Archive for the ‘Movies’ Category
G   /   May 11, 2016   /   1 Comment

G   /   May 06, 2016   /   0 Comments

Eva Green and Alicia Vikander will be co-starring as sisters in conflict traveling through Europe towards a mystery destination in Lisa Langseths’ first English-language film “Euphoria”. Shooting in the German Alps will start in early August this year.

Euphoria is a mix of psychological showdown and absurd reality. Miss Vikander’s newly launched Vikarious Productions will act as co-producer with Sweden’s B-Reel Films’ Patrik Anderson and Frida Bargo. The film has an approximate budget of 50 Million Swedish Kronor. This is the first time that half-Swedish Eva Green will be involved in a Swedish film production. Both Eva and Alicia are represented by Tavistock Wood in London and UTA in Hollywood.

News outlets Deadline, THR, Variety and co-producer B-Reel Films all confirmed the news.

G   /   May 06, 2016   /   0 Comments

By Stuart Jeffries

 

The star of gothic fantasy Penny Dreadful talks about the risks – and pleasures – of acting on the dark side

Only very beautiful women and, perhaps, motorcycle couriers can get away with leather trousers. Detective Saga Norén in The Bridge? Just about. Ronan Keating? Not so much.

These thoughts occur as I’m introduced to Eva Green at an apparently select members’ club in the gothic revival St Pancras Renaissance hotel in London. She’s wearing black boots, black leather trousers, tailored black singlet, has long, dyed-black hair and lots of black eye makeup.

“I am a vampire,” she laughs, as we retire to a sofa in a darkened corner, “and I never expose myself to the sun. I have very fine skin, you see.” She daily applies suncream (factor 30 or 50) under her makeup.

Green is drawn to the dark side in other ways. The 35-year-old French actor is in London to promote her role as gaunt, statuesque, demonically possessed, cheeks-sucked-in-so-much-it-must-hurt-after-a-hard-day’s-shooting clairvoyant Vanessa Ives in Sky series Penny Dreadful. The drama is a gothic mashup of Dracula, Dorian Gray, Frankenstein, steampunk aesthetics, vampires, werewolves, diabolical possession and obsolete alienist psychiatry. When I reviewed the first episode in 2014, I found it as impossible to take seriously as Ronan Keating in leather strides, notwithstanding all the impressive acting talent on show, including Rory Kinnear, Simon Russell-Beale, Helen McCrory, Billie Piper and Green herself. But the Victorian-set drama, whose third series starts this week, has since garnered decent ratings and won awards, so what do I know?

One day, Green whispers to me confidingly in husky, French-tinged, but nearly over-articulated English, she was in her trailer in Ireland. She was getting ready to film a scene in which Ives becomes demonically possessed and speaks in voices. In preparation, she was listening to a recording of the voice of a young German woman called Annaliese Michel. You can hear Michel’s ostensibly demonically possessed voice on YouTube, before she underwent Catholic exorcism rites in 1974. It is disturbing listening, and made all the more so thanks to hindsight: Michel died the following year, after which her parents and two priests were convicted of negligent homicide. “As I was listening to it,” says Green, “my makeup artist came in, heard these noises and said: ‘Oh my God, I’m getting out.’ And she ran off. I can understand why. It feels as if it’s contagious.”

G   /   May 06, 2016   /   1 Comment

by Roslyn Sulcas

 

As Vanessa Ives in the Showtime series “Penny Dreadful,” the French actress Eva Green has been possessed by demons, spoken in tongues, fallen in love with a werewolf and defied the Devil. What on earth can happen to her character next? Something scarier: therapy.

Yes, in Season 3, now underway, the impenetrable Miss Ives visits a “mentalist,” who bears a strange resemblance to a character from Season 2. “I always think, no, it can’t get darker,” said Ms. Green, who was nominated for a Golden Globe for the role. “But, well, you don’t know with this character whether it’s all in her head.”

The show, set in Victorian England, incorporates characters from classic British novels of the era — Dr. Frankenstein and his monsters, Dorian Gray and Dracula — to creepy, head-spinning ends. “I love playing a character from those repressed times who is so nonconformist, it’s very jubilating,” Ms. Green said. “Being possessed, sometimes, it’s very freeing.”

