Welcome to Eva Green Web, your oldest, largest and most up-to-date fan resource dedicated to the talented and stunning BAFTA-winning French actress, best known for her roles in The Dreamers, Casino Royale, Dark Shadows, 300: Rise of an Empire and Penny Dreadful. Here you will find all the latest news, detailed information about Eva and her career, the largest Eva photo gallery online and much more. Thank you for visiting and enjoy your stay.
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By Kyle Buchanan
“You cannot defeat the Goddess,” says one character in Sin City: A Dame to Kill For. “She cannot die.” He’s referring to Ava Lord, the seductive black widow who gives the film its title, and when she’s played by Eva Green, who can blame him for using heavenly superlatives? There’s always been something otherworldly about Green, who first impressed (and undressed) in Bernardo Bertolucci’s The Dreamers, won best Bond Girl ever honors withCasino Royale, and just this year starred as the formidable Artemesia in 300: Rise of an Empire and toplined the Showtime series Penny Dreadful. A few weeks ago in Los Angeles, the slinky Green met up with Vulture at The Four Seasons to tell us how she got into character for the Robert Rodriguez–directed Sin City, and how she felt about getting out of her clothes for it.
Do you consider yourself an inhibited person when you’re not shooting?
So it must surprise you how bold you can appear onscreen, especially in all of Sin City‘s sex scenes.
It’s very ironic, because I’m very shy. People don’t believe me: “She did The Dreamers, and all these other nude scenes!” But I remember telling my publicist, “I’m really naked in Sin City. Just wait.” I don’t know any actor who’s comfortable with nudity, but it’s not gratuitous in this film, because she uses her body as a weapon. Still, in the morning when you have a nude scene, you want to die. You feel quite silly to be in a tiny thong with Josh Brolin, who’s wearing flesh-colored Spanx, and you’re in front of a green screen — like, “This is not happening!” But Robert told us, “I’m going to add lots of shadows, and you’ll look great. I knew that I could trust him.
When you play a character like that, does any of that confidence carry over into your real life?
Maybe it gave me some confidence in doing press, because I used to be very nervous doing interviews for TV — and I’m still not great, I get sweaty — but I got better. At school, I was really shy. If a teacher asked me a question in front of other people, I’d melt. Lots of actors are very scared in real life, actually.
Your characters are so forward with men. Are you?
No. I’m shit. [Laughs.]
How much freedom as an actor did you have in a film like this, where Robert is trying to re-create a lot of the frames from the comic almost exactly?
It’s funny, because I was really worried about that before I started filming: Oh my God, you have to be so still! Can I even move my finger? Can I touch the other actor? And yes, he frames each shot like a painting and you have to hit the mark, and some of the stuff he wants exactly like in the comic book, but it was fine — especially because I had real actors in front of me, because I know some of the other actors didn’t. I wouldn’t have liked that, so I was really lucky.
Did you have to do a lot of work beforehand?
I was cast very last minute, like a week before shooting, and usually I like to prep, so I was panicked: “Oh my God, I have to work on an American accent and find the character, and there’s so little time!” So I watched some film noir, like Barbara Stanwyck in Double Indemnity, because this is so femme fatale. At the beginning, I looked at my character and thought, My God, she’s so evil. There are no cracks in her, and her heart is so hard. I’ve played evil before, but that one was 200 percent evil, so I had to find the jubilation in playing her. I brought my body and my heart to Ava Lord.
And none of the men in this movie can withstand her.
Yeah, she’s quite scary. Quite scary! It would be interesting to do a prequel, just to find out why she’s so hard. Maybe she was traumatized? Or maybe she was born crazy.
What do you get out of doing a show like Penny Dreadful, which is about to go into its second season?
It’s fun, and I love fun. I love playing mad people, actually. My character looks quite guarded and very Victorian and tight, and to be able to let it all out … it’s so fun to be that irreverent. It’s like having a really bad Tourette’s moment.
Do you watch the show? Did you see the seance sequence from your second episode?
No, I haven’t! It’s horrible.
Well, at least watch the show so you can get to the part where Josh Hartnett and Reeve Carney make out.
