White Bird in a Blizzard will be shown during BFI’s London Film Festival next month which runs between October 8-19.
- Director Gregg Araki
- Producers Pascal Caucheteux, Sebastien K. Lemercier, Alix Madigan-Yorkin, Pavlina Hatoupis
- Screenwriter Gregg Araki
- With Shailene Woodley, Eva Green, Christopher Meloni, Gabourey Sidibe
- USA 2014
- 90 mins
- UK distribution Altitude Film Distribution
As soon as the Cocteau Twins’ shoegazing ‘Sea Swallow Me’ kicks in over the luminous haze of the opening credits, it’s clear we’re in Gregg Araki territory, and with his latest creation the New Queer Cinema alumna continues to explore his favourite obsessions; sex, mortality and adolescence. An impressionistic adaptation of Laura Kasischke’s novel, the film follows Kat, a sexually adventurous teen dealing with the fallout from her mother’s unexplained disappearance. Battling her own teenage crises, Kat must make sense of her broken family, and face the dark realities that exist at its core. Styled with a dreamy sense of hyper-reality, and featuring a deliciously unhinged performance from Eva Green, White Bird in a Blizzard is every bit as formally exciting as we would expect from Araki, and every bit as rebellious in its examination of the agonies and ecstasies of young adulthood.
– Michael Blyth
Here’s the screening schedule during the festival:
- Oct 16, 2014 9:00 PM
- Vue West End Cinema, Screen 5
18-09-2014 10:00 AM
- Oct 18, 2014 1:00 PM
- Hackney Picturehouse, Screen 1
|On sale18-09-2014 10:00 AM
Festival Full Film Programme List HERE.
By Tim Kenneally
Showtime psychological thriller also adds other guest stars and ups two cast members to series regulars
“Penny Dreadful” is beefing up its cast big-time as it prepares for its second season.
The “Showtime” drama has cast Patti LuPone as a guest star for Season 2. The two-time Tony Award winner, whose television credits include “American Horror Story” and “Life Goes On,” will play play a mysterious character of great importance in Vanessa’s (Eva Green) past.
LuPone will be joined by fellow newcomers Douglas Hodge, Jonny Beauchamp and Sarah Greene, who are also coming aboard as guest stars for “Dreadful’s” second season. Hodge (“La Cages aux Folles”) will play Bartholomew Rusk, an intense Scotland Yard investigator on the hunt to discover who is responsible for the terrible murders that have been plaguing London. “How to Make it in America” actor Beauchamp will play a young man with a singular past, while Greene will play Hecate, Evelyn Poole’s powerful daughter.
The series has also upped cast members Helen McCrory and Simon Russell Beale to series regulars, as seductive spiritualist Evelyn Poole and eccentric Egyptologist Ferdinand Lyle, respectively. In the upcoming second season, Poole will pose a unique threat to the series’ protagonists.
Season 2 of “Penny Dreadful” begins production in Dublin, Ireland for a 2015 premiere.
Source: The Wrap
By Scott Roxborough
UPIE will release Kristian Levering’s feature, co-starring Eva Green, across Latin America, Eastern Europe and South Africa
Universal Pictures International Entertainment (UPIE) has picked up Kristian Levring’s western The Salvation, featuring Hannibal star Mads Mikkelsen, for multiple international territories.
In a deal announced in Toronto, UPIE acquired The Salvation for all of Latin America, Eastern Europe and South Africa.
TrustNordisk is handling international sales on the feature, which co-stars Eva Green. Trust’s head of sales Susan Wendt negotiated the deal.
“(This deal) strongly indicates that the international market place is more than ready for a western of Scandinavian origin,” Wendt said.
The Salvation, co-written by Levring and Denmark’s Anders Thomas Jensen (In a Better World) features an ensemble cast that includes Jeffrey Dean Morgan, Mikael Persbrandt,Jonathan Pryce and French soccer star turned actor Eric Cantona.
