Welcome to Eva Green Web, your oldest, largest and most up-to-date fan resource dedicated to the talented and stunning BAFTA-winning French actress, best known for her roles in The Dreamers, Casino Royale, Dark Shadows, 300: Rise of an Empire and Penny Dreadful. Here you will find all the latest news, detailed information about Eva and her career, the largest Eva photo gallery online and much more. Thank you for visiting and enjoy your stay.
Samuel L. Jackson is in talks with Fox to come on board Tim Burton’s “Miss Peregrine’s Home for Peculiar Children” alongside Eva Green and Asa Butterfield.
Chernin Entertainment is producing “Peculiar Children” and has slotted the fantasy-actioner for release on March 4, 2016.
Burton will direct from a script by Jane Goldman, who adapted the Ransom Rigg novel about a teenager who finds himself on an island where he must help protect a group of orphans with special powers from creatures out to destroy them.
Jackson has been filming Quentin Tarantino’s “The Hateful Eight.” He’s repped by ICM Partners and Anonymous Content.
From getting her acting start in Bertolucci film The Dreamers, Eva Green has spent the last decade on some of Hollywood’s biggest movie sets working with Ridley Scott and Robert Rodriguez to becoming a Bond girl. As her latest turn in White Bird in a Blizzard makes its debut on Blu-Ray, here’s a look at three Eva Green performances that lend to her standing as a modern femme fatale.
1. Vesper Lynd, Casino Royale
In what is arguably the best James Bond outing ever, Green is her most effective as the only woman to ever truly gain 007’s affection. Vesper Lynd is a woman torn between right or wrong as she is forced to play for both sides. But her love for Bond is real, Green able to switch from smouldering to caring with ease before breaking the action hero’s heart. As an unconventional Bond girl this not only made Green a star to be noticed, but made Casino Royale what it is – a Bond film with heart.
2. Ava Lord, Sin City: A Dame To Kill For
Frank Miller’s favourite Sin City creation came to life in a sequel nearly 10 years in the making, and Green revels in the neo-noir world of his imagining. Her turn as the dame of the title is the centrepiece of the film as she controls everyone and everything. Green is her most seductive as Ava, luring hapless men into a false sense of love and security. It’s safe to say she wasn’t too afraid to get her clothes off in the name of art either.
3. Angelique Bouchard, Dark Shadows
While the film as a whole was a bit of a jumbled effort by Tim Burton, Green is given a lot of room to ham up the femme fatale stereotype as Angelique, the witch obsessed with Johnny Depp’s Barnabas. She plays Angelique as a straightshooter with conviction, a businesswoman who knows what she wants. But her pining for Barnabas brings a lighter, near-comical side to the character, a point of difference for Green who is otherwise used to dramatic roles.
We’re happy to announce that our literary project with Ms. Green is a success! We received hundreds of submissions and all these manuscripts has been forwarded to Ms. Green’s management for Eva’s perusal. Please do remember that EvaGreenWeb.com, Ms. Green and her management are not obligated in any way to reply to any inquiry after submission of any piece of work unless compelled or otherwise. We will update you all should there be any in the future. Again, thank you for participating in this special project. Ms. Green surely has her hands full on reading through them!
Milan, around 1915. This was the most popular drink in the Bar Camparino, opened by Davide Campari himself. It had a revolutionary pumping system that sent a recent invention right up to the counter: soda water.
February 1st, 2015
GArticle, Campari, InterviewComments Off on Eva Green and Julia Fullerton-Batten on Campari and Working Together
By Natalie Denton
“It is important to feel loved by the photographer or the director, so you are able to give as much as possible. I felt like Julia really appreciated me. I played several characters and it was fun. I didn’t have to do loads of homework or learn lots of lines, and to be surrounded by passionate people without any pressure was a joy. Truly, Julia was my inspiration.” – Eva Green on Julia Fullerton-Batten
“What was so refreshing with Eva was every time she came on set, she totally performed, knew the story behind the cocktail and it just made my job so much easier. Campari approached me to ask if I wanted to photograph the calendar for 2015 and I was like, ‘yes!’ – I didn’t know who the muse would be, but I was over the moon when I found out that it was Eva, because I didn’t want to work with someone typical. I think Eva has something quite amazing about her. She was the perfect choice for the calendar.”– Julia Fullerton-Batten on Eva Green
French actress and Model; Eva Green is most notably known for filming along side Daniel Craig in Casino Royale. The one women to have stolen his heart. Here she talks about what it was like being the leading lady for the latest Campari Calendar.
