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Eva Green feels more like herself when she’s ditched her natural hair colour.
The 34-year-old actress is a natural blonde, but usually sports much darker tresses. That’s been the way for many years, with Eva explaining she feels brunette suits her personality much better, so has stuck with in since first reaching for the dye at 15.
“I wanted to change something. You know, like when you go through your teenage years. I hated school. I was a good student, but I just wanted to breathe in something new,” she told WWD. “I was in awe of a friend of my mum, who had dark hair. She was quite weird, beautiful. I was like, ‘Oh wow, I’ll go to the hairdresser and try that.’ So I went there, I dyed my hair blue-black and came back home. It took me a while to get used to it, and then I actually really liked it. I felt more like myself. It’s weird.”
Eva was talking as part of her role as L’Oréal Professionnel international spokesperson. The brand is releasing a new range called Pro Fiber, which aims to help repair damaged hair.
It’s something the star can get on board with because she’s changed her look a lot for roles, including sporting red tresses and experimenting with fringes.
“Hair defines your character, your state of mind. At the moment I’m in a [Tim] Burton film, and it took weeks and weeks to find the right hairdo. It’s kind of a weird character. Her name is Miss Peregrine, so there is a bit of a birdlike hairdo in her. It helps you to create the character when you find the hairdo. It’s also like a costume,” she said.
The actress was also quizzed on her beauty secrets and was happy to let a couple slip. Unfortunately, there is no quick route to her slim physique and porcelain skin – it’s all about being careful.
“Sun cream, protection, food — what we eat is the most important: lots of green vegetables, raw vegetables, organic. Everything has to be organic,” she said.
By Tara MacInnis
Woman of mystery Eva Green, who stars in a major hair campaign for L’Oréal, shares her secrets
With her inky cascading over pale shoulders, Eva Green—famous for her role as James Bond’s one true love Vesper Lynd in Casino Royale—is becoming the go-to leading lady for all things brooding. Early next year, she’ll play the title character in macabre master Tim Burton’s Miss Peregrine’s Home for Peculiar Children; next May she returns as the demon-tormented Vanessa Ives in Penny Dreadful’s third season. And now, L’Oréal Professionnel has tapped the French actress as its spokesperson for a new intensive hair treatment range. “It’s a revolution,” she says, wearing a long black dress, obsidian nail polish and smudgy kohl eyeshadow during the launch at the Le Meurice hotel in Paris. “It takes your hair from f-cked up to beautiful, strong, healthy.” The taxidermy-collecting star fits into Burton’s quirky world quite honestly. Unafraid of ghosts and ghouls, here’s what really causes her fright: “Not being loved…being rejected,” she says, revealing a tender truth beneath the dark facade.
Green’s Gothic Beauty Tips
Go Deep: “As a teenager, I was dark blonde. I was going through a shy phase, and I wanted to change something. My mum’s friend had black hair, and I decided to try it. I feel now that it’s more me.”
Do Blood Red: “I love M.A.C Lady Danger lipstick for all occasions. The matte finish lasts for hours.”
Shun the Sun: “I never go out without an SPF of at least 30. It’s the key to dodging aging.”
Resurrect damaged hair with the latest regenerating treatment
After 15 years of research, L’Oréal Professionnel has finally solved the beauty world’s mane dilemma: how to make a pricey reparative salon treatment last beyond your next wash. Pro Fiber’s molecular mix, dubbed APTYL 100, rebuilds frayed strands and then seals itself inside hair with a protective film. After your initial spa-style pampering using one of three hair-care systems (Revive, Restore or Reconstruct), a for-pros-only dose of the juiced-up activator locks in smoothness for up to four washes. An at-home five-piece range includes a booster that recharges results for another four-wash cycle, with lustre that lasts six weeks—until your next appointment.
Eva Green’s skin didn’t fare well in the harsh Irish winter.
The French actress is playing Miss Peregrine in Tim Burton’s Miss Peregrine’s Home for Peculiar Children, which hits cinema screens next year.
Tim is known for his kooky plots and visuals, and Eva’s hair will not disappoint.
“The role I’m playing now is quite cool. My hair is kind of bonkers. It’s a 40s style with a twist. I also loved my look in another movie I starred in, called Cracks. It’s set in the 30s – all high-waisted pants and bobbed hair,” she told the British version of Marie Claire.
Eva is used to having her hair styled and her make-up applied on set, and she looks equally as glamorous when she hits the red carpet.
Not all of her projects have been as kind on the 35-year-old’s looks though. She’s known for her alabaster skin, which looks extra striking next to her raven locks, but while filming hit TV show Penny Dreadful her skin took a bit of a beating.
