Welcome to Eva Green Web, your oldest, largest and most up-to-date fan resource dedicated to the talented and stunning BAFTA-winning French actress, best known for her roles in The Dreamers, Casino Royale, Dark Shadows, 300: Rise of an Empire and Penny Dreadful. Here you will find all the latest news, detailed information about Eva and her career, the largest Eva photo gallery online and much more. Thank you for visiting and enjoy your stay.
By David Marchese
The star of ‘Penny Dreadful,’ ‘300: Rise of an Empire’ and ‘Sin City: A Dame to Kill For,’ looks back at her year’s big roles
Eva Green’s year has been one for the history books, or from them anyway. In March, the French actress was seen in plate mail playing the vengeful Persian warrior Artemisia in the action hit 300: Rise of an Empire. Then, in late April, she popped up in Showtime’s Penny Dreadful, recently renewed for a second season, where she traded in ancient duds for frocks and black lace as Vanessa Ives, a Victorian prone to demonic possession. In August, Green caps her run of titillating period pieces with the release of the crime noir sequel Sin City: A Dame to Kill For, in which she played the dangerous siren Ava Lord. Though Green insists that any similarities between her trifecta of roles is accidental, 2014 has, coincidentally or not, been a renaissance for the 33-year-old, who first turned heads as Bond girl Vesper Lynd in 2006’s Casino Royale and since then has largely sashayed under Hollywood’s radar.
“To tell you the truth,” admits Green in her lightly accented English. “I was not offered something interesting [after Casino Royale] by Hollywood. Every role was the boring beautiful girl. Instead of doing that, I made movies that not a lot of people saw but were good for my heart. I’ve always found the movie business rather cold, so finding parts to play and having people enjoy them has made this year a miracle for me.”
Not that the London-based Green, a high fashion favorite, isn’t used to attention — her mother is the well-known French actress Marlene Jobert (her father, Walter, is a dentist), and she’s been a regular in European tabloids ever since she appeared as a baby with her mom and twin-sister Joy on the cover of Paris Match. Perhaps that’s why off set, this self-described nerd prefers low-key pursuits at-odds with her fierce on-screen persona. “I like to stay home and read rather than go to a club or something,” Green says. “I’m very shy. If I go out, I’m hugging the walls. “
Now, though, inhabiting the kind of powerful femme fatale roles that Angelina Jolie used to devour has now become Green’s specialty, rendering her a cult favorite and rescuing her from being eternally entombed as a Bond girl. “It’s been fun playing these strong, sexual women,” she says. “Especially in Sin City my character is a real bitch. She uses her body as a weapon. It’s very jubilating to do that. I wish I had the balls of my characters.”
As the Motion Picture Association of America noticed, she’s got something else. Green’s Sin City poster showed her posing with a gun and wearing a sheer bathrobe that left little to the imagination. The MPAA subsequently refused approval for the poster’s usage. “I don’t understand the problem,” she says. Then she adds with a laugh, “I heard that if my nipples were made darker the poster would be fine.”
With Penny Dreadful finished filming for the season, Green, whose dream collaborators include David O. Russell and Danish provocateur Lars Von Trier, is looking for her next project. “I’d like to do something funny,” she says, as long as it doesn’t require abandoning her blooming dark side. “It would,” she says, “have to be a comedy that’s very sharp, and very black.”
Source: Rolling Stone
By Sharon Tanenbaum
Lady in green!
For the L.A. premiere of Sin City: A Dame to Kill For on Aug. 19, Eva Green looked sinfully sexy in an emerald lace Elie Saab Couture gown and seductive makeup.
“The idea was a ‘soft siren,'” celeb makeup artist Pati Dubroff exclusively told Us Weekly of Green’s look. “With her raven hair down in a soft wave, the feeling was slightly film noir — and taking a nod from the styling of the film.”
For sultry eyes, Dubroff used Surratt Expressioniste Brow Pencil in Raven to define and add drama to the brows. “I used Jillian Dempsey Khol Eyeliner in Jet Black at the base of the lashes an then Make Up For Ever Aqua Matic Eyeshadow Pencil in Diamond Golden Grey to give the eyes a smoky effect,” she told Us.
Next, she topped with a matte grey shadow and then layered the sparkling green Urban Decay Moondust Eyeshadow in Zodiac and a mulberry color cream shadow on top. She finished with a few coats of mascara.
“For the lips, we went with a bruised plum tone,” Dubroff said. To achieve the effect, she pressed Tarte Lipsurgence Power Pigment Pencil in Blushing Bride into the lips for a stained look that was also rich and defined.
