A sparkling idea from any point of view….
Milan, around 1915. This was the most popular drink in the Bar Camparino, opened by Davide Campari himself. It had a revolutionary pumping system that sent a recent invention right up to the counter: soda water.
Campari media link:
By Natalie Denton
“It is important to feel loved by the photographer or the director, so you are able to give as much as possible. I felt like Julia really appreciated me. I played several characters and it was fun. I didn’t have to do loads of homework or learn lots of lines, and to be surrounded by passionate people without any pressure was a joy. Truly, Julia was my inspiration.” – Eva Green on Julia Fullerton-Batten
“What was so refreshing with Eva was every time she came on set, she totally performed, knew the story behind the cocktail and it just made my job so much easier. Campari approached me to ask if I wanted to photograph the calendar for 2015 and I was like, ‘yes!’ – I didn’t know who the muse would be, but I was over the moon when I found out that it was Eva, because I didn’t want to work with someone typical. I think Eva has something quite amazing about her. She was the perfect choice for the calendar.” – Julia Fullerton-Batten on Eva Green
By Steph Adams
French actress and Model; Eva Green is most notably known for filming along side Daniel Craig in Casino Royale. The one women to have stolen his heart. Here she talks about what it was like being the leading lady for the latest Campari Calendar.
SA: Congratulations on becoming the leading lady for Campari, How do you think the style of the brand has evolved over the last 150 years?
Eva: Thank you. It was a huge honor. The Campari Calendar is renowned all over the world and is a work of art that I myself have admired for many years. Some incredibly talented and beautiful women have starred in previous editions, from Uma Thurman and Penelope Cruz to Jessica Alba, so I’m really honoured to have been part of that history too. It is such a privilege to work with a brand like Campari, which carries with it such a rich and interesting history, yet remains to be timeless with some of the best-loved cocktails remaining on trend even today. I think that says a lot for the styling of the brand too in that it has obviously evolved with the ages but at every point has remained contemporary and on trend – this is probably why it is still such a worldwide icon today.
SA: How did you feel about this year’s theme? Why do you think you were chosen to star in this year’s Calendar?
Eva: This year’s theme ‘Mythology Mixology’ had me hooked on the project from day one. The whole Calendar is very much a visual narrative, revealing the creation stories behind 12 of Campari’s best loved classic cocktails. As an actress, I am very used to bringing scripts and stories to life through characters, so perhaps that’s why they chose me. Unlike with TV or film though, we had to capture the stories in just one shot. There is something very intriguing and complex in that but Julia’s (the photographer) vision and skill is what really brought this project to life.
SA: What does the Campari Calendar mean to you?
Eva: For me, the project was about so much more than simply having my picture taken. I for one learned so much from this shoot and it was so interesting to delve into the history behind the Campari brand and its cocktails. It’s made me think about the art of telling stories very differently. Like I say, I am very used to recreating stories as an actress, but working with Julia on this shoot opened my eyes to the art of photography as a story-telling platform. It really is a work of art and I hope everyone loves it as much as I do.
SA: As an actor, who do you look to most for inspiration when you are playing a role?
Eva: I look to actors and filmmakers who inspire me. I’ve worked with Tim Burton before and am about to work with him again – he inspires me a lot.
By Oliver Lyttelton
8. “The Dreamers”
An extremely polarizing NC-17 film upon its release, Bernardo Bertolucci’s wantonly naive — perhaps revisionist — paean to his ’60s counter-culture heyday is a valentine to the thrilling rush of New Wave cinema and an impetuous kind of sonic youth. It can be a little heavy-handed if you’re not a devout quixotic cineaste (but can you really hate on references to “Mouchette” and “Bande à part“?). But drunk on idealism, it throbs with erotic voltage and is fraught with romantic spontaneity — and it’s a film that is done wonders by repeat viewings and is deeply in need of a second glance. Featuring excellent performances by its three leads (especially a deliciously wicked and sultry Eva Green; the boys are Michael Pitt and Louis Garrel) the trio play disaffected youths insulated in a palatial Paris apartment, experimenting with sexuality, exploring abstract notions, philosophy and challenging social mores while the world outside is pregnant with unrest and discordant anomie. Its rich guilelessness is in essence its strength (the title says its all), as the film voluptuously (and profanely) lurches forward like an ardent molotov cocktail to the chest.