Mikkelsen stars as a Danish settler in 19th century America who sets out to avenge his family.
Buyers jumped on the film after its premiere as a midnight screening in Cannes, with IFC Films picking up North American rights, Concorde taking Germany and Austria and Tohokushinsha acquiring Japanese rights, among several other deals.
Source: The Hollywood Reporter
The Salvation will be shown under the Thrill Gala during BFI’s London Film Festival next month which runs between October 8-19.
- Director Kristian Levring
- Producer Sisse Graum Jørgensen
- Screenwriter Kristian Levring
- With Mads Mikkelsen
- Denmark 2014
- 91 mins
- UK distribution Warner Bros UK
The western rides again in Kristian Levring’s gripping tale of hate, murder and revenge on the pioneer trail. The year is 1871, and ex-pat Danish soldier Jon (Mads Mikkelsen) is welcoming his wife and son from the old country. Taking the stagecoach to his farm near Black Creek, the family are joined by a drunken outlaw and his taciturn sidekick, and when the bandit makes a pass at Jon’s wife, all hell breaks loose. Jon fights back, but his actions send shockwaves through the local community, drawing the ire of local tyrant Delarue (Jeffrey Dean Morgan), who demands that amends must be paid with human lives. Paying steely, square-jawed homage to the laconic antiheroes of Sergios Corbucci and Leone, Mikkelsen fights dirty to keep the town clean, finding an unlikely ally in Delarue’s mute Native American wife Madelaine (Eva Green), a woman with a fierce warrior spirit. As for Black Creek itself, populated by shifty, characterful faces – notably Jonathan Pryce as the undertaker/mayor Keane and Douglas Henshall as the priest/sheriff Mallick – that, too, may be more than it seems, while Levring gives the muddy, bloody Old West a hyperreal makeover as tempers hit boiling point under its thunderous killing skies.
– Damon Wise
Here’s the screening schedule during the festival:
- Oct 14, 2014 6:00 PM
- Odeon West End, Screen 2
18-09-2014 10:00 AM
- Oct 15, 2014 3:00 PM
- Odeon West End, Screen 2
18-09-2014 10:00 AM
- Oct 17, 2014 6:30 PM
- Vue Cinema Islington, Screen 1
|On sale18-09-2014 10:00 AM
Festival Full Film Programme List HERE.
By Jason Shawhan
A Dame to Kill For is the sequel to 2005’s Sin City in the most literal way. Thematically, it’s part of a chain of adolescent, hyperviolent misogynist fantasies going back to 1980’s Heavy Metal: hard-boiled men who know the languages of violence and betrayal, and an assortment of noble virgins and streetwise whores to pepper the narrative with occasional frissons to distract from the murder and double-crossing. This is more of the same, but with one noticeable upgrade that allows co-directors Robert Rodriguez and Frank Miller to claim some of the zeitgeist.
A Dame to Kill For is a must-see because of the transcendent performance of Eva Green. Much as she did with 300: Rise of the Empire earlier this year, she steps into a digital backlot and commits wholeheartedly to whatever the film requires. She’s got a gift for elevating material that has in 2014 alone made two sequels that nobody asked for into essential summer flicks, and it’s all due to force of will and a lack of inhibitions.
She’s always been a worthwhile screen presence, but it seems like she just recently found her groove — her Showtime series, Penny Dreadful, is a gleeful and atmospheric masterpiece of horror’s grand history, and she’s racking up great notices in films that are otherwise thrown to the hounds.
Hers is a remarkable face. She has a distinctive look, one that recalls screen beauties of the Golden Age of Hollywood; you realize that Green could have been a star at any point in Hollywood history since the ’20s. She’s got a brassy, glam sensibility that calls to mind Bergman, Bacall and Hepburn, but with the devilish sense of humor (and willingness to deploy the goods) of early ‘90s Sharon Stone.
As it stands, Green and Mickey Rourke are the only cast members who seem like they could actually pull off real noir — not just the monochromatic karaoke of so much of the Sin City franchise.
