‘Perfect Sense’ is a highly original film portraying the end of the world as we know it, and it forces us to think about something most of us probably never have considered: what it would be like to slowly lose all of our senses. We caught up with the film’s female lead, Eva Green, after ‘Perfect Sense’ was screened at Sundance. Here’s what she had to say about it.
Q: ‘Perfect Sense’ is not your typical, Biblical end-of-days film. Since it offers a new angle as to how mankind could end, did you walk away with any new fears or ideas on how the world might end?
A: Oh my God, I’m not a medium [laughs]! But the planet and the pollution is really bad. It’s scary. The past century has been quite nasty to our planet, we’ve just been killing it. But that’s a tricky question… I’ll have to think about that.
Losing yourself in love makes plenty of sense to Eva Green.
The actress compares going blind and deaf in her moody apocalyptic drama “Perfect Sense,” opening Friday, with embarking on a whirlwind romance.
“It’s a love story with the background of a worldwide epidemic,” explains the 31-year-old stunner, who steps away from her recent femme fatale roles to play a Scottish epidemiologist trying to stop a mysterious pandemic that’s wiping out the human race’s five senses, one by one.
“It’s not too dark!” she insists. “It’s a metaphor for falling in love; you know, how when you fall in love, you lose your senses.”
Ask the French actress to pick one sense she could live without, however, and you get a different story.
“Maybe the sense of smell?” she ponders. “But the problem is, it’s quite related to taste, and I love eating. It’s a big dilemma.”
Eva Green is best known to audiences as the mysterious femme fatale Vesper Lynd in the James Bond-reviving Casino Royale (although some hot-blooded males might best recall her revealing star turn in Bernardo Bertolucci’s The Dreamers). Since then she’s appeared mostly in small, thoughtful, and British films, and her latest, Perfect Sense, continues the trend. A small-scale doomsday romance, the film follows Green’s scientist , who falls in love with a chef (played by Ewan McGregor) as a mysterious epidemic begins to rob people of their five senses. We recently spoke to Green about what attracted to her this role, and her return to big-budget filmmaking opposite Johnny Depp in Tim Burton’s upcoming black comedy, Dark Shadows.
What attracted you to Perfect Sense?
I thought it was kind of a brave, unusual story, thought-provoking but mainly a love story with the background of a catastrophe. I thought it was quite charming. I knew the director, David Mackenzie, and also the fact that Ewan McGregor was onboard was very appealing.
She can put “Bond girl extraordinaire” on her resume and describes her character in the forthcoming Dark Shadows as a “bawdy Barbie,” but between those two roles Eva Green is a woman holding on for dear life during a global pandemic in Perfect Sense. In David Mackenzie’s romantic drama, Green plays an epidemiologist struggling to track and contain a series of mass-scale maladies. Acute emotional states like unexplained sadness cause the human race to gradually lose the ability to taste, smell, hear and see, leading to more than a few mood swings.
Amid catastrophe, though, the pieces are finally falling into place for Green’s Susan: She’s found love and a rock to lean on in Michael (Ewan McGregor), a chef with just a splash of bad-boy. It’s this love story that Green is most in touch with, and what drew her to the film in the first place. The emotional and, it must be said, super-steamy scenes between Green and McGregor halt the chaos and serve as a reminder that we should always stop to smell the roses, even if we technically can’t.
Movieline talked to Green about her career path, love vs. calamity and Tim Burton fostering collaboration on Dark Shadows.
When it comes to difficult decisions, choosing which of the best-known apocalyptic scenarios—post-nuclear, zombie, viral, alien invasion, natural disasters, the rise of the machines, and so on—you’d rather deal with is probably about as difficult as they come. None of those sound very fun at all. Unless of course you’ve seen too many movies or played too many video games and think that you could flourish in such an environment, in which case I wish you the very best of luck, Mad Max.
One of the scarier of these scenarios is of course the viral apocalypse because, along with post-nuclear, it seems like it’s something that could actually happen some day, if we’re a very, very unlucky species. Numerous movies have been made on such an apocalypse—some looking at it as a sickness quickly spreading, while others fuse it together with the basic idea behind zombie apocalypses and unleash the fury of them both. But none of them (at least that I know of anyway) has a love story at its core. Which brings us to Perfect Sense.
The movie follows Susan (Eva Green), a scientist who’s studying a strange new string of illnesses that appear to be one in the same. It begins with an immense sense of loss and sadness—every pain you’ve ever felt rushing back on you at once—causing you to sob uncontrollably. Not long after that, you lose your sense of smell. While trying to figure out what might be causing it, if it’s contagious, and if it gets worse than that, Susan is also trying to figure out her own personal life, which isn’t going quite how she expected.
Apocalyptic love stories never end well, but Ewan McCregor and Eva Green have no problem making sense of them.
