Young, good-looking, multi-talented and an immensely promising actor, Sebastian Croft has made a name for himself among Penny Dreadful fans as “Creepy Vampire Boy” after his season 3 addition as The Boy Familiar. With 2016 slated to be a breakout year for Sebastian with his appearances on Penny Dreadful, ITV and FOX’s Houdini and Doyle and Game of Thrones as the Young Ned Stark, he will next be seen in Stephen Fry’s The Hippopotamus and Martha Coolidge’s Music, War and Love. We caught up with Sebastian for his first ever formal interview as he prepares for his first ever Shakespeare play King John as Prince Arthur at the Rose Theatre in Kingston, to talk about working on Penny Dreadful, observing and working with Eva Green and his hopes and dreams for his young career.
Your first professional role as an actor was in the UK National Tour of ‘Chitty Chitty Bang Bang’ (2009) as Toby, at the young age of eight. How early on did you decide that you want to perform? What drew you to acting in musical theatre, and how did you get your first big break?
I was actually 7 when I started in ‘Chitty Chitty Bang Bang’! Apparently my parents say when I was very young I used to love doing little shows, magic tricks and dressing up in costumes. I started going to Stagecoach when I was 6 and from there my lovely teacher Julia Howson gave me the chance to audition for Chitty and so I was cast in my first professional production! I knew from that first show that I wanted to keep performing, I loved it so much. It’s difficult to say what my first ‘big break’ was, as every new job I get I feel is my big break. I got cast in Penny Dreadful and Game of Thrones around the same time last year and that was a major shift that I had been working towards for some time. Musical Theatre is a great way to start as a child actor, as it gives you an excellent grounding in all three disciplines. It wasn’t a game play at the time, but I am so glad I had have that early experience. But I knew a couple of years ago that I wanted to head towards film and TV and was incredibly lucky to be spotted by Curtis Brown (now my agents) who really helped me transition into TV and film roles from early 2015 onwards.
You have an established career as a theatrical actor on the British stage. From Gavroche in ‘Les Miserables’ in 2011, to touring the UK in the title role of ‘Oliver!’ for Cameron Mackintosh, to the Royal Shakespeare Company’s production of ‘Matilda The Musical’ in London’s West End. This past year, you portrayed the title role in the musical version of ‘The Secret Diary of Adrian Mole Aged 13 ¾” at the Leicester Curve! What is your favorite aspect of being in professional theatre?
It’s hard to pinpoint, but I really like trying to figure out people and situations. I am told I have a high EQ which means I can read emotions well, and I like the puzzle of figuring out why people are the way they are and do the things they do. So I think being able to portray characters through acting feels like a natural thing to do for me, if that makes sense? I really love the roles where I can help originate a part, and have some input into building the character. This was really the case on Adrian Mole. It was a brand new musical, where all the lead roles were played by teenagers, and we were working very closely with the writers and directors. They allowed us to contribute a lot to developing our charaters. There was something really magical about that show, and we have all remained great friends since. I am back in theatre at the moment working on my first ever Shakespeare play, King John. It’s one of the lesser known Shakespeare plays but Arthur (my character) has some amazing scenes. It’s being directed by Sir Trevor Nunn who is one of the best Shakespeare directors of all time. I am just soaking up every bit of knowledge I can from him and the other incredible actors I am working with. It truly is a masterclass and I feel very privileged.
By Stuart Jeffries
The star of gothic fantasy Penny Dreadful talks about the risks – and pleasures – of acting on the dark side
Only very beautiful women and, perhaps, motorcycle couriers can get away with leather trousers. Detective Saga Norén in The Bridge? Just about. Ronan Keating? Not so much.
These thoughts occur as I’m introduced to Eva Green at an apparently select members’ club in the gothic revival St Pancras Renaissance hotel in London. She’s wearing black boots, black leather trousers, tailored black singlet, has long, dyed-black hair and lots of black eye makeup.
“I am a vampire,” she laughs, as we retire to a sofa in a darkened corner, “and I never expose myself to the sun. I have very fine skin, you see.” She daily applies suncream (factor 30 or 50) under her makeup.