The rest is mostly a muddle. A Dame to Kill For jumps around in time, trying to serve as a prequel and a sequel to the 2005 original, but there’s a specific point where at least several months pass and there is no indication given to the viewer that this has happened. As always, if you’re engrossed in a story, it wouldn’t matter. If it weren’t for Green’s dynamic energy and carnal joie de vivre — and a competently funky Lady Gaga cameo that delivers classic Marisa Tomei realness — you’d be able to pinpoint the exact moment that the film loses its bearings.
Its box-office disaster last weekend doesn’t bode well, but let’s hope this film provides the impetus for an Eva Green/Angelina Jolie buddy film where they kick all ass. I would be there opening day, and you should be too.
Source: Nashville Scene
Our friend Thomas Perillon of Le Bleu du Miroir recently got to interview The Salvation’s director Kristian Levring and its main protagonist and Eva Green co-star Mads Mikkelsen in Paris. Here are what they have said about Eva and her participation in the film:
THOMAS PERILLON: Mads Mikkelsen was an obvious choice for the main part. What about Eva Green who probably has the most complex and enigmatic part of the movie ?
KRISTIAN LEVRING: Actually, I met Eva pretty quickly after Mads confirmed us his will to do it. I needed an actress with the necessary strength for the part, to play this mute character on screen. I had the feeling that Eva would be interesting in that way. When I met her, we started to talk about the part, she was very intrigued but a bit uncomfortable. For an actor, dialogues are very important. But she made her decision during this first meeting because she really wanted to accept that challenge. Working with Eva was very easy. She understood immediately what I was expecting from her to play Madelaine, how to communicate only with her eyes and body-posture.
THOMAS PERILLON: What you did in The Salvation with this character Avenger driven by Mads Mikkelsen or mute Widow played by Eva Green…
Exactly. When we wrote the film, we have severely limited the dialogues. Sometimes a character had long dialogues but it was not true to the spirit of the Western. We had to shorten to go to the essentials. So we are left with very little dialogue – especially compared to what I used to do. It also was a challenge that was interesting to meet: Bringing more things with the fewest possible words. Suggest rather than show.
THOMAS PERILLON: What made you think about Madelaine’s character, played by Eva Green?
KRISTIAN LEVRING: Her character was made after a classic western, The Searchers by John Ford. In his 50s movie, John Wayne goes looking for a woman who got kidnapped by the Indians. I love this movie, it’s a masterpiece. Madelaine’s story is mainly inspired by this character.
Read the rest of Thomas’ interview with Kristian Levring HERE.
THOMAS PERILLON: This is the second time you co-star with Eva Green and still no word exchanged on the screen. It’s a funny coincidence, right?
MADS MIKKELSEN: That’s right, this is not the first time we made this remark … In the film we had shot before, we had not hardly spoken to (Mads Mikkelsen and Eva Green does not communicate in their common sequences of Casino Royale , ed.) And in this one … I do not say a word either! You could say that we had an almost brotherly relationship. But Eva is a beautiful woman and a fantastic actress with whom I enjoyed reworking.
Read the rest of Thomas’ interview with Mads Mikkelsen HERE.
Special thanks to Thomas and Le Bleu du Miroir for sharing these interviews to us! Follow them on Twitter, Facebook and Tumblr.
Eva Green first made a splash as an actress by appearing nude in Bernardo Bertolucci’s sexually-charged 2003 film, The Dreamers. Now, just over a decade later, the former Bond girl (she played Vesper Lynd in Casino Royale) is again making waves as the oft-naked femme fatale in Sin City: A Dame to Kill For, the long-awaited sequel to the original 2005 film. Even the poster for the film was banned in the US for showing the outline of Green’s ample bosom under a white shirt. None of this is of much concern to the fearless French actress, however, who has few qualms about nudity.