SA: Congratulations on becoming the leading lady for Campari, How do you think the style of the brand has evolved over the last 150 years?
Eva: Thank you. It was a huge honor. The Campari Calendar is renowned all over the world and is a work of art that I myself have admired for many years. Some incredibly talented and beautiful women have starred in previous editions, from Uma Thurman and Penelope Cruz to Jessica Alba, so I’m really honoured to have been part of that history too. It is such a privilege to work with a brand like Campari, which carries with it such a rich and interesting history, yet remains to be timeless with some of the best-loved cocktails remaining on trend even today. I think that says a lot for the styling of the brand too in that it has obviously evolved with the ages but at every point has remained contemporary and on trend – this is probably why it is still such a worldwide icon today.
SA: How did you feel about this year’s theme? Why do you think you were chosen to star in this year’s Calendar? Eva: This year’s theme ‘Mythology Mixology’ had me hooked on the project from day one. The whole Calendar is very much a visual narrative, revealing the creation stories behind 12 of Campari’s best loved classic cocktails. As an actress, I am very used to bringing scripts and stories to life through characters, so perhaps that’s why they chose me. Unlike with TV or film though, we had to capture the stories in just one shot. There is something very intriguing and complex in that but Julia’s (the photographer) vision and skill is what really brought this project to life.
SA: What does the Campari Calendar mean to you? Eva: For me, the project was about so much more than simply having my picture taken. I for one learned so much from this shoot and it was so interesting to delve into the history behind the Campari brand and its cocktails. It’s made me think about the art of telling stories very differently. Like I say, I am very used to recreating stories as an actress, but working with Julia on this shoot opened my eyes to the art of photography as a story-telling platform. It really is a work of art and I hope everyone loves it as much as I do.
SA: As an actor, who do you look to most for inspiration when you are playing a role? Eva: I look to actors and filmmakers who inspire me. I’ve worked with Tim Burton before and am about to work with him again – he inspires me a lot.
8. “The Dreamers” An extremely polarizing NC-17 film upon its release, Bernardo Bertolucci’s wantonly naive — perhaps revisionist — paean to his ’60s counter-culture heyday is a valentine to the thrilling rush of New Wave cinema and an impetuous kind of sonic youth. It can be a little heavy-handed if you’re not a devout quixotic cineaste (but can you really hate on references to “Mouchette” and “Bande à part“?). But drunk on idealism, it throbs with erotic voltage and is fraught with romantic spontaneity — and it’s a film that is done wonders by repeat viewings and is deeply in need of a second glance. Featuring excellent performances by its three leads (especially a deliciously wicked and sultry Eva Green; the boys are Michael Pitt and Louis Garrel) the trio play disaffected youths insulated in a palatial Paris apartment, experimenting with sexuality, exploring abstract notions, philosophy and challenging social mores while the world outside is pregnant with unrest and discordant anomie. Its rich guilelessness is in essence its strength (the title says its all), as the film voluptuously (and profanely) lurches forward like an ardent molotov cocktail to the chest.
EVA GREEN has been signed by L’Oréal Professionnel as the brand’s new international spokesperson. The actress – perhaps best known for her role as Bond Girl Vesper Lynd in Casino Royale – will be the face of the brand’s 2015 launches from February.
“As an actress, hair is so important. You need a very good relationship with your hairdresser and together we create the hairstyles. My hairdresser uses, of course, the leader of hair products, L’Oréal Professionnel. I am very glad to be on board on this new adventure,” Green said in a statement.
This year, Green – who appeared on the cover of Vogue’s January 2008 issue – will begin shooting Tim Burton’s new film, Miss Peregrine’s Home for Peculiar Children, as well as reprising her role in American television series Penny Dreadful, in which she stars alongside Josh Hartnett.
