Here are some reviews on Eva’s performance in Sin City: A Dame To Kill For. Click on the Source links for the full film review.
But the main attraction here is Green, who, in addition to serving as the film’s most eye-popping design element, invests Ava with a wild-eyed intensity worthy of Medea, adding another to the actress’ gallery of murderous screen sirens following her performances in “300: Rise of an Empire” and “Dark Shadows.”
– Justin Chang for Variety, Film Review: “Frank Miller’s Sin City: A Dame to Kill For’
But A Dame to Kill For‘s best special effect is Eva Green. When her femme fatale — homophonically named Ava — bursts into a bar to plead that ex-boyfriend Brolin take her away from her rich husband (Marton Csokas) and omnipresent bodyguard (Dennis Haysbert), her ripeness reduces him to two words: “Ava. Damn.” Green is sexy, funny, dangerous and wild — everything the film needed to be — and whenever she’s not on the screen, we feel her absence as though the sun has blinked off. In a movie that treats women like chew toys, Green is powerful, even when she plays weak. When she coos, “I guess I’m not a very strong person,” to her latest rescuer, not only is she wielding femininity like a trap, but it also feels as if she’s sending up the rest of the film.
– Amy Nicholson for Westword, Sin City’s Best Special Effect is Eva Green
Green is the only female performer who sees through this movie’s ludicrousness and dares to one-up it. Her nudity feels defiant — she and even Brolin show a lot more skin than any of the strippers – and she turns Ava’s rapaciousness into one of the few tangible objects in this movie made up principally of special effects. (Mickey Rourke, once again, brings soulfulness to the role of Marv, a monstrous tough-guy with a heart of tin.)
– Alonso Duralde for The Wrap, Sin City: A Dame To Kill For Review: Eva Green Steals This Juvenile Film Noir
It’s almost a problem that Green plays Ava so perfectly – you may find yourself hoping she slithers her way out of her admittedly well-deserved comeuppance.
– Isaac Feldberg for We Got This Covered, Sin City: A Dame To Kill For Review
No other actress so perfectly embodies the classic femme fatale as Green, who plays Ava Lord in a twisted tale that explains how street hero Dwight (now played by Josh Brolin) came to need that new face he had in the first film. …… No other actress so perfectly embodies the classic femme fatale as Green, who plays Ava Lord in a twisted tale that explains how street hero Dwight (now played by Josh Brolin) came to need that new face he had in the first film.
– Travis Hopson for Examiner, Movie Review: Robert Rodriguez’s Sin City: A Dame To Kill For
By David Marchese
The star of ‘Penny Dreadful,’ ‘300: Rise of an Empire’ and ‘Sin City: A Dame to Kill For,’ looks back at her year’s big roles
Eva Green’s year has been one for the history books, or from them anyway. In March, the French actress was seen in plate mail playing the vengeful Persian warrior Artemisia in the action hit 300: Rise of an Empire. Then, in late April, she popped up in Showtime’s Penny Dreadful, recently renewed for a second season, where she traded in ancient duds for frocks and black lace as Vanessa Ives, a Victorian prone to demonic possession. In August, Green caps her run of titillating period pieces with the release of the crime noir sequel Sin City: A Dame to Kill For, in which she played the dangerous siren Ava Lord. Though Green insists that any similarities between her trifecta of roles is accidental, 2014 has, coincidentally or not, been a renaissance for the 33-year-old, who first turned heads as Bond girl Vesper Lynd in 2006’s Casino Royale and since then has largely sashayed under Hollywood’s radar.
“To tell you the truth,” admits Green in her lightly accented English. “I was not offered something interesting [after Casino Royale] by Hollywood. Every role was the boring beautiful girl. Instead of doing that, I made movies that not a lot of people saw but were good for my heart. I’ve always found the movie business rather cold, so finding parts to play and having people enjoy them has made this year a miracle for me.”
