which faithfully recreated the claustrophobic streets of Victorian London and staged some impressive set pieces, from grand theater productions to an elaborate fight scene between our heroes and a vampiric horde.
When dealing with battles between supernatural creatures, viewers have high expectations, so creator John Logan turned to stunt coordinator Pete Miles, whom he had worked with on “Skyfall.”
“You want an action sequence to have its own DNA and feel to it,” Logan explains in Variety‘s exclusive behind-the-scenes look at the stunt work on the series. “We wanted the ‘Penny Dreadful’ action sequences to be appropriate to the piece, so our fights are barroom brawls; they’re really ugly and violent — it has the feeling of savagery.”
In the video above, Miles and the producers explain what went into creating some of the most challenging action scenes of the first season, which had star Josh Hartnett channeling his inner cowboy and Timothy Dalton sustaining a minor flesh wound in the heat of battle.
“Penny Dreadful” returns to Showtime in 2015.
Thanks to Carol, Eden and Sebastian for many of the new additions. Enjoy!
Campari Calendar 2015 Launch (London) – November 5, 2014
Eva Green interviewed her famous mom for Paris Match. Eva says that Joy was the one who insisted that Marlène wrote her biography and that she didn’t know that her mom had such a difficult childhood. Ms Green was also surprised to read about her mom’s former boyfriends, the ones that she dated before she met Walter Green in 1976, and to know about Jobert’s career in details. She says that she’d like to be lighter and funnier like her mom and Marlène says that her daughter is funnier than she gives herself credit for and that she should be able to use that side of hers in Tim Burton’s next film.