By Justin Kroll
Kim Dickens has rounded out the cast of 20th Century Fox’s adaptation of the classic novel “Miss Peregrine’s Home for Peculiar Children,” which Tim Burton is directing.
Eva Green, Asa Butterfield, Ella Purnell, Allison Janney and Samuel L. Jackson also star.
The film is based on the Ransom Riggs novel, following a teenager, played by Butterfield, who finds himself transported to an island where he must help protect a group of orphans with special powers from creatures out to destroy them. Green will play the title character, who acts as a guardian for these orphans.
Chernin Entertainment is producing, with Jane Goldman penning the script.
Production is currently under way, and the pic is set to bow March 4, 2016.
While she has stayed busy on the film front, Dickens broke out from her roles on TV that included HBO’s “Deadwood” and “Treme” and Netflix’s “House of Cards.” She recently landed a starring role on the upcoming “The Walking Dead” companion series.
Dickens was last seen in David Fincher’s “Gone Girl,” which was also a Fox production. She is repped by Gersh.
By Justin Kroll
Allison Janney has joined the cast of 20th Century Fox and Tim Burton’s adaptation of the classic novel “Miss Peregrine’s Home for Peculiar Children,” which Tim Burton is directing.
Eva Green, Asa Butterfield, Ella Purnell and Samuel L. Jackson also star.
The film is based on the Ransom Riggs novel, following a teenager, played by Butterfield, who finds himself transported to an island where he must help protect a group of orphans with special powers from creatures out to destroy them. Green would play the title character, who acts as a guardian for these orphans.
Janney will play the the psychiatrist to Butterfield’s character.
Chernin Entertainment is producing, with Jane Goldman penning the script.
Production is currently underway and the pic is set to bow March 4, 2016.
Janney can currently be seen on the CBS sitcom “Mom” opposite Anna Faris and on the film front will next be heard in Illumination’s “Minions” voicing the character of Madge Nelson. She also has “Spy” starring Melissa McCarthy and Jason Statham coming out this summer.
Janney is repped by Thruline, Gersh and Nelson Davis LLP.
By Ben Travers
The cast and creator of “Penny Dreadful” sat down for a 30-minute panel discussion at their Winter TCA presentation in January. The group included John Logan, Josh Hartnett, Timothy Dalton, Helen McCrory and Harry Treadaway. After showcasing a new trailer to kick things off (see below), the group of five did their best to tease Season 2 without spoiling. We shall try to do the same.
SPOILERS ahead for the first season of “Penny Dreadful.”
1) “This season we embrace witchcraft.”
So said series creator John Logan when discussing what’s to come in the second season of “Penny Dreadful,” Showtime’s hit horror series from the Oscar-winning screenwriter. Though he didn’t give away too much new information — a wise move for a series with some enticing twists — he did expound upon the new villain of the series, new characters, and what the rest of the main characters would be going through. “Last year we set the characters on the board, and this year we get to play with them,” Logan said. The game itself? Witchcraft, which Logan said will be a major part of the new season.
2) “Penny Dreadful’s” new villain is uniquely human.
One big reason to “embrace witchcraft” in Season 2 is the new antagonist, Madam Kali (aka Evelyn Poole). Played by Helen McCrory, Kali appeared in a few episodes last year, perhaps most notably as the “impersonator” who set things off for Vanessa during the show-stopping seance scene. Now, she’s the big baddie, and one wielding considerable power. Logan talked about how vampires were the main adversary last year, but that he wanted a human villain in Season 2. He’d had this planned out for a while, too, cutting a scene with McCrory from the first season that better illustrated her upcoming value (but didn’t fit in the edit in the end). You can see some of what’s in store on her end in the trailer below, summed up in one quote: “When Lucifer fell, he did not fall alone.”
3) Josh Hartnett’s Ethan will be hunted as much as he hunts.
One of the biggest reveals in last year’s season finale was Ethan Chandler’s secret identity, so to speak. Ethan is a werewolf — or so we thought. “He’s a wolf man,” Hartnett casually corrected. “That’s what John likes to call him.” More importantly, Logan said Ethan will be hunted more than he hunts in Season 2. A Scotland Yard inspector, a new character played by Doug Hodge, will be hot on Ethan’s metaphorical and literal tail. All the while, Ethan will be discovering who he is — Logan was adamant in pointing out Ethan doesn’t yet know he’s a werewolf, and discovering as much will be an emotional journey unto its own for the already conflicted American gunslinger.
4) “There’s a major dancing component to this season.”
Logan gave out plenty of juicy details, many of which fit the grisly tone of the new trailer, but he was also asked to explain one of the trailer’s only moments of bliss. There’s a scene where Vanessa (Eva Green) dances with the Creature (Rory Kinnear) in what in passing seems like a lovely, touching moment. Turns out there’s much more like it to come.