Not that the London-based Green, a high fashion favorite, isn’t used to attention — her mother is the well-known French actress Marlene Jobert (her father, Walter, is a dentist), and she’s been a regular in European tabloids ever since she appeared as a baby with her mom and twin-sister Joy on the cover of Paris Match. Perhaps that’s why off set, this self-described nerd prefers low-key pursuits at-odds with her fierce on-screen persona. “I like to stay home and read rather than go to a club or something,” Green says. “I’m very shy. If I go out, I’m hugging the walls. “
Now, though, inhabiting the kind of powerful femme fatale roles that Angelina Jolie used to devour has now become Green’s specialty, rendering her a cult favorite and rescuing her from being eternally entombed as a Bond girl. “It’s been fun playing these strong, sexual women,” she says. “Especially in Sin City my character is a real bitch. She uses her body as a weapon. It’s very jubilating to do that. I wish I had the balls of my characters.”
As the Motion Picture Association of America noticed, she’s got something else. Green’s Sin City poster showed her posing with a gun and wearing a sheer bathrobe that left little to the imagination. The MPAA subsequently refused approval for the poster’s usage. “I don’t understand the problem,” she says. Then she adds with a laugh, “I heard that if my nipples were made darker the poster would be fine.”
With Penny Dreadful finished filming for the season, Green, whose dream collaborators include David O. Russell and Danish provocateur Lars Von Trier, is looking for her next project. “I’d like to do something funny,” she says, as long as it doesn’t require abandoning her blooming dark side. “It would,” she says, “have to be a comedy that’s very sharp, and very black.”
Source: Rolling Stone
By Rob Lowman
Eva Green is striking as she walks into the room. The actress is wearing a form-fitting black lace dress. Her wrist and hands are adorned with shiny bracelets and large rings, including one of a skull.
As we sit and talk, though, it’s Green’s mysterious eyes that capture your attention. A sultry stare also comes in handy for “Sin City: A Dame to Kill For” from writer-directors Robert Rodriguez and Frank Miller. Like the first “Sin City,” it is based on Miller’s graphic novels. Green plays the twisted femme fatale Ava Lord in the film, which opens Aug. 22.
A penetrating gaze also informed her character, Vanessa Ives, in the recently completed first season of Showtime’s “Penny Dreadful.” In the sophisticated horror series set in Victorian England, Green is an enigmatic medium who at times is possessed by strange spirits.
“She’s phenomenal — the fulcrum of the piece. She’s a ferociously committed actor,” says “Penny Dreadful” creator John Logan, the Tony Award-winning playwright and screenwriter of “Gladiator” and “Skyfall” who spent six months wooing Green for the role.
“A TV series requires quite an important commitment and that was my fear,” says the 34-year-old French-born actress. “But Vanessa is such an amazing role with so many colors to play.”
The first season of “Penny Dreadful” gave Green a number of showcase moments. In the second episode, Vanessa is at a séance when she is suddenly controlled by several demons. It’s a riveting scene that goes on for five or six minutes, during which the actress becomes several different people.
As Ava Lord in “Sin City: A Dame to Kill For,” Green also had some of those turn-on-a-dime and become another person scenes. The trick to doing them, she says, is “not going over the top — that and the transitions, of course.”
“Ava plays the damsel in distress but she is also kind of a bitch,” adds Green, who appears almost shy and reserved. “The challenge to that was making her believable because she’s lying all the time.”
Rodriguez says Green was the only person that he and Miller could agree on to play Ava. “She pulls it off to where you go, ‘She’s a dame to kill for,’ ” he says.
In June, a poster for the film was banned by the Motion Picture Association of America “for nudity.” The graphic-comic stylized illustration shows the actress in a see-through white robe that emphasizes the curves of her figure. ABC also rejected a TV ad for the film because of Green’s sexy pose.
When asked about it, she shakes her head. “I thought it was a joke when I heard. John Logan sent me an email when I was in Hungary and asked, ‘What’s up with this?’ I’m not sure why people objected,” she says. “You sort of guess the outline of the boob. I am holding a gun, though, and no one questions that. It’s all about nothing really.”
There is a fair amount of nudity in “A Dame to Kill For,” which is in 3-D, but the actress is no stranger to that. She made her film debut in Bernardo Bertolucci’s sensuous coming-of-age film “The Dreamers” (2003). Set against the backdrop of the 1968 Paris student riots, it tells the story of three young people and their sexual experimentation.
Green actually grew up in Paris. Her father is Swedish. Her French mother is Marlène Jobert, an actress who worked with Jean-Luc Godard and Louis Malle, two of France’s greatest New Wave directors. Interestingly, before being cast in “The Dreamers,” the actress had a poster on her wall of Bertolucci’s most notorious film, “Last Tango in Paris” (1972), starring Marlon Brando, which made waves because of its sexual content.