Green is drawn to the dark side in other ways. The 35-year-old French actor is in London to promote her role as gaunt, statuesque, demonically possessed, cheeks-sucked-in-so-much-it-must-hurt-after-a-hard-day’s-shooting clairvoyant Vanessa Ives in Sky series Penny Dreadful. The drama is a gothic mashup of Dracula, Dorian Gray, Frankenstein, steampunk aesthetics, vampires, werewolves, diabolical possession and obsolete alienist psychiatry. When I reviewed the first episode in 2014, I found it as impossible to take seriously as Ronan Keating in leather strides, notwithstanding all the impressive acting talent on show, including Rory Kinnear, Simon Russell-Beale, Helen McCrory, Billie Piper and Green herself. But the Victorian-set drama, whose third series starts this week, has since garnered decent ratings and won awards, so what do I know?
One day, Green whispers to me confidingly in husky, French-tinged, but nearly over-articulated English, she was in her trailer in Ireland. She was getting ready to film a scene in which Ives becomes demonically possessed and speaks in voices. In preparation, she was listening to a recording of the voice of a young German woman called Annaliese Michel. You can hear Michel’s ostensibly demonically possessed voice on YouTube, before she underwent Catholic exorcism rites in 1974. It is disturbing listening, and made all the more so thanks to hindsight: Michel died the following year, after which her parents and two priests were convicted of negligent homicide. “As I was listening to it,” says Green, “my makeup artist came in, heard these noises and said: ‘Oh my God, I’m getting out.’ And she ran off. I can understand why. It feels as if it’s contagious.”
by Roslyn Sulcas
As Vanessa Ives in the Showtime series “Penny Dreadful,” the French actress Eva Green has been possessed by demons, spoken in tongues, fallen in love with a werewolf and defied the Devil. What on earth can happen to her character next? Something scarier: therapy.
Yes, in Season 3, now underway, the impenetrable Miss Ives visits a “mentalist,” who bears a strange resemblance to a character from Season 2. “I always think, no, it can’t get darker,” said Ms. Green, who was nominated for a Golden Globe for the role. “But, well, you don’t know with this character whether it’s all in her head.”
The show, set in Victorian England, incorporates characters from classic British novels of the era — Dr. Frankenstein and his monsters, Dorian Gray and Dracula — to creepy, head-spinning ends. “I love playing a character from those repressed times who is so nonconformist, it’s very jubilating,” Ms. Green said. “Being possessed, sometimes, it’s very freeing.”
Ms. Green, 35, grew up in Paris and worked in theater before making her screen debut in 2003 in Bernardo Bertolucci’s “The Dreamers,” later appearing as the double agent Vesper Lynd in the 2006 James Bond movie, “Casino Royale.” Later this year, she will appear in Tim Burton’s “Miss Peregrine’s Home for Peculiar Children.”
In an interview at a hotel in London, Ms. Green, dressed all in black, was warm and, unlike Vanessa, smiled a lot. These are edited excerpts from the conversation.
When you were cast as Vanessa, did you know you’d have epic sequences of demonic possession — projectile vomiting and mowing down men and furniture?
I love all that! I prefer doing it to light stuff. There is something very physical about it, which is fun. But it’s true that it’s really intense, like a drug, or a sport. Sometimes, after shooting, I go home and lie on the sofa with a glass of red wine and can’t move.
Is it hard to speak in tongues in that scarily deep voice?
The first season, I was very serious about it. I learned some Latin, Arabic, German and Lingala, a Congolese dialect. But then some linguists created the Verbis Diablo for Season 2. I was very good for an episode. Then I just made it all up and took my voice down an octave or two.
French is your first language, but you’ve mostly worked in English.
I have only done one movie in French, and it was terrible. I’d love to do another, but I’m scared. Playing in another language means you get out of yourself somehow. I worked really crazily to sound British when I did the Bond movie, but I’m a nerd like that.