“I don’t understand the fuss,” Green says. “No one in Europe pays much attention to nudity, and even though I’m not particularly desperate to show my boobs, I was willing to do it for this film because it’s shot with such artistry and beauty.
“I had to almost forget that I was naked so that I would stop worrying or feeling self-conscious when I was standing naked in front of a crew wearing nothing but a thong. You don’t have any other choice.”
Directed by Robert Rodriguez and Frank Miller (the author of the Sin City graphic novels), A Dame to Kill For sees Jessica Alba return to her role as exotic dancer Nancy Callahan who is determined to avenge herself against her tormentors. While Alba once again declined to appear naked, Green’s sensational physique is fully on display as femme fatale Ava Lord whose psychotic delight in sending men to their doom makes this of the most memorable female performances in years.
The visually-stunning, avant-garde film was shot in 3D using green screen technology where the actors worked on a bare set with the background filled in later during the post-production process. The cast includes original Sin City actors Mickey Rourke, Bruce Willis, Rosario Dawson and Benicio Del Toro while Josh Brolin and Joseph Gordon-Levitt join Green as key newcomers.
The 34-year-old Eva Green is also about to start filming the second season of the Showtime TV series, Penny Dreadful, a Victorian era horror/thriller co-starring Timothy Dalton and Josh Hartnett. She will also be seen in The Salvation, a western feature that reunites her with her Casino Royale co-star, Mads Mikkelsen. Some of Green’s recent films include this year’s 300: Rise of an Empire, and Dark Shadows (2012), which co-starred Johnny Depp.
Eva Green (her last name comes from her Swedish dentist father and is pronounced “Gren”) is currently single and lives in the Primrose Hill section of London. Her mother is retired French actress Marlene Jobert. Eva also has a non-identical twin sister, Joy, who is married to an Italian count from the Antinori winemaking family and lives in Normandy.
Q: Eva, your appearance as Ava Lord in this Sin City sequel is causing a minor sensation in the press. Do you think the amount of nudity involved is justified?
GREEN: I wouldn’t have done the film if I didn’t think that the nudity was handled in a beautiful and sensual way… I trusted Robert (Rodriguez). He came to my trailer and swore to me that I would look amazing with the right lighting and shadows. You feel quite vulnerable and exposed of course when you are naked on a set. You also feel silly standing naked with the green screen behind you and you’re all alone on a stage. It’s not that sexy at all when you’re doing scenes naked. But you trust Robert and Frank’s vision and it looks stunning. It’s not vulgar, it’s not indecent – it’s art.
Q: Is the nudity meant to shock audiences?
GREEN: I don’t think so. It’s being faithful to the atmosphere of the graphic novels that Frank Miller wrote and my character is the archetypal femme fatale. Ava uses her body as a means of manipulating men and getting them to do anything she wants.
Nudity is a weapon for her. I’m playing ‘a dame to kill for’ as the title says, and her physical and psychological aura is so strong that she literally drives men so crazy that they are willing to kill or be killed for her.
Q: You’ve done nudity before, including a memorable nude scene in your first film, The Dreamers. Does it bother you that nudity seems to cause so much of a fuss in some countries?
GREEN: I am a bit frustrated with all the talk about my nude or sex scenes. I’m not a porn actress! (Laughs) But sometimes if you’re going to play a character there’s going to be sex involved because that’s a very normal aspect of life and most people are naked when they f**k! Nudity is a lot easier to play than doing a sex scene which can feel cold and mechanical because you’re being told to put your hand here or there or the actor is told to put his hand on your boob and then kiss your breasts and so on. That can be much more awkward although if you’re shooting a sex scene all day it just becomes boring after a while.
Q: Is it fun to play such a dark character like you do in Sin City?
