Well at first I didn’t know where it was going, but I love Eva Green and was told that this was a sort of love interest for her. I’d known John Logan briefly through Kathryn Bigelow during Hurt Locker and we had a little catching up. Then he said, “So, do you like the show?” and I said, “Of course. And I love Eva Green.” He’s, like, “Okay, there’s probably one thing you should know: This guy also goes by another name.” “What’s that?” “Dracula.” I said, “What time is my flight?” It was that quick. To go from the material that I was given where my character is this sort of overly-obsessive museum director, which is a fun character, to an ageless Dracula that you don’t want to mess around with was fascinating. He’s the darkness that goes throughout the whole three seasons. He’s challenging and wonderfully fun to do.
Read his full interview HERE.
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Great news everyone! Eva recently granted us another Exclusive Q&A!! We thank her for her kindness, candidness and for taking her time to answer us. Special thanks goes to her twin sister Joy for once again facilitating this, without whom it wouldn’t be possible. We’ll be posting the rest of the Q&A in the coming weeks! Thanks for reading and feel free to leave some comments. Enjoy!
Your fan base has grown especially since our last Q&A (2014). You’re very much admired for your strong and fearless attitude towards your craft and your pleasant personality, what is it like knowing that you inspire so many people, especially young females from around the world? Do you have any message to your loyal fans? To the wonderful staff of EvaGreenWeb.com?
I feel very honoured. The kind devotion of the fans counterbalances any meanness that I may encounter in this cruel business. The website is so well done and professional that even my agents and my publicist check on it to find the latest info! I’m very touched by the time and energy and especially the care that you take with the website. Bravo bravo bravo!
Fresh off the success of his recently released Sam Rockwell and Anna Kendrick starring film Mr. Right, we caught up with the deeply engaging and down to earth Spanish Director Paco Cabezas who directed season 3’s episodes 5, 6, 7 and the season finale episode 9, to talk about Penny Dreadful, how it was like to work with Eva Green and what’s in store for him.
You’re no stranger to the supernatural and horror genre having written and/or directed The Appeared, Sexykiller and Invasión Travesti to name a few. How did it all come about for you in terms of getting involved on Penny Dreadful? Was it an easy decision to accept the challenge of directing back to back episodes?
I think it was my film “Neon Flesh” that got the attention of John Logan and the Producers of Penny Dreadful and that says a lot about the team cause Neon Flesh is not a horror movie but they were able to see through the style and camera work, that I had the right sensitivity for the show. Once we start talking and they find out I’m a hardcore fan of the show, everything was pretty easy. What I did on every meeting was to talk with an open heart about the show and why I love it and suddenly I was there, directing the episodes. After that to be honest, there was nothing too difficult. To me, it was a joy to shoot the episodes.
From Amando de Ossorio’s La Noche del Terror Ciego to Narciso Ibáñez Serrador’s ¿Quién puede matar a un niño? to cult favorite Angustia by Bigas Luna to modern classics from Alejandro Amenábar, Jaume Balagueró, Juan Antonio Bayona and Guillem Morales, what is it about Spain’s connection and strength with producing quality horror films and directors that seems to be very transcendent and influential?
Probably there’s something about our blood. Our passion that transcends the celluloid. It’s hard to talk in these terms but I think when I watch a movie or a TV show, I don’t think in terms of genre. I think in terms of emotion. I want the show to make me shake in my seat. I wanna feel moved, thrilled, scared and above all have fun. To me, it has to be a rollercoaster of emotions. I think in the old Europe, we’re the ones who get the Latin connection, that sense that life’s too short and you gotta take the bull by the horns and just live as intensively as possible and that’s something that I think translates very well into Penny Dreadful. To me, filming is a joy and I love to cheer when I see a great performance or just jump around when I’m excited about killing vampires. I think that energy like what you said, transcends.