By Dave McNary
Samuel L. Jackson is in talks with Fox to come on board Tim Burton’s “Miss Peregrine’s Home for Peculiar Children” alongside Eva Green and Asa Butterfield.
Chernin Entertainment is producing “Peculiar Children” and has slotted the fantasy-actioner for release on March 4, 2016.
Burton will direct from a script by Jane Goldman, who adapted the Ransom Rigg novel about a teenager who finds himself on an island where he must help protect a group of orphans with special powers from creatures out to destroy them.
Jackson has been filming Quentin Tarantino’s “The Hateful Eight.” He’s repped by ICM Partners and Anonymous Content.
By Katina Vangopoulos
From getting her acting start in Bertolucci film The Dreamers, Eva Green has spent the last decade on some of Hollywood’s biggest movie sets working with Ridley Scott and Robert Rodriguez to becoming a Bond girl. As her latest turn in White Bird in a Blizzard makes its debut on Blu-Ray, here’s a look at three Eva Green performances that lend to her standing as a modern femme fatale.
1. Vesper Lynd, Casino Royale
In what is arguably the best James Bond outing ever, Green is her most effective as the only woman to ever truly gain 007’s affection. Vesper Lynd is a woman torn between right or wrong as she is forced to play for both sides. But her love for Bond is real, Green able to switch from smouldering to caring with ease before breaking the action hero’s heart. As an unconventional Bond girl this not only made Green a star to be noticed, but made Casino Royale what it is – a Bond film with heart.
2. Ava Lord, Sin City: A Dame To Kill For
Frank Miller’s favourite Sin City creation came to life in a sequel nearly 10 years in the making, and Green revels in the neo-noir world of his imagining. Her turn as the dame of the title is the centrepiece of the film as she controls everyone and everything. Green is her most seductive as Ava, luring hapless men into a false sense of love and security. It’s safe to say she wasn’t too afraid to get her clothes off in the name of art either.
3. Angelique Bouchard, Dark Shadows
While the film as a whole was a bit of a jumbled effort by Tim Burton, Green is given a lot of room to ham up the femme fatale stereotype as Angelique, the witch obsessed with Johnny Depp’s Barnabas. She plays Angelique as a straightshooter with conviction, a businesswoman who knows what she wants. But her pining for Barnabas brings a lighter, near-comical side to the character, a point of difference for Green who is otherwise used to dramatic roles.
Source: Movie Mezzanine
Congratulations to Kristian Levring and to the cast and crew of The Salvation! The film got 7 Robert Awards Nominations:
Best Set Design
Best Make-up Artist
Best Visual Effects
For more information on the Robert Awards and the other nominees and categories, click HERE.
By Oliver Lyttelton
8. “The Dreamers”
An extremely polarizing NC-17 film upon its release, Bernardo Bertolucci’s wantonly naive — perhaps revisionist — paean to his ’60s counter-culture heyday is a valentine to the thrilling rush of New Wave cinema and an impetuous kind of sonic youth. It can be a little heavy-handed if you’re not a devout quixotic cineaste (but can you really hate on references to “Mouchette” and “Bande à part“?). But drunk on idealism, it throbs with erotic voltage and is fraught with romantic spontaneity — and it’s a film that is done wonders by repeat viewings and is deeply in need of a second glance. Featuring excellent performances by its three leads (especially a deliciously wicked and sultry Eva Green; the boys are Michael Pitt and Louis Garrel) the trio play disaffected youths insulated in a palatial Paris apartment, experimenting with sexuality, exploring abstract notions, philosophy and challenging social mores while the world outside is pregnant with unrest and discordant anomie. Its rich guilelessness is in essence its strength (the title says its all), as the film voluptuously (and profanely) lurches forward like an ardent molotov cocktail to the chest.
Read the rest of the list HERE.
WINNER: BEST ACTRESS
Eva Green (Penny Dreadful)
One of the most fearless and raw tv performances in years was gifted to us by Eva Green, who played a Victorian Era woman having to battle very real inner demons. Never afraid to give her all – sometimes going to such extreme places that you almost felt empathetic exhaustion watching her – Green was absolutely riveting throughout Penny Dreadful’s first season.
Rest of the category and other nominees and winners HERE.
By Trace Thurman
Penny Dreadful – The Séance
Talk about a slow burn. Penny Dreadful has one of the most interesting narratives of any TV show I’ve ever seen. Based on the pilot alone, it is clear that the destination is not what’s important with this show, but rather the journey instead. Penny Dreadful takes its sweet time getting to the point, and at first I was a little bored but after a while I became mesmerized by how beautiful it was. That pretty much changed after the second episode, appropriately titled Séance. If Eva Green doesn’t get an Emmy nomination next year (and let’s face it, she probably won’t) it will be a sad day for TV indeed. All of the performances are top notch, but Green nearly steals every scene she is in. Her tour de force performance in the second episode involves her character becoming possessed at the titular event and it’s phenomenal.
Rest of the list HERE.
Source: Bloody Disgusting
By Willa Paskin
Mo, you have already chimed in for Penny Dreadful, but I want to chime in particularly for Eva Green. She plays Vanessa Ives, a woman with a traumatic past and a penchant for communing with spirits. Late in the season she became possessed, and not by some semi-friendly neighborhood spirit. Ives’ possession looked painful, brutal, and physically taxing. Green threw her body around with convincing abandon and was even scarier when she opened her mouth. (I will say, Mo, that I found Reeve Carney as Dorian Grey, his kissing abilities aside, to be a total bore—a handsome dull patch.) Prior to Penny Dreadful, I always thought of Green as the best-ever Bond girl. That may be a debate for another club, but it speaks to the regularity with which Green toggles between small and silver screens.
Rest of the list HERE.