“There’s a major dancing component to this season,” Logan said. “He’s composed three waltzes for us. They’re all unique to the characters. There’s a Vanessa and Ethan waltz — which is a larger waltz than with the other characters — there’s a Creature waltz. Seeing what we can do with these characters is very exciting.”
5) If you thought Season 1 was light on gore, get ready for a bloody Season 2.
No one said anything about amping up the classic horror aspects — gore, blood, violence — but the climactic moment of the trailer certainly indicates an emphasis on blood, one way or another. Logan also noted how the directors he worked with this season added their own style to the episodes, especially since the pilot’s director (and tone-setter for the series) J.A. Bayona did not return for Season 2. Change is coming, even if Logan argues “it’s still ‘Penny Dreadful.'”
6) This is the “make or break” season for “Penny Dreadful.”
Logan talked about how difficult it was for him to find the right tone for his show in the first season. “I was immensely proud of the first season,” Logan said. “It was a very, very challenging target to hit, which is a horror show that will break your heart. I believe that’s what we accomplished. I think there’s more pressure, more tension this season. Last year, our heroes were hunters, and this season they are the prey.”
Logan went on to mention the characters are brought closer together in Season 2 thanks to higher stakes. “We sort of unleashed hell this season, so it is our make-or-break season, and we’re going for it.”
7) “Penny Dreadful” premieres May 3 at 10pm.
Set your DVRs accordingly!
On the penultimate day of the rewrite, I finally brought up Eva Green. Pitt was sitting on the chair, the sun was setting in one of the windows, and Madison Street, which was three stories below us, was clogged with cars. The Dreamers was Green’s first movie, and the first of the many sex scenes in her career—the most outrageous of which is in 300: Rise of an Empire. In a sense—at least a cinematic sense—Pitt deflowered her. (“You are my first love, my first great love,” Green says to Pitt in The Dreamers, after fucking him on a couch.) “What is she like in person?” I asked him with a tone that I thought perfectly concealed my fascination with the actress. Pitt, who had heard me sing nonstop praises for his performance of the Kurt Cobain–like character in Gus Van Sant’s Last Days, looked at me for a moment and, as if finally realizing that my devotion to him was lower than the one I had for his costar in The Dreamers, said with almost cool cruelty: “You and every other man wants to know that.” I never brought the matter up again.
By Elizabeth Wagmeister
“Penny Dreadful’s” second season has been pushed back one week. The 10-episode season two will now premiere on Sunday, May 3.
Showtime’s thriller was originally set to bow on April 26, previously announced at the Television Critics Assn. press tour.
The new episodes welcome back Helen McCrory, who is back as Evelyn Poole (aka Madame Kali), and Simon Russell Beale, who returns as Ferdinand Lyle. Guest stars include Patti LuPone, Douglas Hodge, Sarah Greene and Jonny Beauchamp.
Series creator John Logan said of the new season: “Last season, our heroes were hunters. This season, they’re hunted.”
By Dave McNary
Samuel L. Jackson is in talks with Fox to come on board Tim Burton’s “Miss Peregrine’s Home for Peculiar Children” alongside Eva Green and Asa Butterfield.
Chernin Entertainment is producing “Peculiar Children” and has slotted the fantasy-actioner for release on March 4, 2016.
Burton will direct from a script by Jane Goldman, who adapted the Ransom Rigg novel about a teenager who finds himself on an island where he must help protect a group of orphans with special powers from creatures out to destroy them.
Jackson has been filming Quentin Tarantino’s “The Hateful Eight.” He’s repped by ICM Partners and Anonymous Content.
By Katina Vangopoulos
From getting her acting start in Bertolucci film The Dreamers, Eva Green has spent the last decade on some of Hollywood’s biggest movie sets working with Ridley Scott and Robert Rodriguez to becoming a Bond girl. As her latest turn in White Bird in a Blizzard makes its debut on Blu-Ray, here’s a look at three Eva Green performances that lend to her standing as a modern femme fatale.
1. Vesper Lynd, Casino Royale
In what is arguably the best James Bond outing ever, Green is her most effective as the only woman to ever truly gain 007’s affection. Vesper Lynd is a woman torn between right or wrong as she is forced to play for both sides. But her love for Bond is real, Green able to switch from smouldering to caring with ease before breaking the action hero’s heart. As an unconventional Bond girl this not only made Green a star to be noticed, but made Casino Royale what it is – a Bond film with heart.
2. Ava Lord, Sin City: A Dame To Kill For
Frank Miller’s favourite Sin City creation came to life in a sequel nearly 10 years in the making, and Green revels in the neo-noir world of his imagining. Her turn as the dame of the title is the centrepiece of the film as she controls everyone and everything. Green is her most seductive as Ava, luring hapless men into a false sense of love and security. It’s safe to say she wasn’t too afraid to get her clothes off in the name of art either.
