Archive for the ‘Movies’ Category
G   /   May 19, 2017   /   9 Comments

Eva Green has left the role of Virginia Woolf in Chanya Button’s Vita and Virginia. Miss Green will be replaced by actress Andrea Riseborough for the role of Virginia Woolf. Gemma Arterton will still play Vita Sackvile-West. Filming starts later in the summer.
 
 
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G   /   May 15, 2017   /   2 Comments

G   /   May 11, 2017   /   3 Comments


 
Roman Polanski’s Based on a True Story will screen Out of Competition by invitation only on May 27th (8:30 | 14:30 | 19:00) at the Grand Théâtre Lumière during the 70th annual Cannes Film Festival. The film starring Eva Green and Emmanuelle Seigner will close the Hors Compétition category. D’après une histoire vraie has an official running time of 1 hour 50 minutes.

G   /   May 03, 2017   /   0 Comments

Here’s the first official still from Roman Polanski’s D’après une histoire vraie (Based on a True Story) starring Eva Green and Emmanuelle Seigner.

G   /   April 28, 2017   /   6 Comments

Based-on-a-true-Story-Cannes

 
Roman Polanski’s psychological thriller Based on a True Story (D’apres une histoire vraie) starring Eva Green, Emmanuelle Seigner and Vincent Perez has been selected to be part of the 70th annual Cannes Film Festival! The film, co-written by French director Olivier Assayas (Clouds of Sils Maria, Personal Shopper) with Mr. Polanski will be screened Out of Competition.

Based on a True Story tells the story of the toxic relationship between a writer (Emmanuelle), whose life and mind are endangered by an obsessive admirer (Eva) as she goes through a tough period after the release of her latest book. The film is an adaptation of Delphine de Vigan’s critically acclaimed novel (winner of Prix Renaudot and Goncourt des Lyceens) of the same name.

Mars Distribution will release the film in France with Sony Pictures Classics obtaining its North American distribution, while Lionsgate will release it internationally. The annual Cannes Film Festival runs from May 17 to May 28, 2017.

G   /   March 08, 2017   /   9 Comments

By Diana Lodderhose
 
 
EXCLUSIVE: Eva Green is in talks to star in Tim Burton’s Dumbo, the live-action adaptation of the 1941 animated classic for Disney. Sources tell me she’s being eyed for one of the three main adult roles in the title, which is edging closer and closer towards a production start.

A Green-Burton reunion would make a lot of sense given the sizzling actress seems to be the director’s new muse, and Burton has a habit of working again and again with actors he likes. Green played the title character in Burton’s family fantasy Miss Peregrine’s Home For Peculiar Children, based on the novel by Ransom Riggs. It grossed $297.4M worldwide last year. She also starred in Burton’s vampire comedy Dark Shadows alongside Johnny Depp and Michelle Pfeiffer, which generated $254.5M worldwide in 2012.

The live-action remake of Dumbo is written by Ehren Kruger, who produces with Justin Springer (Tron: Legacy). Disney’s original version focused on a big-eared, lovable circus elephant, who is mocked for his large ears but learns to use them as wings to fly.

It’s the latest in Disney’s long line of reboots: This month, the studio is set to release a live-action version of Beauty and the Beast, starring Emma Watson, Luke Evans and Dan Stevens, and Emma Stone is set to star as villainess Cruella De Vil in the upcoming 101 Dalmatians. The studio has had huge success with reinventions of classic animated fares like Angelina Jolie starrer Maleficent and Johnny Depp’s Alice In Wonderland, the latter of which was directed by Burton. Those pics earned $758.5M and $1.02B worldwide respectively. Its 2015 reboot of Cinderella starring Lily James took $543.5M worldwide.

Green has been hugely in-demand lately. After a successful run on Showtime’s psychological thriller series Penny Dreadful, the French actress starred in Miss Peregrine and then worked with Roman Polanski on his latest title Based on a True Story, which is currently in post. She’s also starred alongside Alicia Vikander, Charles Dance and Charlotte Rampling in Lisa Langseth’s Euphoria, about two sisters who meet up again after many years apart and the profound journey that they undertake together.

Green is also attached to star with Gemma Arterton in Vita and Virginia, a title which looks at the love affair between Virginia Woolf (Green) and Vita Sacksville-West (Arterton). But word is that should the Dumbo deal make, dates for that title will have to be shifted.

Green is repped by UTA in the U.S. and Tavistock Wood in the UK.
 
 
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G   /   February 15, 2017   /   0 Comments

By Jeremy Kay
 
 
EXCLUSIVE: Psychological thriller recently wrapped production in Paris.

Sony Pictures Classics (SPC) has picked up North American rights to the French-language thriller, continuing its association with the director after the 2011 drama Carnage.