By Collider Staff
Penny Dreadful – “Closer Than Sisters”
Eva Green should be getting some awards recognition for her work on Showtime’s Penny Dreadful. Want to see why? All you have to do is watch episode 5, “Closer Than Sisters.” It was pretty clear that she was going to own the show after the seance scene in episode 2, but “Closer Than Sisters” isn’t just a standout installment because of one mind-blowing moment. Green nails a drastic single-episode arc that takes Vanessa from a bright, kind young woman to one plagued by demons and darkness. “Closer Than Sisters” functions as a brilliant character piece and standalone episode, but it was also a major game changer for the rest of the show. Whether you’re watching a scene between Vanessa and Sir Malcolm (Timothy Dalton) or one during which she’s exploring her budding romance with Dorian Grey (Reeve Carney), it all comes back to what she experienced in this episode. – Perri Nemiroff
Rest of list HERE.
Seven drops that count….
Florence, 1919. It is said that, on his return from England, Count Camillo Negroni asked his favourite bar to prepare his usual Americano with seven drops of gin instead of soda. A legend was born and still continues strong today.
In case you missed it, here’s Eva Green and Campari wishing you A Happy New Year!
We have added new and old videos on our Youtube Channel. Be sure to check them out!
Great news everyone! Eva’s pre-nominated in two categories for the People’s Choice Awards 2015! Like the BAFTA Orange Rising Star Award that she won back in 2007, the People’s Choice Awards is voted for by the public. This means that YOU, her loyal fans, will have a hand in giving her these awards!
Nominee voting will be between Tuesday, Oct. 21 to Thursday, Oct. 30, 2014 at 11:59 p.m. EST. The official nominees and will be announced during the annual People’s Choice Awards Press Conference on Tuesday, November 4, 2014 (9:00 AM, PT) at The Paley Center for Media in Beverly Hills. You can watch the press conference on PeoplesChoice.com. People’s Choice Awards 2015 will air LIVE on Wednesday, Jan. 7, 2015 from 9:00-11:00 p.m. ET on CBS.
Apart from Eva’s two pre-nominations, Penny Dreadful and 300: Rise of an Empire were also nominated.
To vote, click on the link below each category:
VOTE FOR EVA FOR FAVORITE MOVIE ACTRESS HERE!
VOTE FOR EVA FOR FAVORITE SCI-FI/FANTASY TV ACTRESS HERE!
VOTE FOR PENNY DREADFUL FOR FAVORITE CABLE SCI-FI/FANTASY TV SHOW HERE!
VOTE 300: RISE OF AN EMPIRE FOR FAVORITE ACTION MOVIE HERE!
You can vote using your smartphone. The PCA app is available on Apple’s App Store and Android’s Play Store!
Everyone can vote and you can vote as much as you want. We were successful back in 2007 and we are sure that we can do it again for Eva! Have fun voting!
Her magnetic allure is the key to her inscrutable sensuality. She’s gorgeous, fragile, and utterly irresistible
You needed a really special woman to irremediably break James Bond’s heart: an inscrutable woman able to convey contrasting sentiments such as fragility, determination, fear, sensuality, desperation and mystery with just a glance. That would be Eva Green, the actress who played Vesper Lynd, the great love of Daniel Craig’s 007. Hers is not a stage name, but she followed in the footsteps of her mother, the French actress Marlène Jobert. “In the beginning, my mother kept telling me not to choose this career because it is a cruel world and I’m very fragile. Perhaps I was also afraid of being compared to her, not only in terms of a mother-daughter relationship, but also on a professional level.” When you meet Eva for the first time, you are struck by her beauty and by her magnetic allure, those slightly guarded smoky eyes, dusky voice, and disarming shyness. “I know I’m vulnerable, extremely shy and insecure. I feel I can only truly express myself when I’m acting.”
Discovered by Bernardo Bertolucci, who launched her in the film The Dreamers in 2003, Eva became internationally famous with Casino Royale. It was, in a certain sense, an opportunity that turned out to be a mixed blessing. It made her one of the most famous and unforgettable Bond girls, but it also transformed her, despite herself, into the femme fatale archetype that every director wants. That is why she is twice as happy today to be the heroine of the action fantasy flick 300 – Rise of an Empire. In it, she is Artemisia, the warrior queen thirsting for revenge. It is a very virile and physical role. “I like having to handle a sword and fight like a man. What girl wouldn’t be happy to be a man for at least one day?” But that was just an interlude because Eva has gone back to being the dark, sensual, and enigmatic actress that we were accustomed to seeing on the screen. Whether it is on TV, with the series Penny Dreadful where she is Vanessa Ives, an unsettling girl from a good family possessed by evil spirits in Victorian London, or in the movies as Ava Lord, “the dame to kill for” in the next Sin City, Eva is quite the irresistible femme fatale.
Source: Vogue ItaliaBy Maria Grazia Meda, excerpt from Vogue Italia, September 2014, n. 769, p.348 Published: 09/15/2014 – 07:00
Let’s talk about your latest, very exciting, project – the television series Penny Dreadful. How did you get involved?
This is a good question. I’m not quite sure. It was the fortunate turn of events that Showtime approached me with an offer to write the score. Not the opposite, as it usually happens. There were apparently a few people who recommended me. Firstly, John Logan, the writer and creator of Penny Dreadful, knew and appreciated my work. Secondly, it was Juan Antonio Bayona who directed and shaped the series. Eva Green would play my music on the set, while they were shooting. She was a great ambassador (for my music).
I got invited to Dublin for meetings with Bayona, Logan and Eva Green. It was a great feeling, that my music was expected and requested. Also, seeing all the sets, built with such astonishing level of detail, was really a great experience.
Read the rest of his interview HERE.
Source: Films On Wax