3. Angelique Bouchard, Dark Shadows
While the film as a whole was a bit of a jumbled effort by Tim Burton, Green is given a lot of room to ham up the femme fatale stereotype as Angelique, the witch obsessed with Johnny Depp’s Barnabas. She plays Angelique as a straightshooter with conviction, a businesswoman who knows what she wants. But her pining for Barnabas brings a lighter, near-comical side to the character, a point of difference for Green who is otherwise used to dramatic roles.
Source: Movie Mezzanine
Congratulations to Kristian Levring and to the cast and crew of The Salvation! The film got 7 Robert Awards Nominations:
Best Set Design
Best Make-up Artist
Best Visual Effects
For more information on the Robert Awards and the other nominees and categories, click HERE.
By Oliver Lyttelton
8. “The Dreamers”
An extremely polarizing NC-17 film upon its release, Bernardo Bertolucci’s wantonly naive — perhaps revisionist — paean to his ’60s counter-culture heyday is a valentine to the thrilling rush of New Wave cinema and an impetuous kind of sonic youth. It can be a little heavy-handed if you’re not a devout quixotic cineaste (but can you really hate on references to “Mouchette” and “Bande à part“?). But drunk on idealism, it throbs with erotic voltage and is fraught with romantic spontaneity — and it’s a film that is done wonders by repeat viewings and is deeply in need of a second glance. Featuring excellent performances by its three leads (especially a deliciously wicked and sultry Eva Green; the boys are Michael Pitt and Louis Garrel) the trio play disaffected youths insulated in a palatial Paris apartment, experimenting with sexuality, exploring abstract notions, philosophy and challenging social mores while the world outside is pregnant with unrest and discordant anomie. Its rich guilelessness is in essence its strength (the title says its all), as the film voluptuously (and profanely) lurches forward like an ardent molotov cocktail to the chest.
Read the rest of the list HERE.
WINNER: BEST ACTRESS
Eva Green (Penny Dreadful)
One of the most fearless and raw tv performances in years was gifted to us by Eva Green, who played a Victorian Era woman having to battle very real inner demons. Never afraid to give her all – sometimes going to such extreme places that you almost felt empathetic exhaustion watching her – Green was absolutely riveting throughout Penny Dreadful’s first season.
Rest of the category and other nominees and winners HERE.
By Trace Thurman
Penny Dreadful – The Séance
Talk about a slow burn. Penny Dreadful has one of the most interesting narratives of any TV show I’ve ever seen. Based on the pilot alone, it is clear that the destination is not what’s important with this show, but rather the journey instead. Penny Dreadful takes its sweet time getting to the point, and at first I was a little bored but after a while I became mesmerized by how beautiful it was. That pretty much changed after the second episode, appropriately titled Séance. If Eva Green doesn’t get an Emmy nomination next year (and let’s face it, she probably won’t) it will be a sad day for TV indeed. All of the performances are top notch, but Green nearly steals every scene she is in. Her tour de force performance in the second episode involves her character becoming possessed at the titular event and it’s phenomenal.
Rest of the list HERE.
Source: Bloody Disgusting
By Willa Paskin
Mo, you have already chimed in for Penny Dreadful, but I want to chime in particularly for Eva Green. She plays Vanessa Ives, a woman with a traumatic past and a penchant for communing with spirits. Late in the season she became possessed, and not by some semi-friendly neighborhood spirit. Ives’ possession looked painful, brutal, and physically taxing. Green threw her body around with convincing abandon and was even scarier when she opened her mouth. (I will say, Mo, that I found Reeve Carney as Dorian Grey, his kissing abilities aside, to be a total bore—a handsome dull patch.) Prior to Penny Dreadful, I always thought of Green as the best-ever Bond girl. That may be a debate for another club, but it speaks to the regularity with which Green toggles between small and silver screens.
Rest of the list HERE.
By Collider Staff
Penny Dreadful – “Closer Than Sisters”
Eva Green should be getting some awards recognition for her work on Showtime’s Penny Dreadful. Want to see why? All you have to do is watch episode 5, “Closer Than Sisters.” It was pretty clear that she was going to own the show after the seance scene in episode 2, but “Closer Than Sisters” isn’t just a standout installment because of one mind-blowing moment. Green nails a drastic single-episode arc that takes Vanessa from a bright, kind young woman to one plagued by demons and darkness. “Closer Than Sisters” functions as a brilliant character piece and standalone episode, but it was also a major game changer for the rest of the show. Whether you’re watching a scene between Vanessa and Sir Malcolm (Timothy Dalton) or one during which she’s exploring her budding romance with Dorian Grey (Reeve Carney), it all comes back to what she experienced in this episode. – Perri Nemiroff
Rest of list HERE.
Seven drops that count….
Florence, 1919. It is said that, on his return from England, Count Camillo Negroni asked his favourite bar to prepare his usual Americano with seven drops of gin instead of soda. A legend was born and still continues strong today.
In case you missed it, here’s Eva Green and Campari wishing you A Happy New Year!