“Filming in Ireland last winter really took its toll on my skin,” she revealed. “I rely on a good, fragrance-free make-up remover from Cetaphil or Avène and apply a cold cream to replenish my skin. I always wear SPF, but find factor 50 is too pale and thick, so I use SkinCeuticals Brightening UV Defense SPF 30. I love Sisley’s treatments, too.
“Make-up can be dangerous when you have pale skin – sometimes I can look like Morticia Addams!”
– Magazine & Newspaper Scans > 2015 > ELLE (Turkey) – July 2015
– Magazine & Newspaper Scans > 2015 > TOUT Magazine (Russia) – February/March 2015
– Magazine & Newspaper Scans > 2014 > NOVUS Magazine (Dominican Republic) – December 2014
– Magazine & Newspaper Scans > 2015 > Planet V&S 60 (France) – 2015
– Magazine & Newspaper Scans > 2014 > iBoo Magazine (Italy) – November 2014
– Magazine & Newspaper Scans > 2014 > Haftasonu Magazine (Turkey) – March 2014
– Magazine & Newspaper Scans > 2015 > Estetica The Hair Magazine (Czech & Slovak) – March 2015
Eva Green says wearing lipstick helps her feel “comfortable”.
The 35-year-old actress is known for her glamorous appearance and always brings out her inner femme fatale when she hits the red carpet. A major part of her look is sultry make-up and the stunning brunette reveals that she could never go au naturel with her pout.
“I’m a huge lipstick fan,” she confided in the British edition of InStyle magazine. “It’s the one thing I always wear. I can go out with very little mascara and just red lips and feel totally comfortable. YSL Beauty has beautiful strong, bright shades.”
Just as Eva doesn’t mix up her make-up look too much, she stays faithful to one fragrance. For many years she’s used Santa Maria Novella’s Melograno, even feeling it’s become “a part of” her. When it comes to looking after her body, she sticks to moisturiser from Sisley.
But Eva isn’t just stylish off screen; in action flick 300: Rise of an Empire she went gothic glam with kohl-smudged eyes and full battle gear. While she loved the look, Eva admits that some of her character’s outfits weren’t practical for her energetic scenes.
“I always try to take a hand in the costumes because you have to be comfortable,” she previously explained to UK magazine ShortList.
“But my hair actually got caught in one of the outfits I wore. I was in the middle of this huge fight scene and had to go, ‘Oh f**k, wait a second.'”
By Vatsala Chhibber
There’s a dreamlike quality about Eva Green. Her stunning dark looks and impenetrable smoky eyes appear almost unreal, belonging in a whimsical fairy tale, or a Tim Burton set. Her on-screen characters only elevate the intrigue, from James Bond’s wayward lover in Casino Royale (2006) to a creepy clairvoyant on TV’s favourite horror-drama,Penny Dreadful. In Green’s make-believe world she’s always confident, alluring and not without an evil streak. “But I wouldn’t call myself self-confident in real life,” she admits. “It’s always been a fantasy for me to play powerful women — with some cracks in their personality — because I am not like that.” And though she’s found firm footing as Hollywood’s go-to femme fatale, she’s not entirely thrilled about it. “I don’t like being put in a box,” she says. “I’m many things.” Here, she gives us a glimpse of some of those things, as well as her inner demons, her beauty rituals and the big, bad Hollywood beast.
On inhabiting Tim Burton’s universe
“He’s like a child; happy and easygoing with a passion that is contagious. In Miss Peregrine’s Home For Peculiar Children [out next year], my character is like a dark Mary Poppins. It’s a beautiful story set in the ‘40s and all the other roles are played by children — this was my first time working with children, and that was a bit of a challenge. The movie is slightly bonkers, but in a poetic way.”
On her red-carpet ritual
“The last thing I do before stepping onto the red carpet is put on some perfume. I’ve been very faithful to this brand called Santa Maria Novella. They have a fragrance called Melograno that’s very simple, and very me.”
On being the new spokesperson for L’Oréal Professionnel
“My hair is thin, fragile and tortured every day. My hairdresser always uses L’Oréal Professionnel hair products. I tried their deep moisturising Pro Fiber treatment, which is magical, and their new Wet Domination by Tecni.ART styling range. I also love oils, both for the body and the hair. I use L’Oréal’s Mythic Oil twice a month — leaving it on overnight and shampooing the next morning.”
On surviving Hollywood
“It’s a tough business. As an actor you have to keep your vulnerability for your roles, and at the same time, you have to build an armour around yourself because there are so many… I have to find a polite word… arseholes. You have to have faith in yourself and remain strong. And, if you find that you’ve lost your passion one day, I think you should move on to something else.”
Eva comes at #2 at 8:53 mark.