In 2005, another heavyweight director, Ridley Scott, cast her in his Crusades epic, “Kingdom of Heaven.” The next year found her in the re-launch of the James Bond franchise in “Casino Royale” as the sexy but strong Vesper Lynd, a female to match Daniel Craig as the newly minted 007.
Though Green now bases herself in London, she says it was that film that accounts for her English accent.
“I had a lot of pressure when making it, actually. The studios were insistent that Vesper had to be British. So I worked night and day on my accent with a coach,” Green says. “And I still work on it because of certain intonations or tendencies. I’m kind of a geek that way. I love languages and working on accents. It helps with building a character.”
Along with her film career, Green has appeared in a number of fashion ads for the likes of Armani, Lancôme, Emporio Armani, Montblanc and Dior, among others. I ask her to show me the large rings she is sporting. “It’s like my armor,” she jokes. “These two are from a Russian designer that I’m very fond of, and this one’s from Morocco, and this I’ve had since the age of 15, which is a long time,” she says, pointing to the silver skull.
Green was planning to talk with Logan the next day about the second season of “Penny Dreadful,” which starts shooting in Dublin in September.
“It’s a luxury to work with him because I can go, ‘Do you mind if we cut that?’ Or, ‘I wish we had more complexity there.’ And he like, ‘No problem.’ He is so gifted and open. I feel lucky.”
She wouldn’t give any hints where her character might go in the 10-episode second year. “I think John would cut off my head.” But she would say: “It won’t be the same. It’s not like, here she goes again. She’s going on another journey.”
As if she’s not busy enough, Green recently signed on to shoot “Miss Peregrine’s Home for Peculiar Children,” which Tim Burton will direct. The two had previously worked together on “Dark Shadows” (2012). She plays the title character, a guardian of a group of orphans with special powers.
As far as roles are concerned, Green prefers complexity, but says, “I don’t want to be typecast with people thinking ‘She is just dark and a femme fatale.’ A good comedy might be simpler, maybe. I don’t know. I like complex. So we’ll see.”
As intense as the roles she takes on might be, don’t think Green spends all her time brooding. “I can get out of the character really quickly and have fun with the crew,” she says.
Since the actress describes herself as a quiet homebody type, it’s curious as to why she’s attracted to such strong and fearsome roles.
“I don’t know. I should ask a therapist,” she says with a small smile. “It’s kind of liberating for me to play kind of evil people because I’m so not like that in real life. You know, I’m not too confident. So it’s just kind of fun.”
Source: Los Angeles Daily News
It was amazing meeting Eva Green! I saw her coming through the side door and while she was going to her seat I asked her, ‘Eva, can I please take a picture, I’m a huge fan?‘ Her publicist said, ‘I’m sorry, we can’t right now.‘ but then Eva moved her to the side and said, ‘It’s okay,‘ and she put her arm around me and took the picture. My heart was pounding cause how happy I was. When she was leaving I said, ‘I love you on Penny Dreadful, you’re amazing in it‘ She said ‘Thank you‘ and walked away. It was just perfection, she is a sweetheart.
By Ethan Sacks
Eva Green bares more than her soul as the title femme fatale, while Rosario Dawson and Jessica Alba all have key action scenes; even Lady Gaga has a part as a conservatively dressed waitress.
“Sin City: A Dame to Kill For” was so green-screen heavy that cardboard boxes were used in place of cars on set, but one thing was completely genuine: Eva Green’s nudity.
As the titular vixen in the noir thriller opening Friday, the actress had to embody a woman so alluring, she drives men to murder. Green did a great job — even the revealing poster of her Ava Lord in a see-through-top has been banned. But ticket-buyers will get a much better view.
“Of course, as an actor you feel so silly being naked and you want to die, you just kind of become numb and you just do the scene,” Green, 34, tells the News. “And you know (director Robert Rodriguez) just has such taste and style that you are in good hands.
“I really think [being nude in the film is] not gratuitous, especially for my character who uses her body as a weapon. She uses men and her sexuality as part of it.”