When did you decide you wanted to act?
I was very shy — I still am actually — and my school forced me to do a theater class when I was 12 because they thought it would be good for me. My mother was an actress, but she stopped when she had children, and she would always tell me it was a cruel business. I went to drama school but thought I wanted to become a director. Then I started to act and really felt alive. And here I am.
What are some of your career goals?
I would love to do something with Jacques Audiard [“Rust and Bone”]. I once wrote him a letter, but perhaps he doesn’t think I’m right. People often see me as sophisticated, or put me in the supernatural box.
What was it like to work with Tim Burton on “Miss Peregrine”?
He was really lovely. The film is about lots of strange children with unique characteristics, and I’m the guardian who protects them from the outside world. There is some darkness, but it’s very fanciful, crazy, with funny moments. It’s very poetic, very Tim.
What’s in store for Vanessa in Season 3?
Vanessa has lost her faith, but deep down there is a longing. She meets Dr. Sweet [a zoologist] in the first episode, and she will fall in love, but it’s weird. It’s a “Penny Dreadful” kind of relationship, what can I say?
by Ed Gross
There’s always been something betwitching about Eva Green, and that quality is on full display in Penny Dreadful, the John Logan created series that has just begun its third season.
The show, set in Victorian England, brings together many of the characters from classic Gothic literature – among them Dr. Frankenstein, Dorian Gray and, this season, Dr. Henry Jekyll – in an ever-growing canvas of storytelling. Green portrays Vanessa Ives, officially described as “poised, mysterious and utterly composed.” Vanessa is “a seductive and formidable beauty full of secrets and danger. She is keenly observant – clairvoyant even – as well as an expert medium. Her supernatural gifts are powerful and useful to those around her, but they are also a heavy burden. Her inner demons just may be more real than emotional, and they threaten to dextroy her relationships, her sanity and her very life.”
The actress’ credits have included such films as Ridley Scott’s Kingdom Of Heaven, the James Bond film Casino Royale, The Golden Compass, Tim Burton’s Dark Shadows, 300: Rise of An Empire and the forthcoming Miss Peregrine’s Home For Peculiar Children. She had previously been drawn to television and the role of Morgan in the short-lived Camelot.
Empire conducted this exclusive interview with Green shortly before the premiere of the new season of Penny Dreadful.
Given a career made up so largely of film, what was it about Penny Dreadful that made you willing to commit to it?
The role is so meaty. It’s quite rare to find something so rich. John Logan really insisted and insisted and at first I was, like, “Oh my God, I can’t commit to TV. I don’t know if I can.” But then he really kind of talked me through the several seasons and the arc of the character is absolutely beautiful, so I couldn’t say no. So many things to explore as an actor; it’s a gift.
You mentioned the arc. How would you describe Vanessa’s evolution over the course of what we’ve seen so far?
Sometimes she goes back and forth. At the end of season two, she loses her faith, and faith was absolutely everything to her, so she’s most of the time in the darkness, but is somebody that aims towards the light. There’s a lot of turmoil… she’s someone who becomes almost like a Joan of Arc, but there is something very pure about her.
Musician Chrissie Hynde interviewed actress Dakota Johnson for Interview Magazine. Here’s an excerpt of their conversation:
HYNDE: Penny Dreadful, too—on the last tour, I watched that pretty obsessively.
JOHNSON: I think I saw maybe one episode of that just because I am a longtime lover of Eva Green.
HYNDE: Oh, she’s amazing. Timothy Dalton—the whole cast. Eva Green is a goddess.
JOHNSON: She really is. I’m going to get into it. I’m going to get into television. I’ve decided.
Read their full interview at the SOURCE.
By Rebecca Nicholson
Eva Green has played a lot of witches. “Different kinds of witches,” says the French actor, sipping a dark red juice that looks, naturally, like a cup of blood. Tim Burton made her a blonde witch in his 2014 film Dark Shadows, and liked her so much that he cast her as the lead in his next film, Miss Peregrine’s Home For Peculiar Children. She’s done indie films, arthouse films and blockbusters, was a Bond girl in the best Daniel Craig Bond Casino Royale and put in some serious action hero green-screen time with 300: Rise of an Empire and Sin City: A Dame to Kill For. If there’s a complicated woman who may have a murderous side, or a supernatural side, or both, then Eva is top of the list.