Since the dress had an open back, Dubroff used Jergens BB Body Perfecting Skin Cream in Light. “It evened out the tone and provided a subtle sheen to illuminate the skin on her arms and back,” Dubroff told Us.
Source: Us Magazine
Penny Dreadful’s official soundtrack composed by Abel Korzeniowski is now available to purchase on iTunes and on SHO STORE.
For more information on the soundtrack, including the track list and album cover, click HERE.
By Rob Lowman
Eva Green is striking as she walks into the room. The actress is wearing a form-fitting black lace dress. Her wrist and hands are adorned with shiny bracelets and large rings, including one of a skull.
As we sit and talk, though, it’s Green’s mysterious eyes that capture your attention. A sultry stare also comes in handy for “Sin City: A Dame to Kill For” from writer-directors Robert Rodriguez and Frank Miller. Like the first “Sin City,” it is based on Miller’s graphic novels. Green plays the twisted femme fatale Ava Lord in the film, which opens Aug. 22.
A penetrating gaze also informed her character, Vanessa Ives, in the recently completed first season of Showtime’s “Penny Dreadful.” In the sophisticated horror series set in Victorian England, Green is an enigmatic medium who at times is possessed by strange spirits.
“She’s phenomenal — the fulcrum of the piece. She’s a ferociously committed actor,” says “Penny Dreadful” creator John Logan, the Tony Award-winning playwright and screenwriter of “Gladiator” and “Skyfall” who spent six months wooing Green for the role.
“A TV series requires quite an important commitment and that was my fear,” says the 34-year-old French-born actress. “But Vanessa is such an amazing role with so many colors to play.”
The first season of “Penny Dreadful” gave Green a number of showcase moments. In the second episode, Vanessa is at a séance when she is suddenly controlled by several demons. It’s a riveting scene that goes on for five or six minutes, during which the actress becomes several different people.
As Ava Lord in “Sin City: A Dame to Kill For,” Green also had some of those turn-on-a-dime and become another person scenes. The trick to doing them, she says, is “not going over the top — that and the transitions, of course.”
“Ava plays the damsel in distress but she is also kind of a bitch,” adds Green, who appears almost shy and reserved. “The challenge to that was making her believable because she’s lying all the time.”
Rodriguez says Green was the only person that he and Miller could agree on to play Ava. “She pulls it off to where you go, ‘She’s a dame to kill for,’ ” he says.
In June, a poster for the film was banned by the Motion Picture Association of America “for nudity.” The graphic-comic stylized illustration shows the actress in a see-through white robe that emphasizes the curves of her figure. ABC also rejected a TV ad for the film because of Green’s sexy pose.
When asked about it, she shakes her head. “I thought it was a joke when I heard. John Logan sent me an email when I was in Hungary and asked, ‘What’s up with this?’ I’m not sure why people objected,” she says. “You sort of guess the outline of the boob. I am holding a gun, though, and no one questions that. It’s all about nothing really.”
There is a fair amount of nudity in “A Dame to Kill For,” which is in 3-D, but the actress is no stranger to that. She made her film debut in Bernardo Bertolucci’s sensuous coming-of-age film “The Dreamers” (2003). Set against the backdrop of the 1968 Paris student riots, it tells the story of three young people and their sexual experimentation.
Green actually grew up in Paris. Her father is Swedish. Her French mother is Marlène Jobert, an actress who worked with Jean-Luc Godard and Louis Malle, two of France’s greatest New Wave directors. Interestingly, before being cast in “The Dreamers,” the actress had a poster on her wall of Bertolucci’s most notorious film, “Last Tango in Paris” (1972), starring Marlon Brando, which made waves because of its sexual content.
In 2005, another heavyweight director, Ridley Scott, cast her in his Crusades epic, “Kingdom of Heaven.” The next year found her in the re-launch of the James Bond franchise in “Casino Royale” as the sexy but strong Vesper Lynd, a female to match Daniel Craig as the newly minted 007.
Though Green now bases herself in London, she says it was that film that accounts for her English accent.
“I had a lot of pressure when making it, actually. The studios were insistent that Vesper had to be British. So I worked night and day on my accent with a coach,” Green says. “And I still work on it because of certain intonations or tendencies. I’m kind of a geek that way. I love languages and working on accents. It helps with building a character.”