GREEN: You enjoy the sense of power she has. She’s the ultimate kind of man-eater, a total fantasy who changes her personality and behaviour to transform herself into exactly what men desire and what any given man wants her to be. Ava has the kind of power that a lot of women would like to have over men! (Laughs)
She’s a true chameleon and it was interesting to be able to play all the variations of her character – one moment she’s a damsel in distress and the next moment she’s this sensual goddess and then she’s a total bitch. She’s a psychopath with absolutely zero sense of right or wrong and no conscience whatsoever and definitely the most evil woman I’ve ever played or could imagine playing.
Q: What was it like working with such an interesting cast?
GREEN: I was very excited to be asked to do the film. I was cast at the last moment, about a week before shooting started, but I was so happy to be part of it. I was also very happy to get to work with Josh Brolin whom I’ve admired for many years. He brings so much intensity and emotion to his facial expressions and he has these sharp features that are perfect for the extreme character he plays.
Q: The film is shot entirely on a empty set with a green screen in the background. How difficult is it to act with no scenery or props of any kind?
GREEN: It’s very close to being on stage. When you do theatre, the furniture and background is usually very minimal you don’t pay any attention to the props. All your energy is focused on the other actor or actors you’re playing your scene with. That’s how it was making this film. There’s just the crew around you and you have to imagine the setting that’s eventually going to be filled in later. I had read the graphic novels before starting work on the film and so I had a good understanding of the surroundings.
You also get used to miming opening a door or looking in certain directions where something is supposed to be happening or knowing where the walls are supposed to be. It takes a bit of discipline but it also intensifies your work because your entire concentration is on the other actor.
Q: You tend to play extreme characters. Do you think the public has a strange perception of you?
GREEN: (Laughs) Most people have this image of me as a very dark kind of woman or a real bitch. It probably doesn’t help that I like to wear black a lot and that adds to the impression that I’m very cold or distant. I should probably try to play more balanced kinds of characters but often the juiciest roles for women are the darker characters. But it would be nice to do a good love story once in a while although no one thinks of me when it comes to those kinds of films.
Q: Most people don’t know that you’re actually quite fair-haired in real life?
GREEN: I’m fairly blonde. I’ve been dyeing my hair black since I was 15 and I’ve stuck with that look ever since. It’s my way of hiding myself I suppose. I think I look more interesting with dark hair. It’s part of my self-image and we all have a darker side. I like to put masks on sometimes because I haven’t always been that confident and you fall into the trap of continuing to hide your real self even though you’ve changed and grown a lot as an individual. I feel more open but it’s not always easy for me to show that.
Q: Are you a fairly fearless person?
GREEN: Oh, no! I can be confident about some things in my life but I often become very anxious when I’m thinking about a film and I’m not sure how to approach my character. I go up and down. Some days I will feel very strong and determined and other days I will feel lost in life and wondering what I’m doing. I would like to be more like my mum who is much tougher than I am.
Q: You’ve appeared in some big films of late like 300 and Dark Shadows. Do you think A Dame to Kill for will lead to a lot more work for you?
GREEN: I don’t know. I hope so! (Laughs) I always feel it’s a miracle when I get offered any role. I’m surprised that I’m allowed to do this job. Making movies is my way of living out different kinds of fantasies and that’s one of the main reasons I love acting so much.
I’m still trying to be less intellectual in my approach to my work and more instinctual, though. I would like to be more natural in the way I get into my characters and let myself rely on my instincts more. I’m naturally shy and introverted and it’s a side of myself that acting helps me overcome. But it’s a slow process.
Q: You’re often portrayed as a sex symbol and your Sin City film will probably add to that kind of image. How do you feel about that?
GREEN: I have always felt very self-conscious about my appearance. I have never seen myself as being beautiful the way I am sometimes described in the media. Whenever I spend time in Los Angeles I tend to feel ugly compared to all the beautiful women there. It’s not part of the way I see myself at all.
Q: Are you confident when it comes to love?
GREEN: It’s beautiful to feel intense passion but it’s also dangerous. It’s hard to have your heart broken and you want to protect yourself from being hurt again. But you have to be able to grow and learn with each relationship and hope you find love.