She’s suitably goth-like today, dressed entirely in black and speaking in such a whisper that it’s sometimes hard to hear her. She says ‘I don’t know’ before she gives an answer, almost every time; sometimes to deflect, if she doesn’t necessarily want to get into something, and sometimes because she often seems unsure of herself. She says she was desperately reserved as a kid. Actors do that ‘Don’t look at me I’m shy’ false modesty thing all the time, but with her, you can believe it.
Right now she’s putting her dark side through its paces in the third season of Penny Dreadful, in which she plays Vanessa Ives, a demon-hunting medium who was possessed by the devil and fell in love with a werewolf. This time she looks set to romance a suspiciously mysterious stranger, as well as going through some early form of proto-psychotherapy. We talked about how it feels to be Hollywood’s go-to goth and why everyone expects her to take her clothes off on screen.
VICE: I just saw the first episode of Penny Dreadful season three.
Eva Green: Oh god. I haven’t seen it. I am not good at watching myself.
So what do you do when you have premieres and things like that? Do you just leave?
Yeah, actually it’s funny, I was thinking about it this morning on the train. Most of the time it’s OK but then one director, I won’t mention his name, took it really, really badly that I couldn’t stay. I stayed for the first 10 minutes then I had to leave. I just can’t… I don’t know, it’s weird.
Because you’re scrutinising yourself?
Yeah. It’s too subjective. It’s negative narcissism. It’s not good. I wish I could. Some actors can [watch themselves and] improve. I can’t.
The actress, muse of L’Oréal Professionnel, shares with us her indispensable treatments and make-up. And reveals to us her vegetarian advices.
What time do you wake up in the morning?
6:30am or 7am. I have a clock in my head. I never sleep in late, this is my Swedish side.
Do you go out without make-up on?
Yes, most of the time. I make little effort in everyday life, I prefer to play the Invisible Woman and let my skin breathe. Maybe that’s why I make a big fuss about it on the red carpet, with extreme looks.
Is sport a part of your life?
Every day when I wake up, I go for a run or do at least 20 minutes of elliptical machine. It’s essential for my balance.
What are the beauty products that you can’t live without?
The Pro Fiber shampoo and the Re-Charge monodose by L’Oréal Professionnel that help strengthen my hair over time. The very moisturising Magic Cream by Charlotte Tilbury. The skincare products and cosmetics by that make-up artist are extraordinary and innovative. And the lipstick Lady Danger by Mac, an orange-red that highlights the eyes and is enough when we want to turn heads without putting make-up on other parts of the face.
What perspective did your mother bring to your physical appearance?
That of a mama bear, concerned for my happiness and my health. I always saw her put lots of moisturising cream on. She taught me the importance of staying hydrated, including drinking water.
– Magazine & Newspaper Scans > 2016 > Grazia (Italy) – March 30, 2016
As I promised… I’ve managed to steal some time for talking also with Eva Green! I’ve been really lucky, you must believe me because that night L’Oréal organized a very exclusive party – in which I participated – at the Grand Palais of Paris. The dinner, the location, the atmosphere… How can I describe them to you without being ‘repetitive’ or ‘exaggerate’? Delicious food, real artworks made by Michelin award-winning Chefs, the Salon was set up perfectly creating the ‘magic’ that only L’Oréal is able to create… See for yourself the pictures because they speak for themselves! But… are you curious to know what the beautiful Eva answered to me? I satisfied you immediately!
How important is your hair for your image and your job?
My hair is my job. I love strong looks and I like trying out new make-up… It’s almost a game for me!
What’s your favourite style?
I like to have the hair in one side and If I had to choose a style in particular… well, the important thing is that I can see the face very well and the hair has to have soft waves.
