“I’m almost invisible. Black leggings, black t-shirt. I don’t really take time to dress in the morning. I don’t look in the mirror. I should probably wear a few dresses….I should make more efforts, in fact. I don’t make enough efforts.”
Français / Anglais
“I’d love to shoot a french movie. I need a french project that really pleases me. Maybe to have more freedom, as french is my native language. I always liked english. I could have been an english teacher…I dont know…but it’s really a second language for me.”
“My lack of confidence is disastrous. I still don’t know what I’m missing. It’s an inner thing I can’t untie, and being successful doesn’t change anything to it. This job is a constant questioning. I can put on a strong face, but I don’t get used to it… On the other hand, I know that being an actress doesn’t solve everything. We live intensely, but it’s not enough. I don’t want to wake up at age 50 telling myself that I’ve done nothing but films.” – Eva Green
Penny Dreadful™ will be premiering on May 3, Sunday, at 10PM ET/PT on Showtime© (check your local listings for full details). In celebration of the show’s return and Eva Green reprising her role as Vanessa Ives, we will be giving away FREE authentic Penny Dreadful memorabilia to loyal and lucky Eva Green and Penny Dreadful fans!
We have a series of planned contests and random giveaway moments so be sure to follow us on Instagram, Twitter and Tumblr. To find out your ways to win and the promo mechanics, click HERE.
Illustrations by artist Anaïs Chareyre who also designed Vanessa Ives’ tarot cards, Read our exclusive interview with her HERE.
By Patricia Dahaner
For a former ‘Bond’ girl, Eva Green certainly knows how to keep under the radar. After two years of living quietly in Ireland, she says that she’s happier walking the Wicklow hills – make-up free – than in a Dublin nightclub
Eva Green has been doing so much work in Ireland in recent years that the Paris-born actress jokes that she should get herself an Irish passport.
Living in Dalkey, Co. Dublin, for the past two years, she is very at home in a house by the sea, to which she retreats each night, after days at Ardmore Studios filming Penny Dreadful.
A self-described introvert – who says she took up acting to help with her acute shyness – the embrace of the coastline of Dublin Bay comforts her.
“There’s something very magical and very spiritual in Ireland. The nature is very particular here and there are forces,” she tells me in her very quiet voice. It’s a statement befitting of Vanessa Ives, the mysterious clairvoyant that Eva plays in supernatural TV series Penny Dreadful.
Though set in Victorian London, the show – which also stars Timothy Dalton and Josh Hartnett and is now in its second series for American network Showtime – is filmed in Dublin. When we meet on the set at Ardmore Studios, 34-year-old Eva is dressed in a purple silk shirt and black tie from Dolce & Gabbana over a pair of black leather trousers and high boots. She’s friendly and wants to give a decent interview, but there’s also an arms-length reserve which she can’t help but give off. There’s almost no trace of a French accent when she speaks.
“I shot Cracks here in Ireland, it’s a small film. A long time ago, I did a TV show here also, called Camelot. I’ve spent two years here now doing Penny Dreadful, so I think I should get an Irish passport!
Writer Sharon Gosling started as an entertainment journalist, writing companion books for various television shows and movies and eventually becoming a young adult novelist. She’s no stranger to the world of Penny Dreadful having written two successful Victorian era young adult novels. In this interview, Sharon talks about her work in writing the fan essential The Art and Making of Penny Dreadful, the process of making it, her writing process and being on the set of Penny Dreadful.
First of all, tell us a little bit about yourself.
I live in a very small village in the north of England, surrounded by fells and sheep, with my husband and a cat who likes to surprise me by hiding perfectly unharmed baby rabbits under my bed.
How did you get started as a writer? Have you always wanted to be a writer?
I never wanted to be anything but a writer. As a teenager I realized that I needed some way to support myself as I tried to be a novelist, and I hit upon journalism. I started while I was still at school, writing book reviews for a national magazine and doing general articles and interviews for a local magazine in my hometown. Then I did a Literature degree, during which I continued to work for national magazines. When I graduated, I was lucky enough to be given a job as a staff writer on one of them and things slowly grew from there.
You started as an entertainment journalist then ventured into Young Adult Literature with The Diamond Thief and The Ruby Airship. Can you tell us more about The Diamond Thief and The Ruby Airship?