Along with her film career, Green has appeared in a number of fashion ads for the likes of Armani, Lancôme, Emporio Armani, Montblanc and Dior, among others. I ask her to show me the large rings she is sporting. “It’s like my armor,” she jokes. “These two are from a Russian designer that I’m very fond of, and this one’s from Morocco, and this I’ve had since the age of 15, which is a long time,” she says, pointing to the silver skull.
Green was planning to talk with Logan the next day about the second season of “Penny Dreadful,” which starts shooting in Dublin in September.
“It’s a luxury to work with him because I can go, ‘Do you mind if we cut that?’ Or, ‘I wish we had more complexity there.’ And he like, ‘No problem.’ He is so gifted and open. I feel lucky.”
She wouldn’t give any hints where her character might go in the 10-episode second year. “I think John would cut off my head.” But she would say: “It won’t be the same. It’s not like, here she goes again. She’s going on another journey.”
As if she’s not busy enough, Green recently signed on to shoot “Miss Peregrine’s Home for Peculiar Children,” which Tim Burton will direct. The two had previously worked together on “Dark Shadows” (2012). She plays the title character, a guardian of a group of orphans with special powers.
As far as roles are concerned, Green prefers complexity, but says, “I don’t want to be typecast with people thinking ‘She is just dark and a femme fatale.’ A good comedy might be simpler, maybe. I don’t know. I like complex. So we’ll see.”
As intense as the roles she takes on might be, don’t think Green spends all her time brooding. “I can get out of the character really quickly and have fun with the crew,” she says.
Since the actress describes herself as a quiet homebody type, it’s curious as to why she’s attracted to such strong and fearsome roles.
“I don’t know. I should ask a therapist,” she says with a small smile. “It’s kind of liberating for me to play kind of evil people because I’m so not like that in real life. You know, I’m not too confident. So it’s just kind of fun.”
Source: Los Angeles Daily News
It was amazing meeting Eva Green! I saw her coming through the side door and while she was going to her seat I asked her, ‘Eva, can I please take a picture, I’m a huge fan?‘ Her publicist said, ‘I’m sorry, we can’t right now.‘ but then Eva moved her to the side and said, ‘It’s okay,‘ and she put her arm around me and took the picture. My heart was pounding cause how happy I was. When she was leaving I said, ‘I love you on Penny Dreadful, you’re amazing in it‘ She said ‘Thank you‘ and walked away. It was just perfection, she is a sweetheart.
The Salvation, starring Eva Green and Mads Mikkelsen, directed by Kristian Levring, will be released on September 3, 2014 in Belgium and Luxembourg.
Dear Friends and Fellow Fans,
2014 has so far been an exciting year for EvaGreenWeb and all Eva Green fans. Ms. Green has blessed us with four films and a television show this year. 300: Rise of an Empire and Penny Dreadful were both highly successful projects and Ms. Green has been critically praised on both. We expect the same for Sin City: A Dame to Kill For, White Bird in a Blizzard and The Salvation –all of which will be out this month and later this year. We thank you all in making these projects to be certified hits and we hope you are all enjoying this joyous year so far as this has been truly unprecedented.
We are happy to relay to you all that Eva has read your birthday messages both here on the site and on Twitter. She was deeply moved and would like to send her appreciation and thank you to everyone!
In this regard, it came to her attention that she has talented fans who are also writers and because of this, Eva Green Web would start receiving literary works for her and her management’s behalf. Ms. Green has manifested an interest in reading good complex intense intricate stories that feel unique and has a good, strong, complex female character with an elaborate back story who is not necessarily a femme fatale or someone she has played on screen before. We are open to receive full length novels, short stories and graphic novels of all genres both from amateur and professional writers. All submitted works MUST BE original, brand new, non-fan fiction, unpublished (both on paper and online, excerpts included) and must not use Ms. Green as a character. Deadline for submission is on December 31, 2014. For more information on this Project, kindly click HERE.
Lastly, we’d like to thank you all for your continued support to Ms. Green and to EvaGreenWeb.com. We immensely appreciate your participation during Eva and Joy’s birthday celebration, as well as following and livetweeting Penny Dreadful Season One during its airing and all other recently concluded and upcoming Eva Green projects and appearances. Ms. Green may not have attended San Diego Comic-Con, but there are other projects to look forward to such as the Campari 2015 calendar, her upcoming appearances and interviews for all her upcoming films and Penny Dreadful starting to resume production for Season Two. All contributions, big and small, are greatly appreciated. We will continue to be a non-profit Eva Green fansite dedicated to her who brings the latest news and updates here, on Twitter, YouTube and Tumblr. We thank you all for continuing to make EvaGreenWeb.com your oldest, largest and most up-to-date fan resource for Ms. Green!