Read the rest of the list HERE.
By Lisa Niven
EVA GREEN has been signed by L’Oréal Professionnel as the brand’s new international spokesperson. The actress – perhaps best known for her role as Bond Girl Vesper Lynd in Casino Royale – will be the face of the brand’s 2015 launches from February.
“As an actress, hair is so important. You need a very good relationship with your hairdresser and together we create the hairstyles. My hairdresser uses, of course, the leader of hair products, L’Oréal Professionnel. I am very glad to be on board on this new adventure,” Green said in a statement.
This year, Green – who appeared on the cover of Vogue’s January 2008 issue – will begin shooting Tim Burton’s new film, Miss Peregrine’s Home for Peculiar Children, as well as reprising her role in American television series Penny Dreadful, in which she stars alongside Josh Hartnett.
“We have chosen Eva Green because she perfectly embodies our values: She is extremely sensitive to fashion trends and counts on the expertise of hairdressers, both on and off screen,” said Anne-Laure Lecerf, International Managing Director at L’Oréal Professionnel. “Her beauty, modernity and personal appeal captivate. I am convinced that Eva Green will be an amazing advantage for L’Oréal Professionnel.”
Green will be the new face for the strategic 2015 launches, including Wet Domination by Tecni.ART; this styling range will be available in L’Oréal Professionnel hair salons from February 2015. www.lorealprofessionnel.co.uk
Source: Vogue UK
L’Oreal Professionnel is proud to announce that Eva Green – Bond girl in Casino Royale, heroin of the new hit TV series Penny Dreadful and star of the next film by Tim Burton, Miss Peregrine’s Home for Peculiar Children,which will be released in 2016 – is the new international spokesperson for L’Oreal Professionnel.
Born in Paris on July 6, 1980, Eva Green possesses a feminine and magnetic beauty. She is one of the most talented international actresses of her generation. She also has a great awareness of fashion and beauty trends. Eva is particularly renowned for her translucent complexion, blue eyes and her signature brunette hair, which she often transforms for films and red carpet appearances. Whether wearing a loose, wavy style or a sophisticated and glamorous chignon, Eva Green always channels powerful femininity.
Eva takes pride in her hair and has built a relationship of trust with her hairdresser. “As an actress, hair is so important. You need a very good relationship with your hairdresser and together we create the hairstyles. My hairdresser uses, of course, the leader of hair products, L’Oreal Professionnel. I am very glad to be on board on this new adventure,” she says.
At 34, Eva Green has more than 18 films and TV series to her name. She has often played enigmatic heroines in fantastic and surreal worlds. She chooses her roles carefully and has worked on superb films as well as wonderful collaborations with renowned filmmakers.
Eva began her film career in 2003. She was offered her first screen role by Bertolucci in his film The Dreamers. She went on to star alongside Romain Duris in Arsene Lupin in 2004 before heading to Hollywood in 2005. She launched her international career after just a few months thanks to Ridley Scott who cast her as his leading lady, Sybille, in Kingdom of Heaven.
In 2006, she joined the ranks of the famous and beautiful Bond girls, landing the role of Vesper Lynd alongside Daniel Craig in Casino Royale. She continued to appeal to audiences in large-scale productions like Dark Shadows alongside Johnny Depp and Sin City 2: A Dame to Kill For as well as independent films like Perfect Sense and White Bird.
In 2015, she will begin shooting Tim Burton’s new film Miss Peregrine’s Home for Peculiar Children while also continuing to appear in the hit American TV series Penny Dreadful, in which she plays the title role alongside Josh Hartnett.
“We have chosen Eva Green because she perfectly embodies our values: She is extremely sensitive to fashion trends and counts on the expertise of hairdressers, both on and off screen. Her beauty, modernity & personal appeal captivate. I am convinced that Eva Green will be an amazing advantage for L’Oreal Professionnel,” says Anne-Laure Lecerf, International Managing Director at L’Oreal Professionnel.
Source: PR Newswire
Congratulations to Eva for being named the New International Spokesperson for L’Oréal Professionnel!