How must be the ideal Hairstylist for you? It makes any difference if it’s male or female?
That’s an interesting question because there’s such many men and women hairstylists! When I was making a film I was used to work with women hairstylists because in my opinion among women there’s an incredible harmony! But it’s different choosing a look for a role rather than for a campaign. I love the hairstylists that are able to dare, man or woman at this point doesn’t make any difference.
Is there a particular hairstyle that you can’t adopt?
Oh wow…! Yes, sure! There’s one! I would like to cut my hair really short or dye it blonde or blue but I think I’m not going to have a future as a model anymore!
What’s your daily beauty routine?
I tell you immediately that I would like to have the chance to not wash my hair… For me it’s a waste of time but in the real life I wash it every two days. I’m really careful to use specific treatments and I try to avoid using the drier too much!
Do you like ‘selfie’?
But if I tell you that I discovered them three days ago, do you believe me? The first time a person asked me to take a selfie, I was almost terrified!
Eva Green and her mother, former actress and author Marlène Jobert (with over 20 million copies sold, she’s only behind J.K. Rowling when it comes to children’s books in France), are featured in Vanity Fair Italy. Ms Jobert was interviewed about her autobiography, her life, her family and her career.
The main photo was published by Paris Match back on November 6, 2014, but the interview is brand new.
– Magazine & Newspaper Scans > 2016 > Vanity Fair (Italy) – January 20, 2016
Eva Green feels more like herself when she’s ditched her natural hair colour.
The 34-year-old actress is a natural blonde, but usually sports much darker tresses. That’s been the way for many years, with Eva explaining she feels brunette suits her personality much better, so has stuck with in since first reaching for the dye at 15.
“I wanted to change something. You know, like when you go through your teenage years. I hated school. I was a good student, but I just wanted to breathe in something new,” she told WWD. “I was in awe of a friend of my mum, who had dark hair. She was quite weird, beautiful. I was like, ‘Oh wow, I’ll go to the hairdresser and try that.’ So I went there, I dyed my hair blue-black and came back home. It took me a while to get used to it, and then I actually really liked it. I felt more like myself. It’s weird.”
Eva was talking as part of her role as L’Oréal Professionnel international spokesperson. The brand is releasing a new range called Pro Fiber, which aims to help repair damaged hair.
It’s something the star can get on board with because she’s changed her look a lot for roles, including sporting red tresses and experimenting with fringes.
“Hair defines your character, your state of mind. At the moment I’m in a [Tim] Burton film, and it took weeks and weeks to find the right hairdo. It’s kind of a weird character. Her name is Miss Peregrine, so there is a bit of a birdlike hairdo in her. It helps you to create the character when you find the hairdo. It’s also like a costume,” she said.
The actress was also quizzed on her beauty secrets and was happy to let a couple slip. Unfortunately, there is no quick route to her slim physique and porcelain skin – it’s all about being careful.
“Sun cream, protection, food — what we eat is the most important: lots of green vegetables, raw vegetables, organic. Everything has to be organic,” she said.
Eva Green loves extreme shades when it comes to her hair.
The former Bond girl is known for her striking looks and raven hair. Her natural colour is actually dark blonde which the 35-year-old has always found dull so she likes to experiment – but has had some mishaps along the way.
“I’ve dyed my hair black since I was 15. One of my mum’s friends had very dark hair and blue eyes and I just thought, ‘OK, I have to try it!'” she told British InStyle. “I felt more like myself after I made the colour change. I love extreme shades – I’ve been dark blue, a dark brown and even red at one point. That was a challenging shade because it eventually went green!”
One colour Eva would love to try is bright blonde. But just like Kim Kardashian, who had to give up her platinum locks after only a few weeks earlier this year, the actress thinks it would be too much strain on her tresses.
“I’ve done movies with a blonde wig and I’d love to go blonde. But colourists say it would destroy my hair because of how much I’d have to bleach it,” she explained. “My hair got very damaged because it’s super straight and I always use tongs to give it texture. I’ve just had the new L’Oréal Professionel Pro Fibre Revive in-salon treatment – it makes your hair shiny and healthy.”