Oh my God. Oooh! [Laughs.]
Here are some reviews on Eva’s performance in Sin City: A Dame To Kill For. Click on the Source links for the full film review.
But the main attraction here is Green, who, in addition to serving as the film’s most eye-popping design element, invests Ava with a wild-eyed intensity worthy of Medea, adding another to the actress’ gallery of murderous screen sirens following her performances in “300: Rise of an Empire” and “Dark Shadows.”
– Justin Chang for Variety, Film Review: “Frank Miller’s Sin City: A Dame to Kill For’
But A Dame to Kill For‘s best special effect is Eva Green. When her femme fatale — homophonically named Ava — bursts into a bar to plead that ex-boyfriend Brolin take her away from her rich husband (Marton Csokas) and omnipresent bodyguard (Dennis Haysbert), her ripeness reduces him to two words: “Ava. Damn.” Green is sexy, funny, dangerous and wild — everything the film needed to be — and whenever she’s not on the screen, we feel her absence as though the sun has blinked off. In a movie that treats women like chew toys, Green is powerful, even when she plays weak. When she coos, “I guess I’m not a very strong person,” to her latest rescuer, not only is she wielding femininity like a trap, but it also feels as if she’s sending up the rest of the film.
– Amy Nicholson for Westword, Sin City’s Best Special Effect is Eva Green
Green is the only female performer who sees through this movie’s ludicrousness and dares to one-up it. Her nudity feels defiant — she and even Brolin show a lot more skin than any of the strippers – and she turns Ava’s rapaciousness into one of the few tangible objects in this movie made up principally of special effects. (Mickey Rourke, once again, brings soulfulness to the role of Marv, a monstrous tough-guy with a heart of tin.)
– Alonso Duralde for The Wrap, Sin City: A Dame To Kill For Review: Eva Green Steals This Juvenile Film Noir
It’s almost a problem that Green plays Ava so perfectly – you may find yourself hoping she slithers her way out of her admittedly well-deserved comeuppance.
– Isaac Feldberg for We Got This Covered, Sin City: A Dame To Kill For Review
No other actress so perfectly embodies the classic femme fatale as Green, who plays Ava Lord in a twisted tale that explains how street hero Dwight (now played by Josh Brolin) came to need that new face he had in the first film. …… No other actress so perfectly embodies the classic femme fatale as Green, who plays Ava Lord in a twisted tale that explains how street hero Dwight (now played by Josh Brolin) came to need that new face he had in the first film.
– Travis Hopson for Examiner, Movie Review: Robert Rodriguez’s Sin City: A Dame To Kill For
We’ll be giving away Sin City: A Dame To Kill For posters to a few lucky fans!
Ways to win a poster:
Winners will be picked by an uninvolved third party. Upon winning, winners will receive a tweet informing them that they won. Winner will have 24 hours to Direct Message (DM their name and shipping address). All personal information relayed in this promo will be kept confidential during and after the promo. Should winner decide to forfeit their winning, they have 3 days to inform @EvaGreenWeb about it.
All winners must be 16 years old and above.
Promo is available to US and Canada residents only. International fans who wish to join the promo must have a US or Canadian nominee who will receive the poster on their behalf.
Posters will be shipped within 8 to 10 weeks.
Promo runs until poster supplies last.
All winners agree to inform @EvaGreenWeb of the receipt of their posters upon arrival via a tweet.
DISCLAIMER: Dimension Films and The Weinstein Company did not provide the posters for this promo and are not a sponsor nor involved in picking the winners.
By David Marchese
The star of ‘Penny Dreadful,’ ‘300: Rise of an Empire’ and ‘Sin City: A Dame to Kill For,’ looks back at her year’s big roles
Eva Green’s year has been one for the history books, or from them anyway. In March, the French actress was seen in plate mail playing the vengeful Persian warrior Artemisia in the action hit 300: Rise of an Empire. Then, in late April, she popped up in Showtime’s Penny Dreadful, recently renewed for a second season, where she traded in ancient duds for frocks and black lace as Vanessa Ives, a Victorian prone to demonic possession. In August, Green caps her run of titillating period pieces with the release of the crime noir sequel Sin City: A Dame to Kill For, in which she played the dangerous siren Ava Lord. Though Green insists that any similarities between her trifecta of roles is accidental, 2014 has, coincidentally or not, been a renaissance for the 33-year-old, who first turned heads as Bond girl Vesper Lynd in 2006’s Casino Royale and since then has largely sashayed under Hollywood’s radar.