By Julie Schott
Why the French actress is “becoming very LA.”
Sometimes Penny Dreadful star Eva Green wishes she could switch places with her twin sister and enjoy the luxury of anonymity. “She has an amazing life in Italy. She’s married to a count,” Green says. “I wish I could be her sometimes. She’s more down to earth.” When the French actress wants to disappear–a difficult feat after her mega-sexy turn in Sin City: A Dame to Kill For–she puts on her “teenager” uniform: “black t-shirt, black leggings, no makeup.”
But her signature jet-black hair, red lips, and, let’s be honest, cleavage make it impossible to blend in. We want to know all of her beauty secrets. Here, Green shares her thoughts on hair, nutrition, and nude scene prep.
ON THE PERFECT RED LIP:
I would do a red lip [on the red carpet], a flashy red lip, bada-boom. Otherwise, I’m useless. I love M.A.C or NARS pigments. Ruby Woo or Lady Danger.
I’m a vampire; I use a lot of sun cream. Skinceuticals Ultimate UV Defense is very good. The less you go in the sun the better. I moisturize with Avene. It’s a French brand that’s really good.
ON HER HAIR REGIMEN:
I wash my hair quickly. L’Oréal Absolut Repair has amazing conditioner and shampoo; it makes your hair thicker and shiny. I’m not just saying that because I’m a L’Oréal Professionnel ambassador! I dyed my hair for the first time when I was 15 and it stayed. I like dark because it makes my skin pop and it’s more me. I work with Orla Carroll for hair on shoots.
I’m becoming very LA. I drink lots of water and eat lots of green vegetables. I’m doing lots of juices at the moment. I kind of do apple, kale, carrot. I’ve got a fancy juicer. I started feeling very tired and everybody was like ‘You should try the juicing,’ but I really love it. I felt very weak. It was a revelation. And only organic fruit and vegetables. There’s so many pesticides and shit. I discovered the book by Dr. Fuhrman where he talks about juicing and eating mainly vegetables.
ON NUDE SCENE PREP:
As an actor, it’s not like a porn star. The role is not gratuitous and I kind of detach myself if I have to do a nude scene. For the sequel of 300, I did a lot of core training and that kind of work because my character was a warrior—[it needed] to be believable [that I could] kick some ass. Two or three months of training for five hours a day and I loved it. Your muscles are getting stronger. It’s like a drug almost, you feel addicted, but then on your own it’s so hard. You don’t have somebody kicking your ass every morning. I go for a run every day, I do elliptical, I do stretching. I run like 30 minutes—it’s for the head.
ON SOCIAL ANXIETY:
I’m like a cave woman. I wish I could hang out in a big social place and being very open, but I’m not like that. Being shy was a real problem in school. I don’t feel very comfortable. I have force myself to go out. At events, it’s part of the job. I see it as a game. Otherwise I’m very invisible. I prefer to float around.
By Jennifer Weil
Eva Green is a multitasking maven. She recently took time out from filming the Tim Burton movie “Miss Peregrine’s Home for Peculiar Children” to appear at the press launch in Paris of the new L’Oréal Professionnel Pro Fiber line. Green might have been named the international face of the L’Oréal-owned professional hair-care brand just a few months ago in late January, but hair has played a leading role all her life. The actress, sporting a long black Hervé Leroux dress, sat down with WWD at the Le Meurice Hotel to have a discussion.
WWD: You first dyed your hair dark around the age of 15. What made you do that?
Eva Green: I wanted to change something. You know, like when you go through your teenage years. I hated school. I was a good student, but I just wanted to breathe in something new. I was in awe of a friend of my mum who had dark hair. She was quite weird, beautiful. I was like: ‘Oh wow, I’ll go to the hairdresser and try that.’ So I went there, I dyed my hair blue-black and came back home. It took me a while to get used to it, and then I actually really liked it. I felt more like myself. It’s weird.
WWD: Has hair played an important part of your character creation at work?
E.G.: Hair defines your character, your state of mind. At the moment I’m in a Burton film, and it took weeks and weeks to find the right hairdo. It’s kind of a weird character. Her name is Miss Peregrine, so there is a bit of a birdlike hairdo in her. It helps you to create the character when you find the hairdo. It’s also like a costume.
WWD: What have been some of the interesting hairstyles you’ve had during your career?
E.G.: In “Dark Shadows” I wear a blonde wig. I was really worried at the beginning, … I was not sure [but] Tim Burton was like: ‘No, no I want you blonde.’ That made total sense for the character and actually was a very good idea, kind of a trashy Barbie. And that helps you tremendously to find the character.