RatPac Entertainment will partner on distribution with SPC, who negotiated for the rights with Jeff Berg of Northside Services.

Emmanuelle Seigner stars as a Parisian author with writer’s block who encounters a mysterious woman at a book signing played by Eva Green. Wassim Beji of WY Productions serves as producer.

Olivier Assayas and Polanski adapted Based On A True Story from Delphine de Vigan’s novel of the same name.

“I am very pleased that Sony Pictures Classics will be distributing Based On A True Story in North America,” Polanski said. “Sony Classics is a company that has long tradition in supporting European cinema. I am looking forward to working again with Michael Barker and Tom Bernard.’

SPC said: “Based On A True Story is the kind of thriller audiences are hungering for, as exceptional and fresh as Repulsion and The Tenant were in their day. Polanski’s new film promises to be his very best.”
 
 
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Stef   /   February 08, 2017   /   12 Comments

Gemma-Arterton-Eva-Green

 
By Rebecca Ford and Alex Ritman
 
 
Chanya Button will direct ‘Vita & Virginia,’ which follows the romance and friendship between Woolf and Vita Sackville-West.

Eva Green and Gemma Arterton will star in drama Vita & Virginia, based on the true story of the love affair and friendship between literary icon Virginia Woolf and author Vita Sackville-West.

The film will be directed by British helmer Chanya Button (Burn, Burn, Burn) from a script by Eileen Atkins based on her own play of the same name, which debuted in 1992.

Virginia Stephen married Leonard Woolf in 1912, and then met socialite and author Vita Sackville-West, wife of Harold Nicolson, in 1922. They began a sexual relationship that lasted nearly a decade, as shown in their various letters and diary entries. After their affair ended, they remained friends until Woolf’s death in 1941. Green will play Woolf while Arterton will play Sackville-West.

Katie Holly of Blinder Films (Love & Friendship) and Evangelo Kioussis of Mirror Productions are producing the project while Simon Baxter will executive produce for Mirror alongside Green and Arterton. Protagonist is introducing the project to buyers at EFM in Berlin.

Green was most recently seen in Tim Burton’s Miss Peregrine’s Home for Peculiar Children and White Bird in a Blizzard with Shailene Woodley. She’ll soon be seen in Euphoria with Alicia Vikander and Roman Polanski’s Based on a True Story. She is repped by UTA and Tavistock Wood Management in the UK.

Arterton’s recently films include Lone Scherfig’s Their Finest with Sam Claflin, and she has The Escape with Dominic Cooper coming up. She’s also attached to Julie Delpy’s My Zoe. She’s repped by CAA, Independent Talent Group in the UK and Stone, Genow.
 
 
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G   /   November 26, 2016   /   2 Comments

We’ve added some new scans from the past few months to the gallery. Enjoy!
 



 
GALLERY LINKS:
– Magazine & Newspaper Scans > 2016 > Stylist Magazine – November 2016
– Magazine & Newspaper Scans > 2016 > GQ (France) — October 2016
– Magazine & Newspaper Scans > 2016 > Grazia (Mexico) – October 2016
– Magazine & Newspaper Scans > 2016 > Version Femina (France) – September 26-October 2, 2016
– Magazine & Newspaper Scans > 2016 > The Edit – September 8-15, 2016
– Magazine & Newspaper Scans > 2016 > Starpics – September 2016
– Magazine & Newspaper Scans > 2016 > La Cosa Cine (Argentina) – September 2016
– Magazine & Newspaper Scans > 2016 > ELLE (France) – September 30, 2016
 
Thank you to Flo for the La Cosa Cine magazine scans! To contribute or share your personal scans to help enrich our gallery, contact us HERE.

G   /   November 18, 2016   /   6 Comments

By MiNDFOOD
 
 
The elusive Eva takes time to talk to MiNDFOOD about her love of music, what she lives for and where she goes to escape.

Currently starring in Miss Peregrine’s Home for Peculiar Children, the fabulously glamorous and offbeat Eva Green, 36 (article corrected to Eva’s correct current age as of publication; original article contained the incorrect age of “38”), talks to MiNDFOOD about myriad subjects – from whether she’s ‘hot’ enough for Hollywood to her childhood fear of clowns. A former Bond Girl (Casino Royale) and regular on the TV show, Penny Dreadful, was born in Paris. She exudes an old-fashioned mysterious quality rarely seen in modern actresses, that same quality has guaranteed her a career in film.
 
Miss Peregrine is described as mysterious, smart and tough. Some might would say this was a perfect fit.
(laughs) Well, I like to think so. I try.

What do you like about this beloved literary character?
She’s so cool. She looks after all these gorgeous children and smokes the pipe (laughs). And also, it’s the first time I am not playing the love interest.

Do you smoke?
Not anymore. I used to be a smoker but I stopped 3 years ago.