Ms. Green, 35, grew up in Paris and worked in theater before making her screen debut in 2003 in Bernardo Bertolucci’s “The Dreamers,” later appearing as the double agent Vesper Lynd in the 2006 James Bond movie, “Casino Royale.” Later this year, she will appear in Tim Burton’s “Miss Peregrine’s Home for Peculiar Children.”

In an interview at a hotel in London, Ms. Green, dressed all in black, was warm and, unlike Vanessa, smiled a lot. These are edited excerpts from the conversation.

When you were cast as Vanessa, did you know you’d have epic sequences of demonic possession — projectile vomiting and mowing down men and furniture?

I love all that! I prefer doing it to light stuff. There is something very physical about it, which is fun. But it’s true that it’s really intense, like a drug, or a sport. Sometimes, after shooting, I go home and lie on the sofa with a glass of red wine and can’t move.

Is it hard to speak in tongues in that scarily deep voice?

The first season, I was very serious about it. I learned some Latin, Arabic, German and Lingala, a Congolese dialect. But then some linguists created the Verbis Diablo for Season 2. I was very good for an episode. Then I just made it all up and took my voice down an octave or two.

French is your first language, but you’ve mostly worked in English.

I have only done one movie in French, and it was terrible. I’d love to do another, but I’m scared. Playing in another language means you get out of yourself somehow. I worked really crazily to sound British when I did the Bond movie, but I’m a nerd like that.

When did you decide you wanted to act?

I was very shy — I still am actually — and my school forced me to do a theater class when I was 12 because they thought it would be good for me. My mother was an actress, but she stopped when she had children, and she would always tell me it was a cruel business. I went to drama school but thought I wanted to become a director. Then I started to act and really felt alive. And here I am.

What are some of your career goals?

I would love to do something with Jacques Audiard [“Rust and Bone”]. I once wrote him a letter, but perhaps he doesn’t think I’m right. People often see me as sophisticated, or put me in the supernatural box.

What was it like to work with Tim Burton on “Miss Peregrine”?

He was really lovely. The film is about lots of strange children with unique characteristics, and I’m the guardian who protects them from the outside world. There is some darkness, but it’s very fanciful, crazy, with funny moments. It’s very poetic, very Tim.

What’s in store for Vanessa in Season 3?

Vanessa has lost her faith, but deep down there is a longing. She meets Dr. Sweet [a zoologist] in the first episode, and she will fall in love, but it’s weird. It’s a “Penny Dreadful” kind of relationship, what can I say?

 

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G   /   May 03, 2016   /   1 Comment

by Ed Gross

 

There’s always been something betwitching about Eva Green, and that quality is on full display in Penny Dreadful, the John Logan created series that has just begun its third season.

The show, set in Victorian England, brings together many of the characters from classic Gothic literature – among them Dr. Frankenstein, Dorian Gray and, this season, Dr. Henry Jekyll – in an ever-growing canvas of storytelling. Green portrays Vanessa Ives, officially described as “poised, mysterious and utterly composed.” Vanessa is “a seductive and formidable beauty full of secrets and danger. She is keenly observant – clairvoyant even – as well as an expert medium. Her supernatural gifts are powerful and useful to those around her, but they are also a heavy burden. Her inner demons just may be more real than emotional, and they threaten to dextroy her relationships, her sanity and her very life.”

The actress’ credits have included such films as Ridley Scott’s Kingdom Of Heaven, the James Bond film Casino Royale, The Golden Compass, Tim Burton’s Dark Shadows, 300: Rise of An Empire and the forthcoming Miss Peregrine’s Home For Peculiar Children. She had previously been drawn to television and the role of Morgan in the short-lived Camelot.

Empire conducted this exclusive interview with Green shortly before the premiere of the new season of Penny Dreadful.

 

Given a career made up so largely of film, what was it about Penny Dreadful that made you willing to commit to it?

The role is so meaty. It’s quite rare to find something so rich. John Logan really insisted and insisted and at first I was, like, “Oh my God, I can’t commit to TV. I don’t know if I can.” But then he really kind of talked me through the several seasons and the arc of the character is absolutely beautiful, so I couldn’t say no. So many things to explore as an actor; it’s a gift.

You mentioned the arc. How would you describe Vanessa’s evolution over the course of what we’ve seen so far?