M, Stef and G
By Ethan Sacks
Eva Green bares more than her soul as the title femme fatale, while Rosario Dawson and Jessica Alba all have key action scenes; even Lady Gaga has a part as a conservatively dressed waitress.
“Sin City: A Dame to Kill For” was so green-screen heavy that cardboard boxes were used in place of cars on set, but one thing was completely genuine: Eva Green’s nudity.
As the titular vixen in the noir thriller opening Friday, the actress had to embody a woman so alluring, she drives men to murder. Green did a great job — even the revealing poster of her Ava Lord in a see-through-top has been banned. But ticket-buyers will get a much better view.
“Of course, as an actor you feel so silly being naked and you want to die, you just kind of become numb and you just do the scene,” Green, 34, tells the News. “And you know (director Robert Rodriguez) just has such taste and style that you are in good hands.
“I really think [being nude in the film is] not gratuitous, especially for my character who uses her body as a weapon. She uses men and her sexuality as part of it.”
Welcome back to Sin City, the boozy, bloody home of grifters and drifters, mobsters and molls. Like the 2005 original “Sin City,” the dark tales that make up the sequel are taken directly from the pages of Frank Miller’s iconic graphic novels.
But not everything is as black and white as it was the first time around. Now it’s the dames — like Rosario Dawson’s killer dominatrix — who dominate much of the R-rated flick’s action.
“There’s a lot of estrogen in this one,” says Jessica Alba, who reprises her role as the city’s erotic dancing muse, Nancy. “There’s very powerful women in this movie, and I think it’s so great because the misconception is that there can only be strong guys in this genre.”
A lot has changed for both Alba and her character in the nine years since the first “Sin City” was released. The last time around Nancy was a scared damsel in distress who danced away her insecurities for leering men in a bar — and the actress now says she felt just as self-conscious herself gyrating away.
Alba, 33, says she’s grown up a lot since, becoming a better actor and more importantly, a mother to two daughters , Honor Marie and Haven Garner. “I certainly feel that I’ve evolved as a person and an actress,” says Alba, “and I have [more] fearlessness as a performer after I had kids than I did prior to having kids.”
So she wanted Nancy, now an alcoholic out to avenge the murder of the only man she ever loved, to show the same type of growth, choreographing her sexy dances for months before cameras rolled and running around firing CGI crossbow bolts into the heads of her enemies.
“Being able to play a character that starts off being this kind of
victim who’s an innocent naive girl … and then to see her take her destiny into her own hands and avenge him and become this warrior was so cool,” says Alba.
Dawson’s Gail practices feminism of the more blunt variety — as in leading a group of violent vixens who dish out blunt-force trauma to male evil-doers. But the New York-born actress says it’s not as revolutionary a concept in a traditionally macho genre as it looks.
“I love watching old noir films,” says Dawson, 35. “There were some amazing, multilayered roles for women like Bette Davis. Hollywood has really dropped the ball and taken them away since…and we’re kind of bringing that back again.”
Davis, though, never wore a leather S&M-tinged outfit like the one Gail sports through the movie, more practical for showing off a backside than for buttkicking.
Dawson finds it amusing that in a film where Lady Gaga has a cameo as a fairly conservatively dressed waitress, she’s the one trussed up like Lady Gaga. But Dawson’s costume really helped her “get” the character.
“I remember when my first doll came out from the first film, with a dominatrix outfit, handcuffs and an Uzi,” says Dawson, laughing. “She is that person. She lives and breathes that. I love that. Everything about her screams.”
For Green, who comes off much more demure in real life than in reel life, her “Dame to Kill For” is the most evil character she’s ever played. That says a lot — since she’s previously chewed the scenery through nefarious parts in “300: Rise of the Empire,” “Dark Shadows” and the Starz series “Camelot.”
“To be so bad and irreverent is sort of fun, weirdly,” says Green. “Maybe because I’m not like this in real life, to embrace it fully and to be so bad, it’s just fun.”
Source: New York Daily News
16-year-old Jacob follows clues that take him to a mysterious island, where he discovers the crumbling ruins of Miss Peregrine's School for Peculiar Children. As Jacob explores the abandoned bedrooms and hallways, he discovers that its former occupants were far more than peculiar; they possessed incredible powers. And they may still be alive.IMDb
A frightening psychological thriller that weaves together classic horror origin stories into a new adult drama.Official Photos Facebook Twitter YouTube IMDb
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.Photos IMDb Facebook Instagram