Welcome back to Sin City, the boozy, bloody home of grifters and drifters, mobsters and molls. Like the 2005 original “Sin City,” the dark tales that make up the sequel are taken directly from the pages of Frank Miller’s iconic graphic novels.
But not everything is as black and white as it was the first time around. Now it’s the dames — like Rosario Dawson’s killer dominatrix — who dominate much of the R-rated flick’s action.
“There’s a lot of estrogen in this one,” says Jessica Alba, who reprises her role as the city’s erotic dancing muse, Nancy. “There’s very powerful women in this movie, and I think it’s so great because the misconception is that there can only be strong guys in this genre.”
A lot has changed for both Alba and her character in the nine years since the first “Sin City” was released. The last time around Nancy was a scared damsel in distress who danced away her insecurities for leering men in a bar — and the actress now says she felt just as self-conscious herself gyrating away.
Alba, 33, says she’s grown up a lot since, becoming a better actor and more importantly, a mother to two daughters , Honor Marie and Haven Garner. “I certainly feel that I’ve evolved as a person and an actress,” says Alba, “and I have [more] fearlessness as a performer after I had kids than I did prior to having kids.”
So she wanted Nancy, now an alcoholic out to avenge the murder of the only man she ever loved, to show the same type of growth, choreographing her sexy dances for months before cameras rolled and running around firing CGI crossbow bolts into the heads of her enemies.
“Being able to play a character that starts off being this kind of
victim who’s an innocent naive girl … and then to see her take her destiny into her own hands and avenge him and become this warrior was so cool,” says Alba.
Dawson’s Gail practices feminism of the more blunt variety — as in leading a group of violent vixens who dish out blunt-force trauma to male evil-doers. But the New York-born actress says it’s not as revolutionary a concept in a traditionally macho genre as it looks.
“I love watching old noir films,” says Dawson, 35. “There were some amazing, multilayered roles for women like Bette Davis. Hollywood has really dropped the ball and taken them away since…and we’re kind of bringing that back again.”
Davis, though, never wore a leather S&M-tinged outfit like the one Gail sports through the movie, more practical for showing off a backside than for buttkicking.
Dawson finds it amusing that in a film where Lady Gaga has a cameo as a fairly conservatively dressed waitress, she’s the one trussed up like Lady Gaga. But Dawson’s costume really helped her “get” the character.
“I remember when my first doll came out from the first film, with a dominatrix outfit, handcuffs and an Uzi,” says Dawson, laughing. “She is that person. She lives and breathes that. I love that. Everything about her screams.”
For Green, who comes off much more demure in real life than in reel life, her “Dame to Kill For” is the most evil character she’s ever played. That says a lot — since she’s previously chewed the scenery through nefarious parts in “300: Rise of the Empire,” “Dark Shadows” and the Starz series “Camelot.”
“To be so bad and irreverent is sort of fun, weirdly,” says Green. “Maybe because I’m not like this in real life, to embrace it fully and to be so bad, it’s just fun.”
Source: New York Daily News
She became a household name after playing Casino Royale‘s Bond girl in 2006, but now French-born actress Eva Green is courting both new audiences and controversy as she takes on her biggest role yet. Playing femme fatale Ava Lord in the upcoming Sin City sequel, Sin City 2: A Dame To Kill For, Green’s teaser poster and trailer was banned in America earlier this month after it was deemed “too sexy” for the nation’s audiences. As the star gears up for her vixen to be unleashed on screen, she talks to GQ about the films she watched to prep for the role, who she’d like to work with next, and why men should never, ever wear cologne…
GQ: What’s the most sinful thing you’ve ever done?
Eva Green: Woah. I can’t tell you [laughs]! I’m a good girl, I’m very wise and a good girl. I was very serious in school.
Do you think the Motion Picture Association of America was too harsh when it banned your ad?
I think so, I mean the film is very beautiful, it’s very artistic. It’s not vulgar at all, it’s actually very decent so I didn’t really understand what all the fuss was about but at least it’s publicity, people will hear about it I guess.
You said that when you were in drama school you “picked the really evil roles [as it’s] a great way to deal with your everyday emotions.” How did you get into character playing a violent, gold digging, vixen?