In David Mackenzie’s “Perfect Sense,” which premiered at Sundance last year, “Casino Royale’s” Eva Green plays a scientist who falls in love with Ewan McGregor whilst discovering a worldwide epidemic. The disease, which is “so powerful they don’t even have time to give it a name,” destroys the senses and puts all emphasis on emotions; and when Mcregor and Green contract it at the same time it brings them closer together.
“Our name’s Bond, James Bond” could be the opening line when the six actors who have played 007 in the big screen franchise meet up at a lavish Hollywood party to celebrate its 50th birthday.
They will be joined by Ursula Andress and Eva Green and at least a dozen of the other beauties who have played Bond Girls since Dr No was released in 1962.
The party will be the climax of what MGM calls “a whole year of birthday celebrations for 007 in the movies”. It will be held after October’s Hollywood premiere of Skyfall, the 23rd film in a series that has made more than £3.5billion at the box office.
Current Bond Daniel Craig said: “It’s an astonishing record for any character to endure for five decades in showbiz but I’ll bet this: the franchise is such a phenomenon that in another 50 years time a whole new bunch of actors and their leading ladies will be gathering for another party when Bond becomes a centenarian.”
Tim Burton is one busy fella. Not only is the director putting the finishing touches on the big-screen adaptation of Dark Shadows, but he’s also helming a stop-motion, 3D expansion of his short Frankenweenie and serving as executive producer on Abraham Lincoln: Vampire Hunter. MTV caught up with Burton and got the details on the projects he’s working on this year.
He said that not every member of the Dark Shadows cast — it includes Johnny Depp, Michelle Pfeiffer, Eva Green, Chloe Moretz and Helena Bonham Carter — was familiar with the source material, a gothic soap opera that aired daily on ABC from 1966 to 1971. However, they quickly caught on to its “strange vibe”:
It’s got such a strange vibe. And it’s not something that a lot of people necessarily know. You’re trying to do a weird soap opera. I felt really lucky, because the cast is really good. People like Michelle [Pfeiffer] grew up watching it. Some of the cast knew about it. Some didn’t, but they were all game for it — getting into the weird spirit of what Dark Shadows was. It has a weird sense of heightened melodrama. There was a generation of us who would run home from school to watch it. That’s probably why we were such bad students. We should have been doing homework; we were watching Dark Shadows instead. It was hard to put into words the tone it was. It had a weird seriousness, but it was funny in a way that wasn’t really funny. We just had to feel our way through it to find the tone. We didn’t do any real rehearsals, because the cast all came in at different times. But there was an old photo of the [original] cast which I always remembered, so a couple days before shooting, we got the whole cast together to take a similar shot so everyone could see each other and get that vibe from doing a group photo. That helped set the tone more than anything.
Mariana and I would like to wish a very Merry Christmas and a Happy New Year to Eva and to all of you. Thank you all for visiting the site and for your continued support. We wish you all the best this holiday season. Be safe and enjoy the time with your loved ones.
Warner Bros. and Legendary Pictures’ 300 prequel hasn’t found its male star yet, but the movie is zeroing in on its female lead. Warner Bros.
Eva Green has entered negotiations to play Artemisia in the movie, which is currently working with the title 300: Battle of Artemisia. Noam Murro (Smart People) is directing.
The epic follow-up to 2006′s Gerard Butler action pic 300 sees the Persian king-turned-god Xerxes lead an army against Greek forces, who have little training but are under the guidance of a general named Themistokles. (The giant battle at the center of this movie is supposed to occur at the same time as the fighting in 300.)
Green would play a ruthless, gold-covered goddess who persuades Xerxes to amass his army and helps lead them into battle.
The studio is hoping to start production in the first quarter of 2012. Mark Canton, Gianni Nunnari, Bernie Goldman, Zack Snyder, Deborah Snyder and Thomas Tull are producing.
British actress Green may be best known to American audiences for playing James Bond love interest Vesper Lynd in Casino Royale or appearing in the international hit The Golden Compass. She recently wrapped shooting Dark Shadows, Warners’ big-screen take of the gothic soap opera starring Johnny Depp and directed by Tim Burton.
Thanks to George and Emma for the links.
Below is an excerpt from an article by Elli at BondMovies.com wherein she shares her thoughts on the newest Bond girls and talks about her top 5 favorites, including Eva as Vesper Lynd. You can read the full article here.
1. Vesper Lynd
The drop-dead gorgeous Eva Green is hands down the best Bond girl of all time. A working-woman with overtly feminist tendencies, an insatiable ambition, and a secret plan, Vesper is the first — and maybe the only — real, complex woman in the Bond series. She is passionate. She is forgiving. She is unforgiving. She denies Bond on several occasions — and she’s not playing hard to get, she’s just saying no. She’s beautiful. And, most importantly, she gets under James’ skin like no other woman ever has. In essence, Vesper Lynd makes James Bond who he is. No other Bond girl can make that claim.