WINNER: BEST ACTRESS
Eva Green (Penny Dreadful)
One of the most fearless and raw tv performances in years was gifted to us by Eva Green, who played a Victorian Era woman having to battle very real inner demons. Never afraid to give her all – sometimes going to such extreme places that you almost felt empathetic exhaustion watching her – Green was absolutely riveting throughout Penny Dreadful’s first season.
Rest of the category and other nominees and winners HERE.
By Brian Formo
Perhaps we should reconsider what deserves a Best Actress nomination.
Eva Green – We have spent a lot of time on Green in our year-end wrap ups. I’ll let CraveOnline’s film editor, William Bibbianni summarize our collective thoughts: “Eva Green is so ludicriously charismatic in 300: Rise of an Empire that we still can’t quite get over it. As the villainous Artemisia, she manipulates, decapitates, and even copulates with the fury of a God. And as the sociopathic femme fatale in Sin City: A Dame to Kill For (also based on the works of Frank Miller, she boasted that same magnetism. Someone get Eva Green a better movie, right now.”
Rest of the list HERE.
By Trace Thurman
Penny Dreadful – The Séance
Talk about a slow burn. Penny Dreadful has one of the most interesting narratives of any TV show I’ve ever seen. Based on the pilot alone, it is clear that the destination is not what’s important with this show, but rather the journey instead. Penny Dreadful takes its sweet time getting to the point, and at first I was a little bored but after a while I became mesmerized by how beautiful it was. That pretty much changed after the second episode, appropriately titled Séance. If Eva Green doesn’t get an Emmy nomination next year (and let’s face it, she probably won’t) it will be a sad day for TV indeed. All of the performances are top notch, but Green nearly steals every scene she is in. Her tour de force performance in the second episode involves her character becoming possessed at the titular event and it’s phenomenal.
Rest of the list HERE.
Source: Bloody Disgusting
Penny Dreadful is ramping up the horror in Season 2.
Showtime’s gothic drama returns on Sunday, April 26 at 10/9c with more monsters and even creepier imagery than before, like this blood bath that new villain Evelyn Poole (Helen McCror) is soaking in.
And although Vanessa (Eva Green) and Ethan (Josh Hartnett) have fought off a number of creatures both alive and undead on Penny Dreadful, can they survive a car accident? Well, make that a carriage accident, since this is Victorian times after all. Want to know more of what’s coming in Season 2? Check out the exclusive sneak peek for a behind-the-scenes production blog detailing new sets, stunts, storyboards and more.
Penny Dreadful returns on Sunday, April 26 at 10/9c on Showtime.
By Willa Paskin
Mo, you have already chimed in for Penny Dreadful, but I want to chime in particularly for Eva Green. She plays Vanessa Ives, a woman with a traumatic past and a penchant for communing with spirits. Late in the season she became possessed, and not by some semi-friendly neighborhood spirit. Ives’ possession looked painful, brutal, and physically taxing. Green threw her body around with convincing abandon and was even scarier when she opened her mouth. (I will say, Mo, that I found Reeve Carney as Dorian Grey, his kissing abilities aside, to be a total bore—a handsome dull patch.) Prior to Penny Dreadful, I always thought of Green as the best-ever Bond girl. That may be a debate for another club, but it speaks to the regularity with which Green toggles between small and silver screens.
Rest of the list HERE.
By Collider Staff
Penny Dreadful – “Closer Than Sisters”
Eva Green should be getting some awards recognition for her work on Showtime’s Penny Dreadful. Want to see why? All you have to do is watch episode 5, “Closer Than Sisters.” It was pretty clear that she was going to own the show after the seance scene in episode 2, but “Closer Than Sisters” isn’t just a standout installment because of one mind-blowing moment. Green nails a drastic single-episode arc that takes Vanessa from a bright, kind young woman to one plagued by demons and darkness. “Closer Than Sisters” functions as a brilliant character piece and standalone episode, but it was also a major game changer for the rest of the show. Whether you’re watching a scene between Vanessa and Sir Malcolm (Timothy Dalton) or one during which she’s exploring her budding romance with Dorian Grey (Reeve Carney), it all comes back to what she experienced in this episode. – Perri Nemiroff
Rest of list HERE.