“To tell you the truth,” admits Green in her lightly accented English. “I was not offered something interesting [after Casino Royale] by Hollywood. Every role was the boring beautiful girl. Instead of doing that, I made movies that not a lot of people saw but were good for my heart. I’ve always found the movie business rather cold, so finding parts to play and having people enjoy them has made this year a miracle for me.”
Not that the London-based Green, a high fashion favorite, isn’t used to attention — her mother is the well-known French actress Marlene Jobert (her father, Walter, is a dentist), and she’s been a regular in European tabloids ever since she appeared as a baby with her mom and twin-sister Joy on the cover of Paris Match. Perhaps that’s why off set, this self-described nerd prefers low-key pursuits at-odds with her fierce on-screen persona. “I like to stay home and read rather than go to a club or something,” Green says. “I’m very shy. If I go out, I’m hugging the walls. “
Now, though, inhabiting the kind of powerful femme fatale roles that Angelina Jolie used to devour has now become Green’s specialty, rendering her a cult favorite and rescuing her from being eternally entombed as a Bond girl. “It’s been fun playing these strong, sexual women,” she says. “Especially in Sin City my character is a real bitch. She uses her body as a weapon. It’s very jubilating to do that. I wish I had the balls of my characters.”
As the Motion Picture Association of America noticed, she’s got something else. Green’s Sin City poster showed her posing with a gun and wearing a sheer bathrobe that left little to the imagination. The MPAA subsequently refused approval for the poster’s usage. “I don’t understand the problem,” she says. Then she adds with a laugh, “I heard that if my nipples were made darker the poster would be fine.”
With Penny Dreadful finished filming for the season, Green, whose dream collaborators include David O. Russell and Danish provocateur Lars Von Trier, is looking for her next project. “I’d like to do something funny,” she says, as long as it doesn’t require abandoning her blooming dark side. “It would,” she says, “have to be a comedy that’s very sharp, and very black.”
Source: Rolling Stone
By Sharon Tanenbaum
Lady in green!
For the L.A. premiere of Sin City: A Dame to Kill For on Aug. 19, Eva Green looked sinfully sexy in an emerald lace Elie Saab Couture gown and seductive makeup.
“The idea was a ‘soft siren,'” celeb makeup artist Pati Dubroff exclusively told Us Weekly of Green’s look. “With her raven hair down in a soft wave, the feeling was slightly film noir — and taking a nod from the styling of the film.”
For sultry eyes, Dubroff used Surratt Expressioniste Brow Pencil in Raven to define and add drama to the brows. “I used Jillian Dempsey Khol Eyeliner in Jet Black at the base of the lashes an then Make Up For Ever Aqua Matic Eyeshadow Pencil in Diamond Golden Grey to give the eyes a smoky effect,” she told Us.
Next, she topped with a matte grey shadow and then layered the sparkling green Urban Decay Moondust Eyeshadow in Zodiac and a mulberry color cream shadow on top. She finished with a few coats of mascara.
“For the lips, we went with a bruised plum tone,” Dubroff said. To achieve the effect, she pressed Tarte Lipsurgence Power Pigment Pencil in Blushing Bride into the lips for a stained look that was also rich and defined.
Since the dress had an open back, Dubroff used Jergens BB Body Perfecting Skin Cream in Light. “It evened out the tone and provided a subtle sheen to illuminate the skin on her arms and back,” Dubroff told Us.
Source: Us Magazine
Penny Dreadful’s official soundtrack composed by Abel Korzeniowski is now available to purchase on iTunes and on SHO STORE.
For more information on the soundtrack, including the track list and album cover, click HERE.
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