I watched a lot of film noir. Double Indemnity with Barbara Stanwyck, other films with Bette Davis. Ava Lord is a very extreme femme fatale, she’s really very jaded, she manipulates men, she feels empowered and smarter when she does it, she’s incredibly full-on – nothing is sacred. The main thing is to have fun with those kind of characters. She’s so free and corrupt, she’s just bonkers. It really was so fun to play.
The film features a lot of lingerie. What would be your advice to men buying their girlfriends lingerie as gifts?
I wear a lot of corsets in the movie and I think it’s very sexy, kind of retro and very classy, I think men should definitely buy those.
You know what, I don’t really like perfume. I know it’s not clothing but I prefer when men don’t wear it. I don’t like cologne. It’s as if they’re hiding something. I like perfume as it works on a woman, but on a man they lose something, their manliness. It’s less… animal.
Can you recommend a good book?
Yes. I recently read The Shadow of the Wind by the Spanish writer Carlos Ruiz Zafón. It was a beautiful story and a great book to read on holiday. Very romantic.
Where would you recommend a friend to eat in London?
Definitely St. John’s Bread & Wine on Commercial Street in Shoreditch.
How did you find working on a green-screen stage forSin City 2: A Dame To Kill For?
At first you’re very overwhelmed but then you really get used to it. You know that Robert [Rodriguez, Sin City: A Dame To Kill For co-director] and Frank [Miller, Sin City: A Dame To Kill For co-director] are going to do amazing things post filming. To have real actors to act with is always the main thing when making a movie so that was fun and the atmosphere on set was really gentle, laid back and just incredibly fun.
You’ve called Ava “multidimensional”. Are there any sides of her character that you admire?
She’s very brave, if she wants something she’ll get it no matter who gets hurt. She’s obsessed with money and power. She doesn’t apologise about her behavior and in that sense sometimes I wish I could be a bit more like that. But she does take it to the extreme, because people die for her so I wouldn’t want that, but to have her power would sometimes be helpful.
You’ve said in the past you’d like to go back to the theatre as Hollywood is likely to typecast you as a femme fatale. Were you nervous then about playing the biggest femme fatale of the moment?
No. It depends what the role is, what the project is. With Sin City I didn’t even think twice about it. It’s so fun, she’s quite funny because she’s so extreme, it’s very pleasant to play someone like that. Of course, I don’t want to be typecast as a dark femme fatale my whole life but you know I play Penny Dreadful who is very different from Ava Lord, and I’m about to do another film with Tim Burton, whose character is also very different. I’m not typecast at the moment.
With a cast of beautiful women including Jessica Alba, Rosario Dawson and Jamie Chung was there any female rivalry on set?
Well actually we didn’t meet. They were all finished when I arrived and I arrived last on board. But I met them separately for publicity and they’re lovely girls and they’re really not competitive at all. I just wish I had had some scenes with them. I only had scenes with men, all men [laughs].
Who would you most like to work with next?
There’s so many but I love Matthew McConaughey, I think he’s really intentioned and so interesting. I would also love to work with Marion Cotillard.
What’s next for you?
I’m about to start the second season of Penny Dreadful and then I’m going to start filming on Tim Burton’s new film in February, so I’m going to be busy.
Source: GQ (UK)
Eva Green likes wearing black because it takes away any wardrobe mishaps.
The 34-year-old actress enjoys dressing up as the characters she plays in movies like Sin City: A Dame to Kill For and 300: Rise of an Empire, plus it’s fun to don expensive things to promote her flicks. But while she’ll make an effort for the red carpet, out of the limelight it’s a different story altogether.
“I’m very casual and I like comfort, so I live in jeans and T-shirts. I like to wear black because I don’t have to think about it in the morning,” she told British magazine Hello! “I’m not a girly girl spending hours putting on make-up. When I do press or red carpet events, I have great hair and make-up people to make me look glamorous. That can be fun, like a little girl playing dress-up. But for most of the time, I’m too lazy.”
While she might not pay too much attention to fashion, Eva is clear about her health and fitness goals. Unfortunately she doesn’t have any tips to make the process of staying in shape any easier, but does warn that there’s no need to deprive yourself from tasty things all the time.
“It’s very boring but you have to drink lots of water and eat lots of vegetables. I am supposed to do this as an actress because we have to watch out for our bodies but I am very naughty and don’t do it enough,” she laughed.