Thinking about the word peculiar – when have you felt peculiar in your life?
I always felt a bit peculiar. I think lots of people have felt at some point quite different. People say I’m weird but I don’t feel weird – so maybe I am weird! (laughs). I have black hair, I felt strange as a child, I was very shy, scared of going to birthday parties and clowns.

What scares you now?
Oh, God, lots of things in this world. I don’t know where to start. Greed, pollution. Greed mostly.

Do you have any pets?
I have a dog but my sister looks after him. He’s a Border Terrier. His name is Mr. Griffin.

How do you get along with your sister?
My sister lives in Italy so I don’t see her very often but we Skype. She has two beautiful children that I adore. She has a vineyard so she makes her own wine. Yeah, it’s very cool.

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G   /   October 11, 2016   /   0 Comments

G   /   October 10, 2016   /   3 Comments

By Neala Johnson
 
 
“It’s nice,” says Eva Green, “not to play the girlfriend.”

“I don’t want to be the woman in the script where it goes, ‘There’s a beautiful, mysterious woman …’ Just, OK, forget it. I think I would feel unhappy … Some people play it very well but I want to be as equal as a man, you know what I mean?”

Oh, we know what she means.

As far as mysterious girlfriends go, Green played a stunner — to Daniel Craig’s James Bond in his first, bracing outing, Casino Royale.

So impactful was Green’s Vesper Lynd, Bond basically spent the next three films getting over her.

But now the London-based Frenchwoman is over it too. Searching for the word to perfectly capture what she wants to do from here on in, Green finally settles upon “other”.

“It’s exciting to be other.”

If it’s other she wants, Green could wish for no better co-conspirator than Tim Burton.

She teams with the famously eccentric director for a second time on Miss Peregrine’s Home for Peculiar Children, a fantastical adaptation of Ransom Riggs’ best-selling young-adult novel.

Green plays Miss Peregrine, a woman who, while protecting a gaggle of children with unusual abilities from outside threats, also has a peculiarity of her own: as the name suggests, she can transform into a bird.

“I remember Tim called me a year before the shoot. He was like, ‘I’ve got this book, I wonder if you would be interested?’ I was like, ‘Anything, I’d play anything for you’. But he was like, ‘No, no, I want you to read it and see if you like her’.”

A woman-bird who’s handy with a crossbow, has absolutely no love interest and is slightly bonkers? It’s safe to say Green liked her.

“Tim called her Scary Poppins, which I thought was quite funny,” the 36-year-old laughs. “But she’s not a bad, mad woman — it’s all to save her children. She has the ability to transform into a peregrine falcon and because peregrine falcons are the fastest animal on earth, she delivers lines very quickly.

“I watched some documentaries on birds. It was kind of a challenge — I was trying to have little, sharp movements with my head and not much blinking at all, using my hands like claws, my long nails. You always worry that you’re going a bit over the top, but I had a lot of fun … playing her like Mary Poppins on speed.”

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G   /   October 06, 2016   /   1 Comment

By Danny Leigh
 
 
The cast of Miss Peregrine’s Home for Peculiar Children have a tale or two
 
Eva Green: “I was terrified of being the centre of attention”
I’ve always felt a little peculiar. Growing up in Paris I was always quiet. Very shy. I was scared of going to birthday parties, because I couldn’t play games and I didn’t like being in a group. I have a twin sister, and she had that bravery, she could join in with the group. But for me, it was painful.

On my sixth birthday, another girl and I had a shared party, and I was so nervous I vomited. I know how crazy it is – from that terror of being the centre of attention, here I am as an actress. My parents made some home movies when I was three or four and I was already in my own bubble, looking away from the camera, thinking my own thoughts. Now I’ve tamed my demons but if I have to appear as myself in public, it’s hard. Deep down the child is still there.

As a girl, I used to go to the cinema on my own. I hate it when people say the cinema is an escape, as if making small talk about the weather is more real. I loved the films of Ingmar Bergman and also A Room with a View. I saw it first when I was about eight, and I loved it immediately.

At 16, I studied for a year at the American School of Paris, and that was a revelation. The French school system is very judgemental. There, everything was about the pressure to get a certain grade in Maths. Who cares? I don’t remember a thing I did in Maths. But at the American School, the individual was celebrated. I’d never been into fashion, but I would dress up every day, wilder and wilder. I did art, drama, photography, even sports. It was an epiphany for me.

If enough people call you weird, you start to see yourself as weird. But in adult life, it can be a strength, too. And sometimes I do still feel like I belong to a different planet, where all the peculiars should go.

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G   /   October 06, 2016   /   0 Comments

By Naomi Pike
 
 
Eva Green might be a Bond girl, a Hollywood leading lady and a BAFTA winner, but she’ll never forget her first time gracing the cover of Vogue. Green’s debut was almost eight years ago, but she can recall the shoot with Patrick Demarchelier as though it was yesterday.