The Diamond Thief is set in London in the 1880s and follows the exploits of Rémy Brunel, a young French trapeze artist who also happens to be the best jewel thief in Europe. Her master brings her to London to steal a famous diamond from the Tower of London, but she finds herself pitted against a determined policeman called Thaddeus Rec. They end up having to work together to thwart a greater threat to the city. The Ruby Airship is the sequel, and I’ve just finished writing the third in the series. It will be out in 2016 and is called The Sapphire Cutlass.
Penny Dreadful Season 2 will have its world theatrical premiere on Tuesday, April 21 at Toronto’s TIFF Bell Lightbox featuring series star Josh Hartnett.
EVA GREEN’S BIGGEST MYSTERY
Uniqueness is a special edge of her talent. Eva Green first attracted the attention of the audiences with her bold scenes in the legendary Bertolucci’s “The Dreamers”. And she was remembered. Till this day she has to fend off journalists with questions about her demonstrative nudity in the film. “Yes, I filmed something that was nearly a porn scene! But the film isn’t about that! The erotica in the film is a tool, which demonstrates the liberation of the antagonists from social taboos, the film is about 1968, about the revolution in people’s minds.”
So Eva doesn’t like discussing this topic. Anyway, international fame found her after the role of Vesper Lynd, a Bond girl, in “Casino Royale”. She followed it up with gothic and mysterious roles in “The Golden Compass” and “Franklyn”, and with a femme fatale role in “Sin City 2”. In the TV show “Penny Dreadful”, she exorcises the Devil and fights vampires. Why this choice of roles? She thinks it’s the “best way to liberate one’s self”. She feels the need to transform even during photoshoots. She can be a pin-up girl, a real lady, a seductive creation of the dark forces – anyone, really! Even her last name has been changed due to circumstances: it’s pronounced “Green” in English, but it actually sounds as “Grayne”, as her Father is a Swede. Eva’s also not a brunette but a natural blonde. Even in her soul she’s a little infantile, modest and fearful. But she dyed her hair and became a vamp, which she doesn’t regret.
ELLE: Is there anything we don’t know about you?
Eva Green: I often play confident and powerful women. People think that I’m like that in real life too. Labeling people is habitual but I’m a closed-off and shy person. This is why during photo sessions I try to be bolder and I choose eccentric and dramatic looks for my red carpet outings like Galliano and McQueen, which I love, and which have a certain level of oomph, but I try to avoid this type of escapades in real life.
ELLE: What are your everyday clothes?
EG: Black leggings, biker boots and a cool t-shirt, for example.
ELLE: How do you feel when people closely watch you and judge you?
EG: At first I had panic attacks! But as outings in the spotlight became more frequent, I started to be more confident. You don’t need special skills for that. You just need to understand why you’re getting the attention and be proud of a job well-done. I concentrate by listening to classical music. During shoots I often listen to Chopin.
Veteran book designer turned graphic novelist Martin Stiff is no stranger to the world of Penny Dreadful. The last time we interviewed him, he talked about his career as a graphic novelist for award-nominated graphic novel The Absence as well as his work on illustrating the Penny Dreadful special edition book Dracula. This time, he talks about his work on illustrating the fan essential The Art and Making of Penny Dreadful, the process of making it and his hopes for Season 2.
Hey Martin! How have you been? When we last spoke, you talked about your award-nominated graphic novel The Absence. Since then, it has been nominated for Best Book at the British Comic Awards….. Congratulations!
Thanks! It was also nominated for Best Original Graphic Novel at the Ghastly Awards, so it’s been quite a year for The Absence. Sadly, it didn’t win either award, but I’m incredibly proud to have been nominated. And a lot of other people have been showing interest in The Absence, too, some of which could lead onto some exciting things, but I can’t talk about any of it at the moment!
As you are already well aware, Eva Green starred in two Frank Miller graphic novel film adaptations (300: Rise of an Empire and Sin City: A Dame to Kill For) last year so a lot of her fans, male and females alike, have been pretty much introduced to the world of graphic novels. We weren’t surprised when we got inquiries about The Absence!
Well, that’s great. I really think the rise of graphic novel based movies – and not just the superhero stuff – is hugely beneficial for the whole industry. I’m pleased people are seeking out the more unusual books like The Absence and huge thanks to you guys for plugging it!
Eva enters at 9:00