“We have chosen Eva Green because she perfectly embodies our values: She is extremely sensitive to fashion trends and counts on the expertise of hairdressers, both on and off screen,” said Anne-Laure Lecerf, International Managing Director at L’Oréal Professionnel. “Her beauty, modernity and personal appeal captivate. I am convinced that Eva Green will be an amazing advantage for L’Oréal Professionnel.”
Green will be the new face for the strategic 2015 launches, including Wet Domination by Tecni.ART; this styling range will be available in L’Oréal Professionnel hair salons from February 2015. www.lorealprofessionnel.co.uk
January 30th, 2015
GArticle, Interview, L'Oréal, ModelingComments Off on Introducing Eva Green: L’Oreal Professionnel’s Newest International Spokesperson (Press Release)
L’Oreal Professionnel is proud to announce that Eva Green – Bond girl in Casino Royale, heroin of the new hit TV series Penny Dreadful and star of the next film by Tim Burton, Miss Peregrine’s Home for Peculiar Children,which will be released in 2016 – is the new international spokesperson for L’Oreal Professionnel.
Born in Paris on July 6, 1980, Eva Green possesses a feminine and magnetic beauty. She is one of the most talented international actresses of her generation. She also has a great awareness of fashion and beauty trends. Eva is particularly renowned for her translucent complexion, blue eyes and her signature brunette hair, which she often transforms for films and red carpet appearances. Whether wearing a loose, wavy style or a sophisticated and glamorous chignon, Eva Green always channels powerful femininity.
Eva takes pride in her hair and has built a relationship of trust with her hairdresser. “As an actress, hair is so important. You need a very good relationship with your hairdresser and together we create the hairstyles. My hairdresser uses, of course, the leader of hair products, L’Oreal Professionnel. I am very glad to be on board on this new adventure,” she says.
At 34, Eva Green has more than 18 films and TV series to her name. She has often played enigmatic heroines in fantastic and surreal worlds. She chooses her roles carefully and has worked on superb films as well as wonderful collaborations with renowned filmmakers.
Eva began her film career in 2003. She was offered her first screen role by Bertolucci in his film The Dreamers. She went on to star alongside Romain Duris in Arsene Lupin in 2004 before heading to Hollywood in 2005. She launched her international career after just a few months thanks to Ridley Scott who cast her as his leading lady, Sybille, in Kingdom of Heaven.
In 2006, she joined the ranks of the famous and beautiful Bond girls, landing the role of Vesper Lynd alongside Daniel Craig in Casino Royale. She continued to appeal to audiences in large-scale productions like Dark Shadows alongside Johnny Depp and Sin City 2: A Dame to Kill For as well as independent films like Perfect Sense and White Bird.
In 2015, she will begin shooting Tim Burton’s new film Miss Peregrine’s Home for Peculiar Children while also continuing to appear in the hit American TV series Penny Dreadful, in which she plays the title role alongside Josh Hartnett.
“We have chosen Eva Green because she perfectly embodies our values: She is extremely sensitive to fashion trends and counts on the expertise of hairdressers, both on and off screen. Her beauty, modernity & personal appeal captivate. I am convinced that Eva Green will be an amazing advantage for L’Oreal Professionnel,” says Anne-Laure Lecerf, International Managing Director at L’Oreal Professionnel.
One of the most fearless and raw tv performances in years was gifted to us by Eva Green, who played a Victorian Era woman having to battle very real inner demons. Never afraid to give her all – sometimes going to such extreme places that you almost felt empathetic exhaustion watching her – Green was absolutely riveting throughout Penny Dreadful’s first season.
Rest of the category and other nominees and winners HERE.
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Miss Peregrine's Home for Peculiar Children (2016) Role: Miss Peregrine Director: Tim Burton Status: US Release March 4, 2016
16-year-old Jacob follows clues that take him to a mysterious island, where he discovers the crumbling ruins of Miss Peregrine's School for Peculiar Children. As Jacob explores the abandoned bedrooms and hallways, he discovers that its former occupants were far more than peculiar; they possessed incredible powers. And they may still be alive.
The Salvation (2014) Role: Madelaine Director: Kristian Levring Status: Awaiting Blu-ray & DVD release
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.
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