“He is such a wonderful photographer and it’s effortless as well. It’s timeless and sophisticated and I always love his use of lighting. He’s an artist that doesn’t have an ego. There is a relationship with him – it’s not that I’m an object.” The rapport that the pair share is visible in the black and white images that the shoot produced. She’s laughing and pulling faces, but strikes a glamorous pose in Prada on the cover.

While she might be happy to reminisce over her time shooting for Vogue, one thing she confesses she is “not great” is watching her own films. When we meet she is yet to see Miss Peregrine’s Home For Peculiar Children, in which she takes the titular role.

Another part of the acting rigmorale that Green prefers to steer away from – and is now in a position to have the option to avoid – is auditioning. “I’m always blessed when I’m not auditioning. I hate auditions. I’m rubbish, actually, and I get so nervous. My heart is about to pop out. It’s a disaster.”

Green is not a person you think of having a nervous disposition. On the red carpet she chooses bold yet ephemeral styles – something that could be linked to the characters she has chosen to play in her over 15 years on screen.

“It’s funny really as I don’t really have time to try on clothes,” she remarks as the conversation turns to the “baroque” aesthetic that she has become synonymous with. For the premiere of the film which marks the second time she has worked with Tim Burton, Green chose a scarlet Elie Saab gown.

However, securing her first choice was a bit more problematic. “I would have loved to wear an original Alexander McQueen dress, because he loved birds,” she reveals. As the name might suggest, her character Miss Peregrine is able to transform into a peregrine falcon, so a feathered gown would have felt particularly apt. “But it’s all in museums,” she sadly confesses.

Green first made a name for herself in Bernardo Bertolucci’s 2003 film The Dreamers, and the now 36-year-old admits that the pressures of being an actress in Hollywood have altered for her. Now it is age as well as “fighting to not play a love interest.”

Green has kept her personal life out of the public eye. Unlike many of her peers, her social-media presence is minimal. Her friends keep trying to persuade her to join Instagram but she fears the intrusion. “I prefer having my own bubble and I would feel too vulnerable to have it exposed. I think I’ve always protected myself quite well but it’s always been tough since day one. That’s the big challenge, and at the same time to remain vulnerable as an actor. Sometimes I just want to say ‘fuck it, I’m going to in the mountains with my animals’ and not to have to deal with all that cruelty.”

They say you should never work with children or animals, but with the majority of the roles in Miss Peregrine being played by those not yet able to even hold a UK driving licence, she was left with little choice. Not that her experience was anything but pleasant. “Sometimes you worry are they going to be focused enough? Are they going to get tired? And actually absolutely all of them were focused, very professional. They were just beautiful. I was so nervous before meeting them because you can feel that they can see through you, and you’re not going to be credible as a strong headmistress-like figure. But there is a grace to children and as an actress that is wonderful to watch. It’s a real inspiration.”

The book that which this film is based on was released for the YA audience 2011, but feels completely at home in the world of Tim Burton. The characters as atypical as the ones most associated with him: Edward Scissorhands, Jack Skellington, the Maitlands.

Much like her feelings for Demarchelier, Green has great affection for Burton. Ahead of this film, the two had previously worked together on 2012’s Dark Shadows.

“He is so easy to work with,” she says warmly. “The wonderful thing about Tim is that he has no ego. He is very kind, normal and fragile. There is something equal with him that I love. Even working with the children he was like ‘What do you think? How do you feel?’ which is so nice. He’s so open to ideas as well. He’s wonderful and amazing.”

As it to be expected in any Burton epic, the visual is as much of a defining characteristic as is the plotline itself. Green’s character is all dark colours, nipped-in waists and striking shoulders. Her signature midnight black hair, which so seduced the camera in Casino Royale, is pinned with a cowlick curl. While her locks might be more on the navy side for this character, in reality Green’s hair is surprisingly little more dramatic than a “mousey” shade, reflecting her Swedish-French roots.

“My dark blonde was actually quite bland,” she confesses, admitting that she has darkened it to have “something happening” since she was a teen. “A friend of my mum had very dark hair. She was from Yugoslavia and I wanted to look like her.”

Besides wanting to look like her mum’s friend, a darker shade did feel more natural for the young actress. But, much like she won’t be defined by the characters she plays, the decision was not as simple as “I am dark, so I should have dark hair”, or a case for wanting to be more easily recognisable. Green admits to possessing the ability to make herself invisible as she walks through London in swathes of scarves and glasses. Unfortunately, with her CV continuing to expand and a beauty as powerful as hers, her anonymity is becoming scarcer and scarcer.
 
 
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G   /   October 06, 2016   /   1 Comment