Eva likes to be experimental when it comes to her make-up looks too, although it wasn’t always the case.
“I was shy until I was 16 and started at the American School of Paris. It was a chance to be a new me,” she said. “I had new black hair and would match my eyeshadow with my clothes so I’d wear purple or green. It was very theatrical.”
Eva Green is like a vampire because she has to be so careful in the sun.
The 35-year-old actress has completely embraced her ultra pale skin, which means she goes to great lengths to protect it. Even when there is no threat of sun she slathers on sun protection as she knows how sensitive her skin can be.
“I’m like a vampire. I have to wear sunscreen or I look like a prawn! Even in winter I wear SPF30 – Skinceuticals Brightening UV Defence SPF30 and La Roche-Posay Anthelios Face Anti-Shine Dry Touch Gel SPF50+ are my favourites. It’s easier to apply make-up over the top of SPF30 than 50, which can be thick,” she told British magazine InStyle. “I have thin, fragile skin so I’m not a big fan of exfoliating and I don’t tend to get facials either.”
That’s not the only way the French star cares for herself. She’s also very particular about what she will and won’t eat, something she thinks many other people could learn from her.
“My diet is very LA; I eat mainly organic food. The amount of pesticides in our food is outrageous and so many people aren’t aware of what they’re eating,” she explained. “I drink lots of juices and eat kale, and have loads of energy as a result. I’m reading a great book by Dr Joel Fuhrman called Super Immunity about how you can cure all sorts of diseases with food.”
Alongside this, Eva works out regularly. For her exercise it’s just about keeping her body lean though, it’s more how it cares for her wellbeing that she likes.
“I run outside to help with my nerves. It’s a good way to get rid of your demons. Gyms are a bit depressing. You feel like a hamster on a wheel,” she said.
By Tara MacInnis
Woman of mystery Eva Green, who stars in a major hair campaign for L’Oréal, shares her secrets
With her inky cascading over pale shoulders, Eva Green—famous for her role as James Bond’s one true love Vesper Lynd in Casino Royale—is becoming the go-to leading lady for all things brooding. Early next year, she’ll play the title character in macabre master Tim Burton’s Miss Peregrine’s Home for Peculiar Children; next May she returns as the demon-tormented Vanessa Ives in Penny Dreadful’s third season. And now, L’Oréal Professionnel has tapped the French actress as its spokesperson for a new intensive hair treatment range. “It’s a revolution,” she says, wearing a long black dress, obsidian nail polish and smudgy kohl eyeshadow during the launch at the Le Meurice hotel in Paris. “It takes your hair from f-cked up to beautiful, strong, healthy.” The taxidermy-collecting star fits into Burton’s quirky world quite honestly. Unafraid of ghosts and ghouls, here’s what really causes her fright: “Not being loved…being rejected,” she says, revealing a tender truth beneath the dark facade.
Green’s Gothic Beauty Tips
Go Deep: “As a teenager, I was dark blonde. I was going through a shy phase, and I wanted to change something. My mum’s friend had black hair, and I decided to try it. I feel now that it’s more me.”
Do Blood Red: “I love M.A.C Lady Danger lipstick for all occasions. The matte finish lasts for hours.”
Shun the Sun: “I never go out without an SPF of at least 30. It’s the key to dodging aging.”
Resurrect damaged hair with the latest regenerating treatment
After 15 years of research, L’Oréal Professionnel has finally solved the beauty world’s mane dilemma: how to make a pricey reparative salon treatment last beyond your next wash. Pro Fiber’s molecular mix, dubbed APTYL 100, rebuilds frayed strands and then seals itself inside hair with a protective film. After your initial spa-style pampering using one of three hair-care systems (Revive, Restore or Reconstruct), a for-pros-only dose of the juiced-up activator locks in smoothness for up to four washes. An at-home five-piece range includes a booster that recharges results for another four-wash cycle, with lustre that lasts six weeks—until your next appointment.