Sometimes she goes back and forth. At the end of season two, she loses her faith, and faith was absolutely everything to her, so she’s most of the time in the darkness, but is somebody that aims towards the light. There’s a lot of turmoil… she’s someone who becomes almost like a Joan of Arc, but there is something very pure about her.

G   /   April 28, 2016   /   1 Comment

By Rebecca Nicholson

Eva Green has played a lot of witches. “Different kinds of witches,” says the French actor, sipping a dark red juice that looks, naturally, like a cup of blood. Tim Burton made her a blonde witch in his 2014 film Dark Shadows, and liked her so much that he cast her as the lead in his next film, Miss Peregrine’s Home For Peculiar Children. She’s done indie films, arthouse films and blockbusters, was a Bond girl in the best Daniel Craig Bond Casino Royale and put in some serious action hero green-screen time with 300: Rise of an Empire and Sin City: A Dame to Kill For. If there’s a complicated woman who may have a murderous side, or a supernatural side, or both, then Eva is top of the list.

She’s suitably goth-like today, dressed entirely in black and speaking in such a whisper that it’s sometimes hard to hear her. She says ‘I don’t know’ before she gives an answer, almost every time; sometimes to deflect, if she doesn’t necessarily want to get into something, and sometimes because she often seems unsure of herself. She says she was desperately reserved as a kid. Actors do that ‘Don’t look at me I’m shy’ false modesty thing all the time, but with her, you can believe it.

Right now she’s putting her dark side through its paces in the third season of Penny Dreadful, in which she plays Vanessa Ives, a demon-hunting medium who was possessed by the devil and fell in love with a werewolf. This time she looks set to romance a suspiciously mysterious stranger, as well as going through some early form of proto-psychotherapy. We talked about how it feels to be Hollywood’s go-to goth and why everyone expects her to take her clothes off on screen.

VICE: I just saw the first episode of Penny Dreadful season three.
Eva Green: Oh god. I haven’t seen it. I am not good at watching myself.

So what do you do when you have premieres and things like that? Do you just leave?
Yeah, actually it’s funny, I was thinking about it this morning on the train. Most of the time it’s OK but then one director, I won’t mention his name, took it really, really badly that I couldn’t stay. I stayed for the first 10 minutes then I had to leave. I just can’t… I don’t know, it’s weird.

Because you’re scrutinising yourself?
Yeah. It’s too subjective. It’s negative narcissism. It’s not good. I wish I could. Some actors can [watch themselves and] improve. I can’t.

M.   /   March 24, 2016   /   3 Comments

GALLERY LINK:
– Magazine & Newspaper Scans > 2016 > Grazia (Italy) – March 30, 2016

M.   /   March 15, 2016   /   1 Comment

GALLERY LINKS:
– Movies > Miss Peregrine’s Home for Peculiar Children > Official Trailer
– Movies > Miss Peregrine’s Home for Peculiar Children > Posters

G   /   March 15, 2016   /   1 Comment

Stef   /   March 08, 2016   /   1 Comment

GALLERY LINK:
– Movies > Miss Peregrine’s Home for Peculiar Children > Promotional Stills

M.   /   March 05, 2016   /   1 Comment

GALLERY LINK:
– Magazine & Newspaper Scans > 2016 > Entertainment Weekly (USA) – March 11, 2016

M.   /   March 05, 2016   /   1 Comment

GALLERY LINKS:
– Movies > Miss Peregrine’s Home for Peculiar Children > Posters
– Movies > Miss Peregrine’s Home for Peculiar Children > Promotional Stills

Stef   /   March 01, 2016   /   0 Comments

GALLERY LINK:
– Magazine & Newspaper Scans > 2014 > Soul (Greece) – June/July 2014

Stef   /   March 01, 2016   /   0 Comments

Wim Goossens of Bulletproof Cupid, a film production company, provided the production services when the Tim Burton film Miss Peregrine’s Home for Peculiar Children came to shoot for three weeks in Flanders last summer.

GALLERY LINK:
– Magazine & Newspaper Scans > 2016 > Screen Flanders (Belgium) – 2016

G   /   February 29, 2016   /   1 Comment

The book’s author Ransom Riggs tweeted an update on the film’s release date which was moved from December 25, 2016 to September 30, 2016!