I dyed my hair red six years ago, seven years ago for a role that I ended up not doing, but you feel different. I had a fringe, as well, a year ago for a movie called “White Bird in a Blizzard.” I kind of loved it. It’s a tiny detail, but you feel different. It’s funny.
WWD: What have been some of your favorite roles?
E.G.: I loved a movie called “Cracks” by Jordan Scott. It’s a small film, lots people haven’t seen it, unfortunately, but it’s a beautiful, passionate love story between a swimming teacher in the Thirties, that I play, and one of her students. I really loved that story. It was kind of a gift for an actor.
WWD: Are there any sorts of roles you’ve not gotten to play that you’d like to try?
E.G.: Yes, of course. It’s always hard as an actor because you’re being put in a box. Lots of journalists ask me: “Oh my God, why do you just play evil characters or dark characters?” I feel like I’ve played other characters, maybe that’s what you’ve seen only of me. I like complex characters, complicated people. In darkness you have light; you have different facets in the darkness. So maybe a comedy or something that people don’t expect me in — but the comedy is always a challenge, and it’s rare and it’s quite funny. But yeah, I’d like something kind of [like a] dark comedy.
WWD: Any directors you’ve not worked with yet that you’d like to try?
E.G.: I don’t know where to start. So many. Something simple. I’m sick of people saying that I do femmes fatales or I’m sexy. So I think I have to be careful now and play dirty hair, raw, a Mike Leigh movie or something, you know. No lipstick. I don’t know. Dirty hair for L’Oréal.
Something not too sophisticated, that’s what I mean. In “Penny Dreadful” I’m not very sophisticated. It’s not glamorous, let’s say.
WWD: What about stage acting?
E.G.: I’ve done plays. I get very nervous. I had a few blanks on stage so now I’m like, “Oh my God.” But it’s very electric, and it’s true that there is something kind of magical because there is a direct response with the audience. You’re not cut in the editing room. You are your own master, so that’s great but that’s really scary at the same time. I have to gain confidence again.
WWD: Back to beauty, what are your secrets?
E.G.: Sun cream, protection, food — what we eat is the most important: lots of green vegetables, raw vegetables, organic. Everything has to be organic.
– Magazines & Newspapers > 2015 > Máxima (Portugal) – May 2015
Some consider her the femme fatale of the 21st Century. Others see her as the selective actress of The Dreamers by Bertolucci. In Paris, in the event of L’Oréal Professionnel for its new spokesperson, Máxima confirmed Eva Green’s magnetism:
Known as one of the femme fatale of her generation, Eva Green never had any difficulty in accepting challenging roles. The careful selection of roles leaves no doubt about her cinematograph preferences but this French is much more than a character in a film noir. It doesn’t surprise considering her ancestry. Daughter of Marlène Jobert and a Swedish dentist, followed her mother’s footsteps, she studied in Eva Saint Paul Drama School. But it was her brilliant performance in The Dreamers, by Bernardo Bertolluci, the turning point where she decided to make a career in the movies. Two years later she arrived in Hollywood and in a few months she already got the leading role in the Ridley Scott film Kingdom of Heaven. Her cinematography is not vast, shooting a few more than one film a year, between 2003 and 2014, most are independent movies. It would be strange for her role as a Bond Girl in Casino Royale if Vesper Lynd wasn’t one of the most complex characters in the saga. And sensual. Despite this sensuality in the screen, Eva calls herself a nerd, admitting that she rather have a glass of wine and a good book than go to a party.
She is not an interview fan but she welcomed Máxima with an unexpected sympathy considering she is at the end of a marathon of them. She threatened to lie on the velvet couch while she invited me to sit with a theatrical gesture but she didn’t do it. The expressivity of the actress doesn’t seem to have the right to rest even after hours of answering journalists. She admits that starting a career working with directors like Bertolucci gave her confidence to choose roles. And despite telling us that she would like to play simpler characters, her last choice seems to indicate that she not ready yet to move away from demanding roles. She is filming Miss Peregrine’s Home for Peculiar Children by Tim Burton, a fantastic horror story based in a New York Times best-seller book. Before saying goodbye she told us that she would love to visit our country ( Portugal) : “Even with my skin tone. I really like the sun”. And even with heels she says she loves what she does and “when we are in love with what we do, that’s not really a job’’
– Magazines & Newspapers > 2015 > Grazia (Italy) – June 3, 2015
Last but not least, I’ve also uploaded scans from the May 2015 issue of GQ UK.
How she fits into the horror heritage.
1. Boris Karloff was in…
2. Curse of the Crimson Altar (1968)…
3. with Christopher Lee…
4. Who was in Dark Shadows (2012)…
5. With Eva Green!
The Grazia interview (in English) can be found after the cut. Many thanks to our friend Sara for translating it!